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Hyperion Records

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Still of Marc-André Hamelin from the film Des pas sur la neige.
CLC Productions, 2009
Track(s) taken from CDA67789
Recording details: November 2009
Concert Hall, Wyastone Estate, Monmouth, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: September 2010
Total duration: 4 minutes 38 seconds

'Dear Marc-André, I begged and pleaded for Hyperion to keep this disc under wraps. But now that it's released, all of us composer / pianists have no choice but to go out of business. Isn't it enough for you simply to be the world's most proficient pianist? Do you also have to compose amazingly well for your instrument, and rewardingly so? Must you serve up some of the most witty, charming, entertaining and devastatingly effective piano music of your generation?' (Gramophone)

'Hamelin's original etudes … as well as the character pieces that round out the disc, with their blend of tasteful lyricism and striking textures and harmonies, are as enjoyable as his homages. While brashly flaunting his influences (Gershwin, Poulenc, Rachmaninov) he sounds utterly individual. Of course, the composer makes all the technical difficulties sound easy to play in these vividly recorded performances' (BBC Music Magazine)

'A set of 12 Études that reveals Hamelin's immersion in the great virtuoso tradition … Hamelin the composer has the same kind of tact and imagination that Hamelin the pianist does … the virtuoso demands are daunting; but there's so much harmonic and contrapuntal interest in these works, so much sheer joie de vivre, such evident love for the instrument and its history, and such consistent wit, that even music lovers who disdain virtuoso excess are likely to be seduced … in its gentle luminosity, the [Theme and Variations] is the most touching work on the CD. Hamelin the pianist, of course, plays with his usual understated virtuosity—his unerring control of phrasing, articulation and dynamics; his ability to generate huge masses of sound without banging; his succulent legato; and, most important in the more thorny textures, his ability to give each contrapuntal line its own flavour … the engineering is first rate. A cause for celebration' (International Record Review)

'One of this extraordinary musician's finest achievements, indeed, one of the great solo piano recordings ever made' (Fanfare, USA)

'These are astounding pieces … with a hint of frenetic, sometimes out-and-out grotesque, madness. They bar no holds where technical extremes are concerned … these are the other individual works on this superlative disc cover anythign from grandiose Romanticism to 20th-century stride' (The Scotsman)

Étude No 5 in G minor 'Toccata grottesca'
composer
2008; published by C. F. Peters Corp., New York

Introduction  EnglishFrançaisDeutsch
Although Toccata grottesca fortunately ended up having a personality of its own, it is actually modeled closely after a preexisting piece by another composer. This was a pure experiment on my part, and I am quite surprised at how I was able to adhere to the model without making the derivation obvious (at least I don’t think it’s obvious!), considering how similar the texture and form ended up being. Understandably, I don’t wish to reveal the identity of the original, and I am interested to know how skilful I was in masking the source of my inspiration. (Who is it that once said ‘originality is the art of concealing one’s source’?) It is not a terribly well-known work, although someone with a sufficiently broad knowledge of the piano literature might recognize it. I woke up one morning with the first eight bars of this étude fully formed in my head, and I immediately thought ‘hey, that sounds a little bit like …’. And so the piece was born.

from notes by Marc-André Hamelin © 2010

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