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Track(s) taken from CDJ33032

Das war ich, D174a D450a

First line:
Jüngst träumte mir, ich sah auf lichten Höhen
composer
Second version. cJune 1816; fragment completed by Reinhard van Hoorickx
arranger
author of text

Daniel Norman (tenor), Graham Johnson (piano)
Recording details: December 1998
Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom
Produced by Mark Brown
Engineered by Antony Howell & Julian Millard
Release date: March 1999
Total duration: 2 minutes 14 seconds
 
1

Reviews

'As ever, illuminating words complement revelatory music-making' (BBC Music Magazine)

'Another triumph' (The Scotsman)

'In performances as affectionate, dedicated and lovely as these, not a single item will fail to arouse interest, usually admiration too -- and in some cases sheer wonder. The recording maintains the high standards of this wonderful series' (Hi-Fi News)

'The variety of singers, the sheer enthusiasm and atmosphere and the extraordinary genius of Schubert bubble and touch the heart in these 23 tracks' (Musical Opinion)
A detailed commentary on this song seems hardly appropriate. All that exists of the original Schubert is five bars of voice line, written out without accompaniment or text. The heading is ‘Das war ich. Körner’. This is to be found at the back of the autograph for Fragment aus dem Aeschylus, a song written in 1816. (There is thus some confusion about a Deutsch catalogue number for this work: should it be paired with the song’s first setting – thus D174A? – or should it be paired with the Mayrhofer setting as D450A?) We can assume that Schubert was not entirely satisfied with his first setting of the poem in March 1815, at least making a start on a second. We owe the completion of this fragment to the late Reinhard van Hoorickx who here makes a remarkable stab at conjuring an entire Schubert song from this meagre material. Although writing in Schubert’s style is a dangerous business, we are grateful not to have lost these five hurriedly written bars, music which is so typical of the deceptively simple, open-hearted melodies that Schubert alone was able to write. Even when penning a tune he was never to use, the composer strews such melodic riches in our path that we are charmed, on occasions like this, into relaxing our critical faculties.

from notes by Graham Johnson © 1999

Other albums featuring this work

Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price)
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