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Hyperion Records

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Venice: The Basin of San Marco on Ascension Day by Antonio Canaletto (1697-1768)
Reproduced by permission of The Trustees, The National Gallery, London
Track(s) taken from CDA66789
Recording details: January 1997
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Ben Turner
Engineered by Philip Hobbs
Release date: May 1997
Total duration: 7 minutes 11 seconds

'A rewarding issue, well documented and spaciously recorded' (Gramophone)

'Performances and recording quality are exemplary' (BBC Music Magazine)

'Robert King's revelatory series cannot fail to enhance the status of Vivaldi's choral music. His sparkling attack and consistently fine choice of soloists have revealed unexpected masterpieces' (Classic CD)

'The superlatives flow just as easily as reviews on the previous two discs have done' (Organists' Review)

'Outstanding performances that have vitality and fervour without sacrificing clarity' (Goldberg)

'Robert King réalise dans chaque pièce une belle progression dynamique, sans aggressivité, avec une pression jubilatoire qui n'oubli jamais le contenu spirituel des textes' (Répertoire, France)

'Interpretaciónes magnificas' (Ritmo, Spain)

Beatus vir, RV598
author of text
Psalm 111 (112)

Introduction  EnglishFrançaisDeutsch
Beatus vir RV598, a setting in B flat major of Psalm 111 (112), is unique among Vivaldi’s surviving sacred vocal works for one coro in being in a single movement but requiring both choir and soloists. It must have been written for the Pietà during Vivaldi’s first period there (1713–1719). The Psalm text, with nine verses (not counting the Doxology), is far from short and obliges Vivaldi to compose a movement of truly exceptional proportions—420 bars in 2/4 metre. Its style and form are based on that of the instrumental concerto, but on a hugely expanded scale. RV598 contains no fewer than twenty-five separate sections (ritornellos or episodes) and visits six keys besides the tonic. In structural terms, both the choir and the three solo voices (singly or in combination) act in the manner of soloists in an instrumental concerto; for the sake of balance and variety their appearances are judiciously alternated. Admirable, too, is Vivaldi’s thematic economy; an easily recognized cadential phrase of six notes underpins the whole movement.

from notes by Michael Talbot © 1997

Other albums featuring this work
'Vivaldi: The Complete Sacred Music' (CDS44171/81)
Vivaldi: The Complete Sacred Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £40.00 CDS44171/81  11CDs Boxed set (at a special price)  
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