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Track(s) taken from CDS44351/66

Mazurka in C sharp minor, Op 30 No 4

composer
1837

Garrick Ohlsson (piano)
Recording details: January 1998
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 3 minutes 48 seconds

Cover artwork: Frédéric Chopin in concert at the Hotel Lambert, Paris (1840). Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Images
 

Other recordings available for download

Pavel Kolesnikov (piano)

Reviews

‘Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time’ (The Mail on Sunday)

‘This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion’ (International Record Review)

‘An attractively priced box set … Ohlsson is in a class of his own’ (Pianist)

‘The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz’ (Classics Today)

‘Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue’ (Classical Source)
Chopin at times essayed complex, even experimental structures that strain against the boundaries of conventional sociability. The concatenation of a number of very different types of themes in the Mazurka in C sharp minor, Op 30 No 4—an opening theme whose arpeggiated accompaniment suggests the strumming of guitars, another theme that hints at fandango rhythms, a heroically triumphant theme near the middle of the piece, and an extremely chromatic and highly mysterious coda—lends a narrative quality to the piece.

from notes by Jeffrey Kallberg © 2019

Chopin s’est parfois essayé à des structures complexes, même expérimentales, qui repoussent de toutes leurs forces les limites de la sociabilité conventionnelle. L’enchaînement de plusieurs types de thèmes très différents dans la Mazurka en ut dièse mineur, op.30 n° 4—un thème initial dont l’accompagnement arpégé suggère le grattement des guitares, un autre thème qui fait allusion à des rythmes de fandango, un thème à l’héroïsme triomphal au milieu du morceau, et une coda très chromatique et mystérieuse—donne un caractère narratif à cette pièce.

extrait des notes rédigées par Jeffrey Kallberg © 2019
Français: Marie-Stella Pâris

Zuweilen versuchte Chopin sich allerdings auch an komplexen, sogar experimentellen Strukturen, die die Grenzen konventioneller Geselligkeit ausdehnen. Die Verkettung mehrerer sehr unterschiedlicher Themenarten in der Mazurka cis-Moll, op. 30 Nr. 4—ein Eingangsthema, dessen arpeggierte Begleitung eine Gitarre andeutet, ein weiteres Thema, das auf Fandango-Rhythmen verweist, ein heroisch-triumphales Thema in der Mitte des Stücks, sowie eine extrem chaotische und äußerst geheimnisvolle Coda—verleihen dem Stück ein narratives Element.

aus dem Begleittext von Jeffrey Kallberg © 2019
Deutsch: Viola Scheffel

Other albums featuring this work

Chopin: Impromptus, waltzes & mazurkas
Studio Master: CDA68273Studio Master FLAC & ALAC downloads available
Chopin: The Complete Mazurkas, Vol. 1
CDH55391
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