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Hyperion Records

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Track(s) taken from CDA67548
Recording details: January 2005
Fitzalan Chapel, Arundel Castle, United Kingdom
Produced by Jonathan Freeman-Attwood
Engineered by Martin Haskell & Iestyn Rees
Release date: July 2005
Total duration: 9 minutes 5 seconds

'In its entirety this disc is a sublime tribute both to one of England's greatest composers, and to the skill and conviction of one of today's finest ensembles' (Gramophone)

'This superbly sung selection of some of his finest Latin church music will surely prove to be one of Tallis's very best 500th birthday presents. It is hard to imagine a better performance of the magnificent six-part votive antiphon Gaude gloriosa' (The Daily Telegraph)

'This is the first manifestation of the new exclusive contract between Hyperion and the Cardinall's Musick. With Andrew Carwood's scholarly approach to Tudor music, coupled with the individual excellence of each of his singers and the superlative production values of Hyperion, I suspect this is going to be a very fruitful collaboration' (International Record Review)

'This is a highlight of the Tallis year' (Fanfare, USA)

'This marvellously full-throated performance can stand comparison with any … throughout, the performances maintain the high level The Cardinall's Musick have consistently displayed in their Byrd series, being beautifully tuned and balanced … a strong 5-star recommendation' (Goldberg)

Suscipe quaeso Domine
composer
Cantiones quae ab argumento sacrae vocantur (1575)
author of text

Other recordings available for download
Magnificat, Philip Cave (conductor)
Introduction  EnglishFrançaisDeutsch
Much discussion has taken place about Suscipe quaeso Domine, a monumental piece in two sections scored for seven voices. It has been suggested that this text, strongly penitential and rhetorical, could have been written and performed at the ceremony when Cardinal Pole (appointed Archbishop of Canterbury by Mary Tudor) absolved England from schism in November 1554. Certainly it is full of passion and shows Tallis to have an unusually close relationship with his text. The harmonic shift and use of homophony at the word ‘peccavi’ (‘I have sinned’) juxtaposed with the upward yearning of ‘gratia tua’ (‘by your grace’) is certainly powerful, whilst the emphatic questions in the second part and the repeated ‘Quis enim iustus?’ (‘For what just man?’) demand the listener’s attention. In many ways the involvement with the text and the use of rhetoric seems to lead directly to William Byrd’s setting of Infelix ego, another intensely personal text which gives rise to an intensely personal response from the composer.

from notes by Andrew Carwood © 2005


Other albums featuring this work
'The Tudors at Prayer' (CKD447)
The Tudors at Prayer
MP3 £8.00FLAC £10.00ALAC £10.00 CKD447  Download only  

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