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Hyperion Records

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Frédéric Chopin in concert at the Hotel Lambert, Paris (1840) by Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Art Library, London
Track(s) taken from CDS44351/66
Recording details: January 1998
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 4 minutes 20 seconds

'Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time' (The Mail on Sunday)

'This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion' (International Record Review)

'An attractively priced box set … Ohlsson is in a class of his own' (Pianist)

'The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz' (ClassicsToday.com)

'Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue' (ClassicalSource.com)

Mazurka in B flat minor, Op 24 No 4
composer
1833

Other recordings available for download
Artur Pizarro (piano)
Moriz Rosenthal (piano)
Introduction
When teaching the Mazurka in B flat minor, Op 24 No 4, composed in 1833, Chopin offered very specific advice on the timbre of the third section (bars 54-62) where the opening unison (‘women’s voices in the choir’) is answered by chords (‘a [full] mixed choir’) and demanded absolute sound control or, as Chopin’s student Wilhelm von Lenz put it: ‘One was barely allowed to breathe over the keyboard, let alone touch it!’

from notes by Robert Andres © 2005


Other albums featuring this work
'Chopin: Reminiscences' (CKD248)
Chopin: Reminiscences
MP3 £8.00FLAC £10.00ALAC £10.00 CKD248  Download only  
'Chopin: The Complete Mazurkas, Vol. 1' (CDH55391)
Chopin: The Complete Mazurkas, Vol. 1
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55391  Helios (Hyperion's budget label)  
'Moriz Rosenthal – The complete recordings' (APR7503)
Moriz Rosenthal – The complete recordings
MP3 £16.49FLAC £16.49ALAC £16.49 APR7503  5CDs Download only  

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