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Hyperion Records

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Adaptation of the cover illustration for Homage to Paderewski (Boosey & Hawkes, 1942).
Track(s) taken from CDA67903
Recording details: January 2011
Potton Hall, Dunwich, Suffolk, United Kingdom
Produced by Jeremy Hayes
Engineered by Tony Faulkner
Release date: November 2011
Total duration: 2 minutes 50 seconds

'Performances of a superlative technique and musicianship. Pianism and sheer musical quality of this order are rare at any time, and Hyperion's recordings … are exemplary' (Gramophone)

'This is a fascinating document. Pieces by Martinů and Castelnuovo-Tedesco are among the gems … overall more reflective than virtuosic, this disc allows Plowright to show off his superb command of texture and colour' (BBC Music Magazine)

'This is an enchanting follow-up to Jonathan Plowright’s 'Hommage à Chopin' disc (CDA67803), and, like that one, it is an eclectic mix of music focused on a central figure … many of the composers have now disappeared into the mists of time, but all of these miniatures are well worth the warmth, affection, lyrical beauty and bravura that Plowright devotes to them … the 24 tracks also include music by Britten, Bartók and Milhaud, adding to a disc that makes a welcome change in being conceived with such imagination. Plowright’s playing throughout is sublime' (The Daily Telegraph)

'Jonathan Plowright's sumptuous range of colours and dynamic control [is] much in evidence … any pianophile will surely find it interesting to have a glimpse into music by the composers of the day. One can find no fault, too, with Hyperion's well-balanced, warmly recorded sound' (International Record Review)

Étude, Op 44 No 22
composer
dedicated to Paderewski

Introduction  EnglishFrançaisDeutsch
Józef Wieniawski was the younger brother of the more famous violinist/composer Henryk. Like his brother, he was born in Lublin and studied in Paris where he took first prize in piano at the Paris Conservatory at the age of twelve in 1849. He settled in Warsaw and became the second director of the Warsaw Musical Society until in his later life he moved to Brussels to teach at the conservatory. Wieniawski’s music was once described by one of his contemporaries as being ‘full of original ideas’, but at the same time ‘dry and pensive’. His Étude Op 44 No 22 is virtuosic and Chopinesque.

from notes by Joseph A Herter © 2011

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