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Hyperion Records

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Track(s) taken from CDA66644
Recording details: January 1996
St Jude-on-the-Hill, Hampstead Garden Suburb, London, United Kingdom
Produced by Ben Turner
Engineered by Philip Hobbs & Lindsay Pell
Release date: March 1993
Total duration: 10 minutes 55 seconds

'Every number brings new riches, and two have never been recorded before. Indeed, 'The Way of God' is a revelation' (BBC Music Magazine Top 1000 CDs Guide)

'This disc is full of the wonderful writing that we expect from Purcell … that is becoming better known and understood through Robert King's performances' (Fanfare, USA)

'Every number brings new riches and two have never been recorded before. This magnificent project shows no signs of flagging' (BBC CD Review)

Behold, I bring you glad tidings, Z2
author of text
Luke 2: 10, 11, 14

Introduction  EnglishFrançaisDeutsch
Behold, I bring you glad tidings dates from 1687 and, from its text (three verses from Chapter 2 of St Luke’s Gospel), we can be fairly sure that it was written for Christmas in the Chapel Royal. Surprisingly, it is Purcell’s only anthem composed specifically for the Feast of Christmas. Manuscript copies are fairly widely spread throughout the cathedrals of Britain, with versions now in the libraries of York, Ely, Durham and Tenbury, suggesting that it was quite a popular work.

The overture is a fine one, with the rising arpeggios of the slow opening creating a suitably mystical mood. The imitative second section is busy, containing much interplay between the four instrumental lines, and setting off the dropping sequences of continuous quavers against a smoother, more syncopated countersubject. The slow opening arpeggios return, and the strings provide a sumptuous accompaniment to the bass solo, originally written for John Gostling: once again, the composer stretches his friend and colleague’s wide vocal range to its furthest extremes. Purcell’s ability to convey in music both the miracle and the majesty of the birth is especially remarkable. The two other solo voices enter in joyful triple time bearing the glad tidings, and the section concludes with a graceful string ritornello.

The heavenly host arrives, first in the form of the soloists, then with the block chords majestically taken on by the full choir. ‘And on earth, peace, good will’ is set to a gently swinging triple-time metre, which is interrupted by the choir in a brighter key. Once again the triple metre takes over, only to be interrupted again by the heavenly host. This time the choir alternate with the soloists in bringing ‘peace, good will towards men’, and the strings close matters with another elegantly poised ritornello. Soloists and strings answer each other in joyful Alleluias, but it is Purcell’s heavenly choir which has the last say as they glorify ‘God on high’ in ringing block chords.

from notes by Robert King © 1993

Other albums featuring this work
'Baroque Christmas Music' (CDH55048)
Baroque Christmas Music
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55048  Helios (Hyperion's budget label)  
'Purcell: The Complete Sacred Music' (CDS44141/51)
Purcell: The Complete Sacred Music
MP3 £35.00FLAC £35.00ALAC £35.00Buy by post £40.00 CDS44141/51  11CDs Boxed set (at a special price)  
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