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Hyperion Records

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Saint Elisabeth, Queen of Hungary, gives clothes to the poor. Cologne School, end of the 14th century
Rheinisches Bildarchiv Köln, Wallraf-Richartz-Museum, Köln
Track(s) taken from CDA66466
Recording details: April 1990
Unknown, Unknown
Produced by Tryggvi Tryggvason
Engineered by Tryggvi Tryggvason
Release date: October 1991
Total duration: 21 minutes 33 seconds

'Another pithy release in what is fast looming as one of the most imposing recording landmarks of the century' (Fanfare, USA)

'The present Liszt disc is among the finest of the series to date' (CDReview)

Zwei Orchestersätze aus dem Oratorium Christus, S498b

Introduction  EnglishFrançaisDeutsch
The two enormous orchestral movements from the oratorio Christus appeared first in Liszt’s vocal score, but in the reissue he made some corrections and alternative suggestions which are incorporated in the New Liszt Edition. Christus is a very different conception from Saint Elisabeth in its musico-dramatic structure. It is divided into three almost distinct sections—Christmas Oratorio, After Epiphany and Passion and Resurrection. There are movements based upon plainchants, others entirely freely composed. Some movements are for voices and organ only, others use the full orchestra, and the last two movements of the first part—for orchestra alone—are like orchestral pictures of the early life of Jesus. Most commentators agree that Christus as a whole contains, along with the Piano Sonata and the Faust-Symphonie, the best of Liszt’s music. The two orchestral sections may not represent the highest point of the whole oratorio—surely the Passion music does that—but they are nonetheless particularly moving evocations of the shepherds and their pipes, and of the Wise Men following the star. Both movements have an almost Schubertian suspension of time to them. The shepherds’ pipes begin carolling in a regular 6/8 before the shepherds themselves—in something reminiscent of a chorale undulating between 3/4 and 2/4—join in. A central hymn-like theme completes the material and all three themes weave in an out, leading to a jubilant outburst of the pastoral opening theme before the recapitulation. The march of the kings begins in an uncomplicated, almost playful mood, but at the moment when they see the star and follow it the mood is transformed, and one of Liszt’s most inspired melodies raises the music to quite another level. An adagio section symbolizes the offerings of gold, frankincense and myrrh, and the kings’ joy finally becomes uncontainable and the tempo increases to a splendid display of justifiable rhetoric. It is sad to have to report that most orchestral performances of this movement on record miss this mighty transformation of mood and pace altogether.

from notes by Leslie Howard © 1991

Other albums featuring this work
'Liszt: Complete Piano Music' (CDS44501/98)
Liszt: Complete Piano Music
MP3 £160.00FLAC £160.00ALAC £160.00Buy by post £200.00 CDS44501/98  99CDs Boxed set + book (at a special price)  
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