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Track(s) taken from CDA67557

Fantasia and Toccata in D minor, Op 57

composer
1894

Robert Quinney (organ)
Recording details: June 2005
Westminster Abbey, London, United Kingdom
Produced by Jeremy Summerly
Engineered by Simon Eadon
Release date: November 2005
Total duration: 12 minutes 38 seconds
 
Evensong
1
Fantasia  [6'39]
2
Toccata  [5'59]

Reviews

'James O'Donnell proves himself master of two Westminster traditions: the Collegiate Abbey style is as assured as his former 'continental' Cathedral persona. Best are the persuasively-layered Britten Te Deum, and conspicuously bouncy Walton Jubilate. The Tomkins reponses almost purr with effortless control' (BBC Music Magazine)

'This is glorious music sung to perfection' (American Record Guide)

'I'm so taken with this program that I frankly rebel at the notion of spending one sentence, much less a paragraph, on the topic of alternative recordings' (Fanfare, USA)

'The setting's generous acoustics play their own part, bathing the entire recording in a warm, luxuriant glow. Those with even the vaguest interest in choral music will undoubtedly want to add this fine recording to their collection' (HMV Choice)
The Fantasia and Toccata for organ was composed in 1894 and clearly shows the ways in which Stanford was influenced and inspired by German music, particularly that of Brahms and Mendelssohn. Following the lyrical ending of the dramatic Fantasia, the pedals announce the theme for the Toccata and there begins an exciting roller-coaster ride in which the musical tension builds continuously towards the magnificent conclusion.

from notes by James O'Donnell © 2005

Le Fantaisie et Toccata pour orgue (1894) montre clairement comment Stanford fut influencé et inspiré par la musique allemande, surtout celle de Brahms et de Mendelssohn. Après la conclusion lyrique de la Fantaisie dramatique, le pédalier annonce le thème de la Toccata; commence alors une palpitante chevauchée, qui voit la tension musicale grimper sans cesse vers la magnifique conclusion.

extrait des notes rédigées par James O'Donnell © 2005
Français: Hyperion Records Ltd

Die Fantasia und Toccata für Orgel entstand 1894 und zeigt deutlich, inwiefern Stanford von der deutschen Musik, besonders von den Werken Mendelssohns und Brahms’, beeinflusst und inspiriert war. Nach dem lyrischen Ende der dramatischen Fantasia kündigt die Pedalstimme das Thema der Toccata an, womit eine aufregende Achterbahnfahrt beginnt, bei der sich die musikalische Spannung kontinuierlich bis zu dem großartigen Ende aufbaut.

aus dem Begleittext von James O'Donnell © 2005
Deutsch: Viola Scheffel

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