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Track(s) taken from SIGCD293

Four Poems of Thomas Campion

composer
premiered in August 2007
author of text

BBC Singers, Paul Brough (conductor)
Recording details: January 2012
Studio 1, BBC Maida Vale, London, United Kingdom
Produced by Michael Emery
Engineered by Susan Thomas
Release date: July 2012
Total duration: 12 minutes 40 seconds
 

Reviews

'A cappella arrangements of songs by Gershwin, Duke Ellington and Cole Porter serve as encores, allowing the BBC Singers to swing in slightly freer style together. Their high standards of execution, under Paul Brough's empathetic direction, grace the entire programme' (BBC Music Magazine)» More
PERFORMANCE
RECORDING

'From being regarded as a member of the British avant garde in the late 1950s, through his performances as a jazz pianist and accompanist, to composing operas for Sadler's Wells and Covent Garden and scores for high-profile British and American movies, Bennett has commuted effortlessly between styles. These unaccompanied choral works, immaculately presented by the BBC Singers conducted by Paul Brough, includes pieces from the last 13 years of that career' (The Guardian)» More

The Four Poems of Thomas Campion was a commission for the BBC Proms, and was premiered by the BBC Symphony Chorus, conducted by Stephen Jackson, at the Royal Albert Hall in August 2007. As the title indicates this cycle takes its texts from the poet, composer, lutenist and physician Thomas Campion (1567-1620), a highly significant figure in English literature and music at the turn of the 16th and 17th centuries, who wrote the words and music for over 100 lute songs as well as masques for dancing and a treatise on the art of counterpoint. His poems, written for music in the first place, were neglected for about 200 years but have since provided a rich store of texts for subsequent composers. Bennett’s tribute to Campion takes the form of contrasted settings of four very different poems written between 1614 and 1618, creating a four-movement design akin to a tiny vocal symphony or sonata, with the moving ‘Never weather-beaten saile’ and the playfully dramatic ‘Fire, fire!’ functioning as slow movement and scherzo. The authorship of the fourth poem of this cycle, ‘The hours of sleepy night’, was formerly uncertain, but is now generally accepted as that of Campion. The transparent choral textures and kaleidoscopic vocal colouring make this cycle one of the most virtuosic of Bennett’s unaccompanied choral works.

from notes by Malcolm MacDonald © 2012

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