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Track(s) taken from LSO5061

Therma

composer

London Symphony Orchestra, François-Xavier Roth (conductor)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: October 2012
LSO St Luke's, London, United Kingdom
Produced by Jonathan Stokes
Engineered by Neil Hutchinson
Release date: May 2013
Total duration: 3 minutes 52 seconds
 

Reviews

'There are plenty of imaginative sounds in The Panufnik Legacies, a CD from the LSO showcasing works by young composers. In Flēotan, Charlie Piper creates the sense of sounds suspended in the air, while in Christopher Mayo’s Therma, earthy rumblings gradually erupt. A highlight for me, though, was Eloise Nancie Gynn’s Sakura (cherry blossom) in which darker forces emerge and subside against a backdrop of atmospheric shimmers' (BBC Music Magazine)

'There are 11 firecrackers on this disc, written by 10 composers who have been nurtured by the LSO’s Panufnik Young Composers Scheme' (The Daily Telegraph)

'The Panufnik Legacies is an extremely valuable release, demonstrating the London Symphony Orchestra’s commitment to contemporary music, François-Xavier Roth’s dynamic and committed conducting, and that music being written right now is in very good health' (Classical Source)

'This is certainly a disc for those who are musically curious, and maybe the best way in is through Jason Yarde’s coolly inviting Rude Awakening!, which lives up to its name! The LSO plays marvellously for the unstinting François-Xavier Roth. There is much to relish here, the music of now and the future. What’s more, the sound is superb in its clarity and impact, not transferred too loudly (as can be the case these days), allowing the orchestra space and dynamism. All round, very impressive' (Hi-Fi Critic)
Therma is an orchestral re-imagining of an early unperformed work of mine, List 1; the since and again, a fourteen-minute piece for eleven solo strings written for a composition competition which took place in Rome and Thessaloniki in 2005. Compressing this much longer work into a 4-minute orchestral piece became a process of distillation. I removed all nonessential material until all that remained was a stark, skeletal outline which barely resembled the original work. But Therma is a re-imagining rather than an orchestration of my earlier work. It also incorporates my somewhat hazy memories of travelling to Rome and especially Thessaloniki where we stayed in a thoroughly bizarre hotel on a mountain overlooking the city. Giant chandeliers, a cocktail pianist in a bar with no patrons, and an empty swimming pool all contributed to it seeming like a cross between The Shining and the hastily abandoned set of 70s-era James Bond film. Therma (Θέρμα) was the original name of Thessaloniki when it was founded in 7th century BC. Built on a mosquito-infested swamp it was named after the Greek word for malarial fever.

from notes by Christopher Mayo © 2013

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