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Hyperion Records

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Track(s) taken from CDA66840
Recording details: November 1995
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Oliver Rivers
Engineered by Tony Faulkner
Release date: May 1996
Total duration: 14 minutes 17 seconds

‘this is a very enjoyable disc’ BBC Radio 3 (BBC Radio 3 CD Review)

‘delightful, superbly recorded … Wallfisch engagingly deploys her fluent virtuosity to reveal the music’s full expressive potential’ (Gramophone)

‘beautifully performed by Wallfisch and Goodman … a very rewarding record’ (BBC Music Magazine)

‘I look forward to hearing more from this line-up’ (Early Music Review)

‘subtle colour changes, a beautiful sense of line and telling use of vibrato. Fine tone to celebrate too’ (Classic CD)

The orchestral accompaniments are first-rate throughout … It is the first period- instrument essay that I have been able to recommend without reservation as obligatory listening for all lovers of the violin’ (Fanfare, USA)

‘played with great charm by Elizabeth Wallfisch … intriguing rarities’ (Birmingham Evening Mail)

Rondo for violin and strings in A minor, D438
composer

Introduction  EnglishFrançaisDeutsch
Lacking any full-scale attempt at a violin concerto by Schubert—and how rewarding such an attempt might have been!—we must content ourselves with a Concertstück, a Polonaise, and this Rondo which, but for the differences in key (D, B flat and A respectively) might yet have been assembled by an arranger as a concerto of sorts. Dating from June 1816, the Rondo, D438, for violin and four-part string orchestra boasts an extended Adagio introduction. The Rondo proper is then launched, Allegro giusto, its recurring theme the soul of happiness. A contrasting theme, heard almost immediately, is of a more pensive nature. The latter returns towards the close before the final statement of the Rondo theme and an exciting coda. In this beautifully crafted movement the modest-sized orchestra supports discreetly, but it is really the soloist’s show all the way. Primarily a pianist, Schubert learnt the violin when young, so his short violin works may have been written for himself. Like much of Schubert’s music, it gathered much dust, achieving publication only eighty-one years after its composition.

from notes by Robert Dearling © 1996

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