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Hyperion Records

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Amalfi (1836 watercolour after a pencil drawing done in situ 1831) by Felix Mendelssohn (1809-1847)
The Bodleian Library, Oxford, MS. M. Deneke Mendelssohn c. 21, fol. 123r
Track(s) taken from CDA67753
Recording details: November 2008
Concert Hall, Wyastone Estate, Monmouth, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: July 2010
Total duration: 8 minutes 50 seconds

'Eugene Asti plays with a refreshingly light touch and a lively sense of rhythm' (Gramophone)

‘Hyperion’s series of Mendelssohn’s neglected vocal pieces continues to spread enchantment, thanks in part to young British talent. Katherine Broderick and Hannah Morrison, wonderfully clear and expressive sopranos, top the line-up gathered by Eugene Asti … genius is frequent and Mendelssohn’s charm almost constant’ (The Independent)

Ch'io t'abbandono in periglio sì grande
composer
5 September 1825; concert aria, probably written for Franz Hauser
author of text
Achille in Sciro

Introduction  EnglishFrançaisDeutsch
Ch’io t’abbandono in periglio sì grande is an elaborate concert aria that puts the singer through his paces. It was composed on 5 September 1825, probably for Franz Hauser (1794–1870), a ‘pretty good bass’, in Felix’s words, and a fellow Bach enthusiast who provided Felix with as yet unpublished works by Bach. The text comes from the opera seria libretto Achille in Sciro by Pietro Metastasio (the pseudonym for Pietro Antonio Domenico Trapassi), an inventive re-scrambling of Greek mythology in which Achilles’ mother hides her son on the island of Scyros. There, he dons female garb in an attempt to evade the army, but Ulysses spots the disguise and the two depart for Troy. Mendelssohn put together two separate passages from the already outdated textual source—the Mendelssohn scholar R Larry Todd sums up this work as belonging to Felix’s lifelong frustrated quest for suitable opera libretti—to form a dramatic recitative, an Andante con moto lyrical section, and a lengthy concluding Molto allegro and Più presto work-out.

from notes by Susan Youens © 2010

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