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Hyperion Records

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Golden Days by Lee Campbell (b1951)
Private Collection / Bridgeman Art Library, London
Track(s) taken from CDA67853
Recording details: March 2010
Winchester Cathedral, United Kingdom
Produced by Adrian Peacock
Engineered by David Hinitt
Release date: June 2011
Total duration: 4 minutes 29 seconds

'The performances of Winchester Cathedral Choir are so good you hardly register the need to 'assess' them—exactly as it should be in devotional music. That's a huge tribute to the state of the singing at the cathedral, and to Andrew Lumsden, who directs it. A marvellous CD, beautifully planned and executed' (BBC Music Magazine)

'Howells's later works have failed to find their way into the regular repertoire but this recording by a radiant Winchester Cathedral Choir urges a thorough reappraisal. The long, fluid lines, startling cadences and massive chords which are so unique to Howells are all here in 'their' service' (The Observer)

'These are uniformly excellent performances and the recording quality is detailed yet superbly spacious. It's the first release from a renewed relationship between Winchester and Hyperion and, although I will hope for more rare Howells, I look forward to whatever else is on the cards. I highly commend this disc' (International Record Review)

Jubilate Deo 'St Peter ad Vincula'
composer
April 1967; composed for John Williams and the choir of the Chapel Royal (St Peter ad Vincula), HM Tower of London; SATB + organ
author of text
Psalm 100

Introduction  EnglishFrançaisDeutsch
The Jubilate Deo—for the Chapel Royal (St Peter ad Vincula), H M Tower of London—is a setting of Psalm 100 (O be joyful in the Lord, all ye lands). It was composed in 1967 for the distinguished organist and choirmaster John Williams and his choir at the splendid Tudor Chapel in the Tower of London. The psalm is a song of unrestrained joy, and all that is required of a composer is to rise to the mood of celebration. What is required of a really great composer, of course, is to avoid producing a work that merely shouts its head off in a series of musical clichés. Within the compass of this short work, Howells masterfully varies tonality and texture, building tension through the use of pedal points. The organ makes its own contribution in music that is joyful and extrovert. The pace broadens out slightly for the dramatic entry of the trebles on a high G flat at the opening of the Gloria, and the tension is maintained to the joyful conclusion.

from notes by Paul Andrews © 2011

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