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Hyperion Records

Click cover art to view larger version
Portrait of Joseph Haydn engraved by F A Andorff by Carl Jäger
The Cobbe Collection Trust, UK / Bridgeman Art Library, London
Track(s) taken from CDA67710
Recording details: August 2008
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: August 2009
Total duration: 13 minutes 8 seconds

'One of the outstanding releases of the Haydn celebratory year' (International Record Review)

'A marvellously polished collection of performances … he is a model of correctness, with enough wit, exuberance and the most exquisite lightness of touches to keep the music buoyant' (The Guardian)

'Hamelin is most associated with virtuoso fireworks for piano, but he can also miniaturise himself exquisitely to suit Haydn's wit and elegance … the spring in his fingers is delightful' (The Times)

'As always, Haydn's originality astonishes and delights in his piano music as much as in his symphonies and string quartets. Hamelin revels in the tongue-in-cheek high jinks of the finale to the E minor sonata (No 34) … and is especially compelling in the great C major (No 48) … works that rank with the finest creations of the Viennese Classical period. An unmissable bargain at two-discs-for-the-price of one' (The Sunday Times)

'The continuous outpouring of beautiful tone; it's mesmerizing … these performances are beyond criticism' (Fanfare, USA)

'They sound absolutely superb, in the right hands, on the modern grand piano. And Marc-André Hamelin has the right hands, as his first two-disc set showed … playing of crisp clarity and deep feeling, superbly recorded' (Dominion Post, New Zealand)

'This Hyperion double set contains some of the finest performances of Haydn sonatas I have heard. Hamelin's playing overflows with ardent lyricism and I especially enjoyed his naturalness of rubato. The close sound quality from the Henry Wood Hall is impressive and the booklet essay by Richard Wigmore is helpful too' (MusicWeb International)

Piano Sonata in E minor, Hob XVI:34
composer
published in London in 1783; probably composed in the late 1770s

Presto  [5'20]
Adagio  [4'32]

Other recordings available for download
Wanda Landowska (piano)   October 2014 Release
Introduction  EnglishFrançaisDeutsch
The E minor sonata, No 34, was one of three sonatas (including No 39) published in London in 1783, though it probably (that word again) dates from the late 1770s. The superb 6/8 opening Presto worries at its laconic main theme with cussed obsessiveness, rising to a splenetic climax in the coda before the opening phrase vanishes into thin air. Only the G major second theme, sounded in dulcet thirds and sixths, offers momentary relaxation. The G major Adagio, extravagantly embellished with rococo arabesques, leads via a passage of quasi-operatic recitative into the finale, whose folk-like theme lives up to its innocentemente marking. This is another Haydnesque amalgam of rondo and variations, with a recurring E major episode closely related to the main, E minor, theme.

from notes by Richard Wigmore © 2009


Other albums featuring this work
'Wanda Landowska – The complete piano recordings' (APR7305)
Wanda Landowska – The complete piano recordings
APR7305  3CDs Download only October 2014 Release  

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