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Hyperion Records

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Photo of Angela Hewitt by James Cheadle.
Track(s) taken from CDA67736
Recording details: March 2009
Jesus-Christus-Kirche, Berlin, Germany
Produced by Ludger Böckenhoff
Engineered by Ludger Böckenhoff
Release date: September 2009
Total duration: 7 minutes 28 seconds

'Hewitt distils the essence of the original instruments without compromsing her out-and-out commitment to the modern keyboard … the large-scale Haydn E flat Sonata is superb, above all the middle movement in an astonishing and other-wordly E major. Hewitt's dynamic range is bold … and the glittering facility of the final Presto is thrilling. Altogether a splendid contribution to these composers' anniversary year' (BBC Music Magazine)

'Everything emerges with an impressive combination of clarity and vitality … the programme is unique to the current catalogue, and Hewitt's favoured Fazioli instrument has been recorded with superb fidelity' (International Record Review)

'What intrigues me most about Angela Hewitt's playing is the tension between the expressive restrictions of her 18th-century repertoire, and the imagination she deploys so fully within its boundaries … she takes pains to make each strand of the music apparent to the listener … technical virtuosity put to the service of Haydn's brilliant wit' (Fanfare, USA)

'Canadian pianist Angela Hewitt, famous for playing Bach, commands the very different, more Italianate style of Handel. The last work on the disc is Haydn's great E flat Sonata and I like Hewitt's way with its Adagio best of all' (Daily Mail)

Chaconne in G major, HWV435
composer
published as No 2 of a set of nine suites by John Walsh around 1733; with 21 variations

Other recordings available for download
Danny Driver (piano)   May 2014 Release
Edwin Fischer (piano)
Introduction  EnglishFrançaisDeutsch
The Chaconne in G major with twenty-one variations was published as ‘Suite No 2’ in the 1733 collection. This magnificent piece is Handel at his most Gallic, with shades of the clavecinistes—Rameau, Couperin—in the elaborately ornamented Sarabande theme and several of the variations. In time-honoured fashion, the figuration grows increasingly animated during the early variations. Variations 9 to 16 are in G minor, beginning with a tender contrapuntal meditation on the theme—one of Handel’s most poetic keyboard inventions. By the time the major key re-emerges in variation 17, Handelian virtuosity is again in full spate. We can imagine the composer playing this Chaconne on his colourful two-manual Ruckers harpsichord at home in Brook Street, to the astonished delight of privileged visitors.

from notes by Richard Wigmore © 2014


Other albums featuring this work
'Handel: The Eight Great Suites' (CDA68041/2)
Handel: The Eight Great Suites
Pre-order CD by post £20.00 CDA68041/2  2CDs May 2014 Release  
'Edwin Fischer – The First Beethoven Sonata Recordings' (APR5502)
Edwin Fischer – The First Beethoven Sonata Recordings

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