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Hyperion Records

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Portrait of Piers Lane by John Beard (b1943)
www.johnbeardart.com
Track(s) taken from CDA67967
Recording details: June 2012
Potton Hall, Dunwich, Suffolk, United Kingdom
Produced by Rachel Smith
Engineered by Ben Connellan
Release date: September 2013
Total duration: 1 minutes 36 seconds

'This superbly recorded disc (played on a gorgeously voiced Steinway) is Lane's love letter to the piano. I wish more pianists would share their guilty pleasures like this' (Gramophone)

'Lane in wonderful, debonair mode here, sparkling through a personal encore selection from Jamaican Rumba to a Toccata by his own father, and from Myra Hess to Dudley Moore' (BBC Music Magazine)

'Puts smiles on our faces and tears in our eyes … Katharine Parker's Down Longford Way grows from an Ivor Novello-like charm into an opulently Romantic piece of striking contrast and colour, indeed the perfect choice with which to launch the disc. The playing throughout is first-class: witty where it needs to be, reflective and joyous elsewhere … Lane is a dynamic, insightful pianist who is able to bring a new perspective to the repertoire. His renditions of the Grainger and Bach / Hess pieces are quite beautiful, and in Mayerl's Marigold I can hardly imagine a more heartfelt account' (International Record Review)

'Piers Lane, one of the most versatile pianists around, presents many sides of himself in a selection of pieces that may seem topsy-turvy, incongruous even, but there are some wonderful and brilliant things here to be re-united with or discovered, and each piece is superbly played, with complete identification, and beautifully recorded too—just like a piano should sound, with all of Lane’s colours, dynamics and inflections faithfully relayed' (ClassicalSource.com)

Nocturne No 4 in C minor 'Bal fantôme'
composer
1934; dedicated to Julien Green

Other recordings available for download
Stephen Hough (piano)
Introduction  EnglishFrançaisDeutsch
Poulenc’s fourth Nocturne, with its hint of the seventh of Chopin’s Op 28 Preludes, has a kind of lazy rhetoric but always coloured with the composer’s characteristic piquancy. Among his series of eight nocturnes, it is one of the few that actually fits the title in its traditional sense. Subtitled ‘Bal fantôme’, it is prefaced by a quote from the novel Le visionnaire by the writer Julien Green, a friend of the composer: an invalid, confined to his sick-bed, hears distant strains of a ball and recalls happier times of his youth. The sly semitonal movement gives those distant memories of the waltz a distinctly twentieth-century edge.

from notes by Harriet Smith © 2012


Other albums featuring this work
'Stephen Hough's French Album' (CDA67890)
Stephen Hough's French Album

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