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Hyperion Records

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Frédéric Chopin in concert at the Hotel Lambert, Paris (1840) by Antar Teofil Kwiatowski (1809-1891)
Bibliothèque Polonaise, Paris / Archives Charmet / Bridgeman Art Library, London
Track(s) taken from CDS44351/66
Recording details: November 1995
Performing Arts Center, Purchase College, State University of New York, USA
Produced by Adam Abeshouse
Engineered by Adam Abeshouse
Release date: November 2008
Total duration: 5 minutes 38 seconds

'Hyperion's big deal … Ohlsson is a powerful and committed player, and is afforded very good sound by the engineers … this is almost certainly how these pieces were played in Chopin's time' (The Mail on Sunday)

'This is an oustanding achievement, which any genuine Chopin lover and student of Romantic music should own … a landmark in the recording of Chopin's music … Garrick Ohlsson and Hyperion deserve the greatest success in bringing this important undertaking to such a consistently impressive conclusion' (International Record Review)

'An attractively priced box set … Ohlsson is in a class of his own' (Pianist)

'The collaborative works receive particularly rewarding performances … Ohlsson arguably offers more consistent artistry than Biret, Ashkenazy, Magaloff, and Harasiewicz' (ClassicsToday.com)

'Garrick Ohlsson’s complete survey of everything Chopin wrote for piano (including chamber music, songs, and for piano and orchestra) will delight the completist and the Chopin connoisseur. Ohlsson (who won the Chopin International Piano Competition in 1970) gives us accounts of this wondrous repertoire in weighty and commanding style, aristocratic and impulsive (but not lacking light and shade or contemplative contrasts) and, at times, very sensitive and searching. These vivid recordings were made in the second half of the 1990s and have previously appeared on the Arabesque label. They now sit very well in Hyperion’s catalogue' (ClassicalSource.com)

Waltz in E flat major, Op 18
composer
composed in Vienna in 1831/2 under the title Grande valse brillante

Other recordings available for download
Stephen Hough (piano)
Artur Pizarro (piano)
Arthur de Greef (piano)
Introduction  EnglishFrançaisDeutsch
The waltzes that Chopin published during his lifetime draw out contrasts between the effervescent emotions and sentimentality that we know to have contributed so much to the fashionableness of the ballroom waltz. This emerges clearly in the first of the published waltzes, the E flat major, Op 18. The main themes of the waltz brim with the bustle of the dance floor: the stirring call to the dance of the introduction, and the rising and falling motion of the opening melodies, which (as the musicologist Eric McKee has persuasively argued) Chopin meant to reflect the spinning motions of dancing couples. The contrasting themes (with melodies in thirds and in the new key of D flat major), on the other hand, have a more reflective lilt (Chopin instructs the pianist to play one of them con anima, and the soulfulness of the melody emerges palpably).

from notes by Jeffrey Kallberg © 2011


Other albums featuring this work
'Arthur de Greef – Solo and concerto recordings' (APR7401)
Arthur de Greef – Solo and concerto recordings
MP3 £15.49FLAC £15.49ALAC £15.49 APR7401  4CDs Download only  
'Chopin: Reminiscences' (CKD248)
Chopin: Reminiscences
MP3 £8.00FLAC £10.00ALAC £10.00 CKD248  Download only  
'Chopin: The Complete Waltzes' (CDA67849)
Chopin: The Complete Waltzes
'Chopin: The Complete Waltzes' (CDH55381)
Chopin: The Complete Waltzes
MP3 £3.75FLAC £3.75ALAC £3.75Buy by post £5.50 CDH55381  Helios (Hyperion's budget label)   Download currently discounted

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