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Hyperion Records

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Portrait of Piers Lane by John Beard (b1943)
www.johnbeardart.com
Track(s) taken from CDA67967
Recording details: June 2012
Potton Hall, Dunwich, Suffolk, United Kingdom
Produced by Rachel Smith
Engineered by Ben Connellan
Release date: September 2013
Total duration: 1 minutes 53 seconds

'This superbly recorded disc (played on a gorgeously voiced Steinway) is Lane's love letter to the piano. I wish more pianists would share their guilty pleasures like this' (Gramophone)

'Lane in wonderful, debonair mode here, sparkling through a personal encore selection from Jamaican Rumba to a Toccata by his own father, and from Myra Hess to Dudley Moore' (BBC Music Magazine)

'Puts smiles on our faces and tears in our eyes … Katharine Parker's Down Longford Way grows from an Ivor Novello-like charm into an opulently Romantic piece of striking contrast and colour, indeed the perfect choice with which to launch the disc. The playing throughout is first-class: witty where it needs to be, reflective and joyous elsewhere … Lane is a dynamic, insightful pianist who is able to bring a new perspective to the repertoire. His renditions of the Grainger and Bach / Hess pieces are quite beautiful, and in Mayerl's Marigold I can hardly imagine a more heartfelt account' (International Record Review)

'Piers Lane, one of the most versatile pianists around, presents many sides of himself in a selection of pieces that may seem topsy-turvy, incongruous even, but there are some wonderful and brilliant things here to be re-united with or discovered, and each piece is superbly played, with complete identification, and beautifully recorded too—just like a piano should sound, with all of Lane’s colours, dynamics and inflections faithfully relayed' (ClassicalSource.com)

Toccata for Piers Lane
composer
June 1999

Introduction
I first met Anthony Doheny (born 1938) when I became a full-time student at the Queensland Conservatorium of Music in 1975. He returned to Australia that year from the United States (where he had completed a doctorate at Stanford and taught in the Yehudi Menuhin Program at Neuva Day School for Gifted Children in Hillsborough, California) to take up a position at the ‘Con’ as Senior Lecturer of Violin. He was a Queensland boy, born in Rockhampton, and outrageously gifted in many ways. Violin and viola were his main instruments, but his teaching, piano playing and improvising are all highly distinguished. After the death of his wife Janet he left Queensland and entered the Conventual Franciscan Order in Melbourne in 1988, duly becoming Superior of the Order in Australia. During his years as a Franciscan friar, he started composing seriously and wrote a lot for piano, violin, viola and voice. He would often get up in the middle of the night to write down the germs of ideas before he forgot them. This happened with the Toccata for Piers Lane. In June 1999 he heard my Hyperion recording of Strauss transcriptions and was, as he put it, ‘over the moon with delight’:

I felt like indulging in pure nonsense. I’ve always loved Czerny and I think the influence shows … my germ of an idea suggested something over the top and ridiculous, but much fun to play. A few nights later, around 3 a.m., inspiration seized again and I was fleshing it out via Sibelius on the computer. It made me laugh out loud, so much so that next morning the young friar in the neighbouring bedroom wanted to know why I was laughing in the middle of the night. As you can imagine, I was thought to be a little eccentric …

Leaving the Franciscan Order in 2005 and his teaching duties at Melbourne and Monash Universities, Doheny now lives in Silicon Valley, where he is a Lecturer in Music at Stanford University and teaches at the Mountain View Community School of Music and Arts.

from notes by Piers Lane 2013

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