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Track(s) taken from CDA67988

Scherzo, Op 46

composer
1905; Presto

Garrick Ohlsson (piano)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
Studio Master:
Recording details: December 2013
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by David Hinitt
Release date: February 2015
Total duration: 1 minutes 29 seconds

Cover artwork: The Cloud (1902). Arthur Hacker (1858-1919)
© Bradford Art Galleries and Museums, West Yorkshire / Bridgeman Images
 

Reviews

‘Today [Scriabin] enjoys a near classic status and Garrick Ohlsson’s disc of the complete Poèmes provides ample food for thought … his playing now reflects rich experience and musical quality … his empathy with so many fragmented dreamscapes is lucid and sensitive’ (Gramophone)

‘Scriabin's microcosmic soundworlds, powered by chains of augmented and chromatically liquefied harmonies, require a transcendental technique and the ability to conjure up simultaneously myriad differentiated sounds and textures. Ohlsson possesses remarkable facility … unleashes immense reserves of power … has the required delicacy of touch’ (BBC Music Magazine)» More
PERFORMANCE
RECORDING

‘Effortless virtuosity and total musical command’ (The Guardian)» More

‘Ohlsson plays with appropriate accuracy and wide gradations of touch. He uses the sustaining pedal sparingly and the damper to best effect where the phrasing calls for a firm staccato. His rhythmic control is excellent …’ (Audiophile Audition, USA)

‘Ohlsson, the pianistic prestidigitator, pulls it off again; a fine start to this centenary year’ (MusicWeb International)» More

‘Ohlsson need fear no comparisons. He has the technique for this music and sounds entirely in sympathy with it’ (MusicWeb International)» More

‘Ohlsson brings to these performances a clarity and level-headedness that perfectly complements the intoxicating power of Scriabin's music, and his exceptionally wide reach means that none of the technical demands are beyond his capability’ (The Europadisc Review)» More

‘Alexander Scriabin produced a steady torrent of miniatures between writing monumental pieces. American pianist Garrick Ohlsson gives an insight into the composer’s inner world in scintillating accounts of these varied Poèmes which were written over more than a decade’ (The Northern Echo)

«Grâce au pianiste américain, on entre à pas feutrés dans l'univers des Poèmes de Scriabine. La dimension fantastique et littéraire prend forme doucement dans un son rond et épais. Comme si par les couleurs de son Steinway, Garrick Ohlsson cherchait les diffractions lumineuses des poèmes orchestraux» (Classica, France)» More

„Ohlsson wird auch nie sentimental, versucht nicht, die Musik programmlich auszudeuten, wovor Scriabins erster Biograph, der Komponist und Schriftsteller Evgeny Gunst ja ausdrücklich gewarnt hat … alles in allem kann man schlussfolgern: so soll Scriabin klingen!“ (Pizzicato, Luxembourg)» More

„Garrick Ohlsson is an ideal interpreter of Scriabin’s music. With rather quick tempi, an unfailing sense for nuances and contrasts he always suggests that Scriabin was not a dreamer but a man living on the end of his nerves“ (Pizzicato, Luxembourg)

„Wenn man die Poèmes … einzeln oder paarweise hört, dann erkennt man, welch grandioser Interpret Ohlsson für diese Werke ist“ (Piano News, Germany)» More
PERFORMANCE
RECORDING
The Scherzo, Op 46, is a rapid chord study, a ‘winged’ composition with its upflights and leaps. After aspiring to D flat major it sinks to rest in a peaceful C major.

from notes by Simon Nicholls © 2015

Le Scherzo op.46 est une véloce étude d’accords, une composition «ailée», avec envolées et sauts. Après être monté à ré bémol majeur, il pique pour se poser en un paisible ut majeur.

extrait des notes rédigées par Simon Nicholls © 2015
Français: Hypérion

Das Scherzo op. 46 ist eine Etüde mit schnell aufeinanderfolgenden Akkorden—eine „beflügelte“ Komposition mit Sätzen und Sprüngen. Nachdem sie Des-Dur angestrebt hat, sinkt sie in ein ruhiges C-Dur zurück.

aus dem Begleittext von Simon Nicholls © 2015
Deutsch: Viola Scheffel

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