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One clearly hears in this score Thompson’s expert writing for voices, his fondness for and deft use of sequences, suspensions and counterpoint combined with his ability to control the overall pacing and structural scheme of the composition. The Alleluia is tightly constructed and moves very carefully and strategically—through the use of dynamics, articulation, expanded range, harmonic rhythm and accelerating tempo—to the very high point of intensity near the end of the work, before receding from its gorgeous wave of choral sound to return once again to its introspective beginning. The Alleluia has become a beloved and time-honored contribution to the choral repertoire.
from notes by Morten Lauridsen © 2008