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Hyperion Records

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Track(s) taken from CDA67882
Recording details: August 2011
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: June 2012
Total duration: 4 minutes 50 seconds

'The playing is outstanding for its crystalline tone, springy rhythms, lively tempos and integral handling of ornamentation. Hyperion's recording of the modern Steinway is cleanly focused … Hamelin is often at his most brilliant where Haydn is at his most eccentric … a sparkling collection' (BBC Music Magazine)

'The most immediately striking feature of the set is the unfailingly superb, crystalline clarity of Hamelin's sound … the performances are next to flawless' (International Record Review)

Piano Sonata in D major, Hob XVI:51
composer
1794; No 61

Andante  [3'11]
Finale: Presto  [1'39]

Other recordings available for download
Gottlieb Wallisch (piano)
Introduction  EnglishFrançaisDeutsch
The D major Sonata, No 51 dates from Haydn’s second triumphant London visit. Like its two companions of 1794, Nos 50 and 52, the sonata exploits the weightier sonorities of the new Broadwood instruments Haydn relished in London. But whereas Nos 50 and 52 are quasi-symphonic sonatas, written for the professional pianist Therese Jansen, No 51 is an intimate, two-movement work. Haydn perhaps intended it for his pupil and lover Rebecca Schroeter, to whom he dedicated three beautiful piano trios (Nos 24–26). Despite its modest scale and relative technical simplicity—which fooled an early reviewer into thinking it was composed near the beginning of Haydn’s career—the D major is as forward-looking as the two more imposing London sonatas. The first movement, in an idiosyncratic sonata form that varies rather than develops its themes, is a relaxed stroll that prefigures Schubert in its ‘open-air’ textures (right hand in octaves against rippling left-hand triplets) and piquant harmonic touches. The work’s tensions are concentrated in the syncopated scherzo-finale, with its pervasive chromaticism, irregular phrase lengths and aggressively disruptive offbeat accents: music it would be tempting to dub Beethovenian were it not also intensely characteristic of late Haydn.

from notes by Richard Wigmore © 2012


Other albums featuring this work
'Haydn: The London Sonatas' (CKD464)
Haydn: The London Sonatas
MP3 £8.00FLAC £10.00ALAC £10.00 CKD464  Download only  

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