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Hyperion Records

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Night (1897) by Henri Fantin-Latour (1836-1904)
Musée d'Orsay, Paris / Giraudon / Bridgeman Art Library, London
Track(s) taken from CDA67898
Recording details: December 2011
Jesus-Christus-Kirche, Berlin, Germany
Produced by Ludger Böckenhoff
Engineered by Ludger Böckenhoff
Release date: October 2012
Total duration: 5 minutes 28 seconds

'This is one of the better offerings for Debussy's 150th anniversary … it should come as no surprise that Hewitt is a remarkably fine Debussy pianist. This generously filled disc finds Hewitt utterly persuasive in the three suites at its heart … Hyperion captures the sound marvellously … special mention should be made of Clair de lune: it is quite an achievement for its lyrical beauty to be heard afresh' (BBC Music Magazine)

'This is a Debussy recital that will delight aficionados of the piano as well as those coming to the music for the first time … the playing is most distinguished … the 'Passepied' , with its left-hand staccato phrases, is a perfect example of the Fazioli's velvety touch' (International Record Review)

'An ideal introduction to Debussy … one that can be enjoyed equally by experienced listeners—thanks to the artless touch and precise colours the Canadian pianist brings to each piece' (Financial Times)

Danse, L77
circa 1890; published in 1891; originally entitled Tarantelle styrienne

Danse L77  [5'28]

Introduction  EnglishFrançaisDeutsch
Unlike many modern-day writers on Debussy, I have a soft spot for one of his first piano pieces, Danse (originally called Tarantelle styrienne). First published in 1891, it was orchestrated by Ravel in 1923. It is a sort of preliminary study for his later masterpiece Masques. The high-spirited dance rhythms of the opening are of course immensely attractive, but it is especially in the middle section that we have a whiff of what’s to come.

from notes by Angela Hewitt © 2012

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