‘Faery Flout’ is based on a setting of a poem by Mary Webb (1881–1927, author of such popular pastoral epics as ‘Precious Bane’ and ‘Gone to Earth’ – devastatingly parodied by Stella Gibbons’ novel Cold Comfort Farm). The opening lines tell all:
The faery people flouted me
Mocked me, shouted me;
They chased me down dreamy hill
And beat me with a wand.
‘Barcarolle’ refers to a poem by Eimar O’Duffy (1893–1935), an Irish prose satirist and member of the Irish Republican Army. The opening lines seem only faintly relevant to the title:
Still the shallow laughs and bubbles;
Still in shadow broods the deep;
Still the leaning willows whisper
‘Rest thee here, and sleep’.
Boughton’s setting has not survived, though it may well belong to 1931 when he undertook to collaborate with O’Duffy on a musical comedy entitled Butterflies and Wasps that was designed to excoriate contemporary society. Fortunately, perhaps, the enterprise did not get beyond a rather lame libretto and sixty-six pages of very tentative musical sketches. Wherever Boughton’s theatrical genius may be judged to lie, it was certainly not in realms where Cole Porter and Noël Coward reigned supreme.
from notes by Michael Hurd © 1997