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Track(s) taken from CDA67948

For Steven: Im Memoriam Pauline Mara

composer
2010; solo cello

Steven Isserlis (cello)
Studio Master FLAC & ALAC downloads available
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Recording details: December 2011
Concert Hall, Wyastone Estate, Monmouth, United Kingdom
Produced by John Fraser
Engineered by Ben Connellan
Release date: October 2012
Total duration: 3 minutes 15 seconds

Cover artwork: Le Palais da Mula (1908) by Claude Monet (1840-1926)
Private Collection / Photo © Christie's Images / Bridgeman Art Library, London
 
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Reviews

'This blissfully unhackneyed and brilliantly executed recital … the performance's sheer panache is as persuasive as the tonal refinement preceding it, and the recording throughout gives the players all the space and atmosphere they need to characterise the varied moods and textures of an unusually rewarding programme' (Gramophone)

'Something very special. Their choice of repertory here—devised as an extended upbeat to Adès's Lieux retrouvés at the end of the programme—is unusual, memorable, and wonderfully performed from start to finish' (BBC Music Magazine)

'Lieux retrouvés is some of the most enjoyable and readily accessible contemporary music you're likely to encounter … this music, like everything else on this recording, is brilliantly played by Isserlis and Adès. Unreservedly recommended' (International Record Review)

'Isserlis's brilliant recital disc with Adès makes an admirably integrated whole. The Proustianly titled Lieux retrouvés, which Adès wrote for the cellist and himself, is, in effect, a four-movement sonata whose figuration and part-writing knock at the door of the complex to seek the visionary. Isserlis is furiously lyrical and concentrated here, but no less so in the other works, which offer aptly Romantic-modern context for Adès's inspiration. Fauré's beautiful Second Sonata is dispatched not merely with superb elan, but with almost desperate intensity from both players' (The Sunday Times)

'Isserlis plays with almost tangible intensity and soul, while Adès finds charm and natural expression at every turn—a true musical dialogue' (Financial Times)

'There is an engaging emotional path running through, from the nostalgic resignation of late Liszt—three stark but lyrical transcriptions—to Adès' stirring title piece … the two men secure what Adès describes as the inner illumination and rapture of Fauré's 1921 Second Sonata, investing its Finale with the sinew and thrust of a younger Ravel' (The New Zealand Herald)
For Steven: In Memoriam Pauline Mara was Kurtág's (much appreciated) response to the news of the death of my wife Pauline in 2010. As I told him when I worked on the piece, I cannot possibly think of the extra-musical associations as I play it; but its feelings of lament, of the relentlessness of fate and of consolatory prayer are universal.

from notes by Steven Isserlis © 2012

For Steven: In Memoriam Pauline Mara fut la réaction de Kurtág (appréciée à sa juste valeur) à l’annonce de la mort de ma femme Pauline, en 2010. Comme je le lui ai dit en travaillant l’œuvre, je ne peux peut-être pas penser à des associations extramusicales quand je la joue, mais ses sentiments de lamentation, de sort implacable et de prières consolantes sont universels.

extrait des notes rédigées par Steven Isserlis © 2012
Français: Hypérion

For Steven: In Memoriam Pauline Mara war Kurtágs (sehr geschätzte) Reaktion auf die Todesnachricht meiner Frau Pauline im Jahr 2010. Wie ich ihm schon sagte, als ich an dem Stück arbeitete, kann ich beim Spielen des Werks unmöglich an die außermusikalischen Verbindungen denken; doch die hier ausgedrückte Klage, Unnachgiebigkeit des Schicksals und tröstlichen Gebete sind universell.

aus dem Begleittext von Steven Isserlis © 2012
Deutsch: Viola Scheffel

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