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Hyperion Records

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Fireworks over Stockholm.
© Mikael Damkier, www.dreamstime.com
Track(s) taken from CDA67734
Recording details: June 2008
Västerås Cathedral, Sweden
Produced by Paul Spicer
Engineered by Simon Eadon
Release date: May 2009
Total duration: 5 minutes 51 seconds

'Herrick's playing and imaginative use of the organ's resources are first rate, and he's backed up by a superb recording from Hyperion' (Gramophone)

'This instrument makes a pretty spectacular noise … with plenty of incendiary reeds and pyrotechnic instruments, it provides yet another ideal organ on which Christopher Herrick can light his blue touch paper and not retire but leap onto the pyre and set off as many fireworks as he can in the space of 78 minutes … he is a fluent and fiery champion of the repertoire … Herrick manages to persuade us that it is all worth hearing. He delivers it with enthusiasm and the communicative zeal which is the hallmark of just about everything this outstanding organist ever seems to put his hands and feet to … for lovers of fine organ sound and often spine-tingly virtuoso playing … this disc most certainly is not thirteenth time unlucky' (International Record Review)

Dedication March
composer
1953

Dedication March  [5'51]

Introduction  EnglishFrançaisDeutsch
William Lloyd Webber (1914–1982) seems destined to be remembered more for the achievements of his sons—Julian, the cellist, and Andrew, the composer—than for his own, but he played a prominent role in the musical establishment of his day—as administrator, composer, organist and teacher. Although it is not easy to assess his stature as a composer, his Dedication March more than suggests a skilled, experienced hand. Dating from 1953, and possibly therefore connected in some way with the coronation of Queen Elizabeth II, it begins with cheerful, rhythmical music that puts one somewhat in mind of Eric Coates; but the winding, glowing lines of the melodious middle section suggest the influence of Elgar. The return of the opening material leads to a grand re-statement of the middle-section tune and then a coda in which the Tuba crowns the proceedings.

from notes by Relf Clark © 2009

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