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Track(s) taken from CDA67951/3

Sonatina, BV257

composer
1910; Sonatina No 1

Marc-André Hamelin (piano)
Studio Master FLAC & ALAC downloads available
CD-Quality:
Studio Master:
CD-Quality:
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Recording details: August 2012
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: November 2013
Total duration: 11 minutes 21 seconds

Cover artwork: Materia (1912) by Umberto Boccioni (1882-1916)
Private Collection / Giraudon / Bridgeman Art Library, London
 
1
Sonatina BV257  [11'21]

Reviews

'Works where Busoni found his truest voice … Hamelin, playing with unfaltering lucidity and authority, achieves an astonishing triumph even by his exalted standards. As always, Hyperion has done him proud … an album that could never be bettered' (Gramophone)» More

'Marc-André Hamelin’s performance of the Busoni Piano Concerto for Hyperion is one of the finest ever recorded of that mammoth work, and now he has produced what is arguably the most important collection of the solo piano music since Geoffrey Douglas Madge’s epic six-disc survey for Philips in 1987 … All the most significant works are here … Hamelin includes some rarities Madge omitted, notably Busoni’s first foray into 'Red Indian’ music, the spellbinding Indianisches Erntelied (not published till 2001) … As to the performances, they are all you could hope from a player of such quality, laced with repertoire he might have been born to interpret. This is playing of a very high order, such as—despite the now numerous competing versions of the Elegies, Sonatinas and Toccata—one seldom hears. Hamelin is well-nigh ideal in sensitivity of phrasing, clarity of tone and delineation of voices, not to mention subtlety of pedalling … He reminds you that you are listening to one of history’s greatest piano composers, a philosopher of the piano to whose ear and mind the whole of European concert music seems to have been continually present. A fabulous set, almost beyond praise' (BBC Music Magazine)» More
PERFORMANCE
RECORDING

'What comes through on listening to Hamelin is the underlying consistency of his approach over this music as a whole and, above all, the singularity of Busoni's musical vision and its relevance to composers and pianists almost a century on' (International Record Review)

'Few pianists have the time and technique to devote to music that is so little-known. Marc-André Hamelin is the shining exception. He demonstrated his Busoni credentials more than a decade ago with an outstanding account of the Piano Concerto … Hamelin handles all with great intelligence. There's a swagger when the music demands it, a fabulously refined sense of sonority and transparency when required. The technical challenges are surmounted so effortlessly that you begin to take the confidence of his playing for granted, when in fact it's a remarkable achievement' (The Guardian)» More

'The gift I'd choose for myself would be Marc-André Hamelin's magisterial three-disc survey of Busoni's later piano music—elusive and haunting material from a pivotal figure' (The Times)» More

'Hyperion does Busoni a great service in issuing this magnificent three-disc box. Those readers who know Busoni mainly (or only) via his transcriptions will have a whole new world revealed to them. Hamelin, one of today’s super-virtuosos but also a musician of the highest rank, seems to be the ideal interpreter, and is captured throughout in superb sound' (International Piano)» More

'This three-CD set presents Marc-André Hamelin, another formidable pianist, in Busoni works from the first quarter of the 20th century. The music draws from the heritage of Bach, Liszt and Wagner, while taking modern paths and anticipating atonality. Even when a particular piece seems amorphous or elusive, these elegies, fantasias, sonatinas and more are continually fascinating, especially in Mr. Hamelin’s commanding performances' (The New York Times)

'Hamelin's recent release of three CDs devoted to the late piano music of Ferruccio Busoni represents another milestone in an outstanding career … These three discs contain a number of pieces not previously recorded and also include a sampling of the numerous Bach arrangements Busoni is best known for. The programming is exemplary, the sound is alluring (from a Steinway piano recorded in London’s Henry Wood Hall) and the program notes are excellent. Bravo Hamelin!' (The Whole Note, Canada)

'L’impeccable virtuosité de Marc-André Hamelin se joue des pièges recélés par ces redoutables partitions; sa quête faustienne, à la fois analytique et méditée, assume la dimension philosophique quasi médiévale de cette alchimie sonore et nous en livre une référence absolue' (Classica, France)
PERFORMANCE
RECORDING

‘Marc-André Hamelin gelingt, alle Facetten in exzellenten Interpretationen darzustellen … seiner qualitativ hochwertigen Edition der Klaviermusik von Ferruccio Busoni dürfte deshalb über eine lange Zeit der Referenzstatus sicher sein' (Piano, Germany)
PERFORMANCE
RECORDING
Between 1910 and 1921 Busoni wrote six Sonatinas totalling nearly fifty minutes. They show him composing first in his radical idiom and, from 1915 onwards, in the much more approachable style that, in 1920, he would call Junge Klassizität (‘Young Classicism’), by which he meant ‘the mastery, the sifting and the turning to account of all the gains of previous experiments and their inclusion in strong and beautiful forms’. The first Sonatina (1910) presents a theme followed by seven variations, with a virtuoso section featuring double notes using the whole-tone scale.

from notes by Marc-André Roberge © 2013

Entre 1910 et 1921 Busoni compose six Sonatines qui occupent près de 50 minutes. On l’entend écrire d’abord dans son idiome radical et, à partir de 1915, dans le style beaucoup plus accessible que, en 1920, il allait appeler Junge Klassizität («Jeune classicisme»), soit «la maîtrise, le passage au crible et l’exploitation de toutes les conquêtes passées et leur utilisation à l’intérieur de formes solides et belles». La Sonatine nº 1 (1910) est un thème suivi de sept variations, avec une section virtuose faisant appel à des doubles notes utilisant la gamme par tons.

extrait des notes rédigées par Marc-André Roberge © 2013

Zwischen 1910 und 1921 schrieb Busoni sechs Sonatinen, die eine Gesamtspieldauer von fast 50 Minuten haben. Hier bedient er sich zunächst seines radikalen Ausdrucks, doch wechselt später, ab 1915, zu seinem zugänglicheren Stil, den er 1920 als Junge Klassizität bezeichnen sollte, worunter er „die Meisterung, die Sichtung und Ausbeutung aller Errungenschaften vorausgegangener Experimente: ihre Hineintragung in feste und schöne Formen“ verstand. In der ersten Sonatina (1910) wird ein Thema präsentiert, worauf sieben Variationen folgen; in einem virtuosen Abschnitt erklingen Intervallketten innerhalb der Ganztonskala.

aus dem Begleittext von Marc-André Roberge © 2013
Deutsch: Viola Scheffel

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