Please wait...

Hyperion Records

Click cover art to view larger version
Track(s) taken from CDA67331/2
Recording details: September 2000
Symphony Hall, Birmingham, United Kingdom
Produced by Andrew Keener
Engineered by Tony Faulkner
Release date: September 2001
Total duration: 21 minutes 43 seconds

'Marvellous performances, full of joy, vigour and sparkle. The recording is in the demonstration bracket and this Hyperion set includes no fewer than four encores. An easy first choice' (The Penguin Guide to Compact Discs)

'Superlative' (The Independent)

'Superb … Hough’s new set in Hyperion’s outstanding Romantic Piano Concerto series sweeps the board' (The Guardian)

'It is unalloyed pleasure to sit through all five at a sitting … the quite outstanding pianism of Stephen Hough makes this an unmissable addition to anyone remotely interested in the barnstorming, physically exhilarating concertos of the late nineteenth century' (International Record Review)

'A delightful set that does this underrated composer full credit' (Classic FM Magazine)

Piano Concerto No 2 in G minor, Op 22
composer

Andante sostenuto  [10'08]
Presto  [6'09]

Other recordings available for download
Arthur de Greef (piano), New Symphony Orchestra, Sir Landon Ronald (conductor)
Introduction  EnglishFrançaisDeutsch
Saint-Saëns composed his Second Piano Concerto in 1868. One of its many original features is the tempo gradation of its three-movement plan – ‘Andante sostenuto’, ‘Allegro scherzando’, ‘Presto’. The extended solo passage which opens the work – an obvious homage to Bach – originated in one of the composer’s improvising sessions at the organ. (Saint-Saëns was widely recognised as the greatest organist of his day, and his skill at improvisation – an art which he valued highly – is clearly related to the abundance of cadenza-like passages in these concertos.) The principal theme of this movement is not actually by Saint-Saëns, but was borrowed from Fauré, who had decided against using it in an early Tantum ergo. A spirit of Mendelssohnian delicacy hovers over the second movement, while Saint-Saëns’s individual and mischievous wit is evident in the timpani solos, soon imitated by the piano left hand. A bustling tarantella rhythm propels much of the finale, but the development section is dominated by a trill-obsessed figure from the second subject, while the woodwind intone a chorale-like melody.

from notes by Phillip Borg-Wheeler © 2001


Other albums featuring this work
'Arthur de Greef – Solo and concerto recordings' (APR7401)
Arthur de Greef – Solo and concerto recordings
MP3 £15.49FLAC £15.49ALAC £15.49 APR7401  4CDs Download only  
'Irene Scharrer – The complete electric and selected acoustic recordings' (APR6010)
Irene Scharrer – The complete electric and selected acoustic recordings
MP3 £7.99FLAC £7.99ALAC £7.99 APR6010  2CDs for the price of 1 — Download only  
'The Piano G & Ts, Vol. 3 – Chaminade & Saint-Saëns' (APR5533)
The Piano G & Ts, Vol. 3 – Chaminade & Saint-Saëns
MP3 £6.99FLAC £6.99ALAC £6.99 APR5533  Download only  

Show: MP3 FLAC ALAC
   English   Français   Deutsch