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Hyperion Records

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Golden Days by Lee Campbell (b1951)
Private Collection / Bridgeman Art Library, London
Track(s) taken from CDA67853
Recording details: March 2010
Winchester Cathedral, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: June 2011
Total duration: 4 minutes 29 seconds

'The performances of Winchester Cathedral Choir are so good you hardly register the need to 'assess' them—exactly as it should be in devotional music. That's a huge tribute to the state of the singing at the cathedral, and to Andrew Lumsden, who directs it. A marvellous CD, beautifully planned and executed' (BBC Music Magazine)

'Howells's later works have failed to find their way into the regular repertoire but this recording by a radiant Winchester Cathedral Choir urges a thorough reappraisal. The long, fluid lines, startling cadences and massive chords which are so unique to Howells are all here in 'their' service' (The Observer)

'These are uniformly excellent performances and the recording quality is detailed yet superbly spacious. It's the first release from a renewed relationship between Winchester and Hyperion and, although I will hope for more rare Howells, I look forward to whatever else is on the cards. I highly commend this disc' (International Record Review)

Come, my soul
1972; SATB unaccompanied; composed for and dedicated to Richard Latham
author of text

Introduction  EnglishFrançaisDeutsch
Richard O Latham was a distinguished organ teacher at the Royal College of Music, a choir director of some repute and a very close friend and colleague of Howells. In the latter part of his life Howells turned to writing more for unaccompanied choir, and his sublime 1972 setting Come, my soul, to words by the eighteenth-century hymn writer John Newton, was composed for and dedicated to Latham ‘in affection’. Newton’s words urge the ‘soul’ to prepare itself to meet Jesus; Howells lifts the soul with the impressionist harmonies of the motet’s opening invitation to approach the throne of God. This is a positive response to a supremely optimistic text, yet ends shrouded in mystery as the soul begs Christ to ‘Lead me to my journey’s end’. Perhaps Howells, already eighty years old, was thinking about his own journey’s end, but he still had another decade to live. Latham responded to the musical gift by writing that ‘in years to come I shall be remembered as the man for whom Herbert Howells wrote his loveliest motet’.

from notes by Paul Andrews © 2011

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