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Hyperion Records

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naturally evolving (2009) by Mark Coote (b1932)
Reproduced by kind permission of the artist
Track(s) taken from CDA67888
Recording details: December 2010
All Saints' Church, East Finchley, London, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: February 2012
Total duration: 2 minutes 33 seconds

A Song of Shadows, Op 15 No 3
First line:
Sweep thy faint strings, Musician
composer
originally published as Op 9 No 5
author of text
from Peacock Pie, 1913

Introduction
Among the scores of forgotten English-song composers it is heartening that the music of Cecil Armstrong Gibbs has been the subject of a revival in the last fifteen years or so. His songs are now back in print; and so they should be—he was probably, after all, the best and most faithful of all composers of Walter de la Mare (1873–1956), although Herbert Howells devotees may disagree. That fine poet, world famous in his time, and a member of the Order of Merit, has also suffered from neglect in recent years; it would be fitting for the music of Gibbs to help the public back to an appreciation of de la Mare’s strengths as a poet for music. A Song of Shadows (1917) comes from the closing pages of de la Mare’s once-famous Peacock Pie (1913), one of the greatest of all books of children’s poetry and a source of countless musical settings. With an accompaniment of incessant yet gentle semiquavers, and various excursions into distant tonalities, Gibbs achieves here an almost Fauréan sense of repose (as in that composer’s En sourdine). For decades the main source of inspiration for British composers had been German music—and the works of Brahms and Wagner in particular. During the First World War, and in the following decades, the value of the German musical stock-exchange fell dramatically, in Britain at least, and French masters (as well as Russians and Americans) wielded an ever stronger influence on this side of the Channel.

from notes by Graham Johnson 2012

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