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Hyperion Records

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Track(s) taken from CDH55014
Recording details: July 1989
Unknown, Unknown
Produced by Andrew Keener
Engineered by Keith Warren & Keith Wicks
Release date: February 1991
Total duration: 8 minutes 24 seconds

'These performances are unsurpassed on CD' (Gramophone)

'Leads the field in this repertoire. Very highly recommended' (The Penguin Guide to Compact Discs)

'This recording goes to the very top of my want list' (Fanfare, USA)

'Poetically refined performances which fully equal, and in some cases even surpass, distinguished versions of the past' (CDReview)

Danse sacrée et danse profane, L113

Danse sacrée  [4'11]
Danse profane  [4'13]

Introduction  EnglishFrançaisDeutsch
In January 1907 Falla wrote to Debussy asking for advice prior to a performance he was about to give in Madrid of the Danse sacrée et danse profane. In his reply Debussy was not prepared to go into much detail. He referred to the ‘colour’ of the two dances, comparing the ‘gravity’ of the one with the ‘grace’ of the other and expressed himself content to leave the performance to the Spaniard’s own musical taste. Falla was going to play the Danses on the piano, but they had originally been composed for the harp. In 1894 Gustave Lyon had invented a chromatic harp which, by virtue of an extra set of strings, removed the need for the pedals found on the conventional instrument. The Paris firm of Pleyel, with the intention of popularizing it, commissioned Debussy, amongst others, to compose something for the chromatic harp. The two Danses, for harp and string orchestra, were composed in 1904 and were dedicated to the instrument’s inventor. It would seem that Debussy (or perhaps his publishers) had little faith in this new invention, for the score indicates that the solo part in these dances can also be played on the pedal harp (as they usually are) or on the piano. The reduction for two pianos, which also dates from 1904, was made by Debussy himself.

from notes by Peter Avis © 1999

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