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The Guardian (c1930) by Arild Rosenkrantz (1870-1964)
Courtesy of Peter Nahum at The Leicester Galleries, London / © Bente Arendrup, Denmark
CDA67641

Buy? £13.99

Recording details: June 2007
Wells Cathedral, United Kingdom
Produced by Mark Brown
Engineered by Julian Millard
Release date: May 2008
Total duration: 75 minutes 29 seconds

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GRAMOPHONE RECOMMENDS

'The more I hear of Wells Cathedral Choir the more impressed I am. Matthew Owens has certainly brought these choristers to the very peak of excellence; it ranks as probably the finest English cathedral choir at the moment … The two large-scale works are delivered with great power and breadth, David Bednall's organ accompaniments as full of colour and pizzazz as one could want. It all adds up to stunning performances of outstanding music … Leighton's memory is well served in this superb release' (Gramophone)

'Two things stand out in this new release featuring a selection of Kenneth Leighton's sacred choral music: the inclusion of three first-time recordings and the glorious, energetic performances of the Wells Cathedral Choir … [The World's Desire] The return of Heber's hymn brings both the work and the disc to a close in such a spine-tinglingly awesome fashion that the listener is compelled to hit the 'play button' again almost immediately' (International Record Review)

'This CD takes its title from an Epiphany sequence, and includes fine music for organ and a set of morning canticles never before recorded. Wells Cathedral Choir is in cracking form' (Observer)

'The full-throated, passionate performances by the Wells singers for Hyperion are highly persuasive' (Classical Music magazine)

'The quintissential English cathedral ambience evoked by the choir, organ and acoustic of Wells is well captured by Hyperion and perfectly serves the unmistakable muscular language of Kenneth Leighton's music' (Choir and Organ Magazine)

The World's Desire
Sequence for All Saints, Op 75
Morning Canticles
The World's Desire 'A Sequence for Epiphany', Op 91
Kenneth Leighton’s music is at the heart of English Cathedral repertoire, and demonstrates the composer’s happy absorption in this milieu from an early age. This disc from Wells Cathedral includes some first recordings of his major works in impeccable, lasting performances.

The majestic Sequence for All Saints is a marvellously consolatory work which is cast in a continuous span of five sections. The use of a congregational hymn at the end makes the music a seamless and integral part of worship. The recording of The World’s Desire is the work’s first. This extensive work arose from a commission in which Leighton was requested to write a work that reflected facets of both the Western and Eastern liturgy relating to the Feast of the Epiphany. In the Epiphany story, the Western liturgy places a stronger emphasis on Christ’s divinity as manifested at his baptism in the river Jordan. By comparison the Orthodox liturgy focuses on St John’s image of the Epiphany being ‘the day of light’ with Christ portrayed as ‘the light of men’. This dichotomy presented a particular challenge to Leighton and the result is a stirring, triumphant work which combines the traditions of the Anglican and Russian Orthodox liturgies to great effect.

Wells Cathedral has maintained a choral tradition virtually unbroken for over 800 years. Hyperion’s engineers have here captured the glorious singing of the choir in the matchless acoustic of the cathedral.