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Hyperion Records

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Photograph of Alban Gerhardt by Sim Canetty-Clarke (b?)
Track(s) taken from CDA67831
Recording details: June 2010
Concert Hall, Wyastone Estate, Monmouth, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: June 2011
Total duration: 3 minutes 16 seconds

'[Gerhardt] and the superb Cecile Licad are wholly successful in this endeavour from the outset … he has created a well-contrasted programme … each work is presented with stylish devotion … this is cello playing of exquisite sophistication and bold imagination' (BBC Music Magazine)

'There is much more to an encore, as Alban Gerhardt will tell you, than casually capping a recital with an audience-pleaser … listen to Gerhardt in Benjamin Godard’s Berceuse de Jocelyn and there is a paradigm of the exceptional eloquence and discernment that distinguishes the entire disc' (The Daily Telegraph)

'Gerhardt's playing [is] less heart-on-sleeve than Casals's own, but wonderfully eloquent and noble: he can be extraordinarily moving in such once-familiar standards as the Berceuse from Godard's Jocelyn, or in Casals's arrangement of Chopin's Raindrop Prelude' (The Guardian)

'Let me not turn tedious with a list of Gerhardt's superior skills, his seamless legato, his command of bowing skills, his generous tone even at the top of the A string, his glowing burnished double stops in the Popper/Chopin Nocturne … it goes without saying, though I better say it, that the playing is immaculate from both players, the sequence of pieces on the CD is nicely contrasted' (International Record Review)

Après un rêve, Op 7 No 1
composer
1877, Op 7 No 1, ‘À Mme Marguerite Baugnies’, Hamelle: First Collection p67, C minor (original key) 3/4 Andantino
arranger
1910

Introduction  EnglishFrançaisDeutsch
Gabriel Fauré composed songs throughout his long career, Après un rêve first appearing in print in 1878 as Op 7 No 1. Unfolding a seamless flowering of melodic invention, in Casals’ instantly famous arrangement from 1910 this becomes a glorious song without words.

from notes by Peter Avis © 2011

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