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Hyperion Records

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When all is said & done (2006) by Anthony Mastromatteo (b?)
Reproduced by kind permission of the artist / Private Collection
Track(s) taken from CDA67686
Recording details: July 2008
Henry Wood Hall, London, United Kingdom
Produced by Rachel Smith
Engineered by Tony Faulkner
Release date: March 2009
Total duration: 4 minutes 14 seconds

'Listening to this recital I felt as though I were a guest at a sumptuous banquet … it is the different wines accompanying each course that make this meal special, that is to say the discriminating premier cru tone, touch (what magically hushed pianissimos) and masterly pedalling to which the diners are treated, each element adjusted to each composer yet all unmistakably Stephen Hough—vintage Hough at that, for here is a pianist at the height of his powers … a great piano recording and front runner for instrumental disc of the year' (Gramophone)

'The glinting wit and thorough seriousness of pianist Stephen Hough's playing—attributes you desire from all virtuosi but do not always find—make this mixed repertoire disc a particular joy' (The Observer)

'Variations sérieuses is given a spontaneous and nimble account, fully relaying Mendelssohn's dazzling invention; and also his heart … [Beethoven Op 111] the second movement has rarely sounded more luminous … [Invitation to the Dance] Hough's performance is scintillating and affectionate, notably lucid in how the hands interact. The Chopin waltzes are pleasurable for Hough's unaffected and crisp (but never inflexible) playing … this thoughtfully conceived, superbly executed and produced release warrants a most enthusiastic recommendation' (International Record Review)

'Hough's clear-sighted path through both the Mendelssohn and Beethoven, every detail perfectly placed, belies the charm he brings to the bravura glitter of the Weber, the subtle ambiguities of Debussy's La Plus que Lente, and the more insidious allure of the Liszt. It's a beautifully accomplished sequence' (The Guardian)

'It's hard to think of another pianist who could encompass such high seriousness—his techincal brilliance is never an alibi for superficiality in Beethoven and Mendelssohn—and high jinks within the same programme … Hough wears his virtuosity so lightly that the fantastically difficult notes seem to pour off his fingers with effortless ease. His Weber and Liszt are played with staggering bravura, his Chopin is both brilliant and wistful, and his Waltzing Matilda makes you want to laugh out loud' (The Sunday Times)

La plus que lente, L128
composer
1910

Other recordings available for download
Angela Hewitt (piano)
Walter Gieseking (piano)
Introduction  EnglishFrançaisDeutsch
If Debussy’s intention that his ‘slower than slow’ waltz, La plus que lente, should be taken as a parody is not clear enough from his tempo direction, Lent (molto rubato con morbidezza), it is surely confirmed by his statement to the effect that it was written to suit the taste of ladies who take tea. Even so, it is impossible to hear its hesitantly syncopated G flat major main theme, its harmonic suspensions, its appassionato outcry in right-hand octaves, even its apparently aimless continuity and its drawn-out ending without detecting, and sharing, an affection for the object of his irony.

from notes by Gerald Larner © 2009


Other albums featuring this work
'Debussy: Solo Piano Music' (CDA67898)
Debussy: Solo Piano Music
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 44.1 kHz £9.00ALAC 24-bit 44.1 kHz £9.00 CDA67898  Studio Master FLAC & ALAC downloads available
'Walter Gieseking – The complete Homocord recordings and other rarities' (APR6013)
Walter Gieseking – The complete Homocord recordings and other rarities
MP3 £7.99FLAC £7.99ALAC £7.99 APR6013  for the price of 1 — Download only  

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