'The cover shows a Renoir painting, Path in a Wood , and since the Florestans are playing we know just where the path leads: towards bliss. Their light, nimble style finds a perfect match in Saint-Saëns' youthful first piano trio, full of rustic charm; with these musicians there's never a dull phrase. In the weightier second trio, the inspiration runs around in spots. But never underestimate this composer: the Florestans don't. This CD can't miss' (The Times)
'The Florestan's rhythmic verve, subtle shading and luminous, sparkling textures (pianist Susan Tomes's cascading fingerwork a constant delight) catch the trio's spirit to perfection. A winner' (The Daily Telegraph)
'Well, the Florestan Trio have done it again - if this disc doesn't at least win a Gramophone Award nomination, I'll eat my hat. Indeed, such is the cumulative emotional impact of these performances that, I don't mind admitting, I wept during the wonderful fortissimo climax of the E minor trio's first movement - that even before the astonishing intensity of the final, precipitous Allegro … Recorded sound and accompanying notes are, of course, impeccable. No argument: just buy it' (Gramophone)
'Violinist Anthony Marwood and cellist Richard Lester are at their most expressively subtle and sweet-toned, floating phrases with a compelling memorability … Add to that Susan Tomes's melt-in-the-mouth pianism - tonally ravishing, innterpretatively magical - another exemplary Andrew Keener/Simon Eadon production and absorbing booklet notes from Robert Philip, and this one should literally fly off the shelves' (International Record Review)
'Outstanding. These are works no lover of chamber music should be without' (Fanfare)
'If you are looking for these gorgeous, masterful pieces -- and if you don't own them you certainly should -- then purchase this disc in full confidence that it cerainly doesn't get any better' (ClassicsToday.com)
Piano Trio No 1 in F major, Op 18
|
||
Movement 1: Allegro vivace
[7'14]
|
||
Movement 2: Andante
[8'02]
|
||
Movement 3: Scherzo. Presto
[3'37]
|
||
Movement 4: Allegro
[6'27]
|
||
Piano Trio No 2 in E minor, Op 92
|
||
Movement 2: Allegretto
[6'18]
|
||
Movement 3: Andante con moto
[4'04]
|
||
Movement 5: Allegro
[8'05]
|
Piano Trio No 1 was Saint-Saëns’s first truly successful work. Inspired by the terrain and folk music of the French Pyrenees, it has a breezy simplicity, its open lyricism—naïveté even—offering so much more than 1860s opera-mad France could ever have realized. The second trio is a more serious and subtle work; the intervening decades had seen Saint-Saëns retreat from a world in which he felt increasing marginalized. From self-imposed exile in Algeria he sent this work to the world as a postcard firmly reiterating his belief in the values of traditional form and melody.
Performances by The Florestan Trio are every bit as committed and polished as we have come to expect from their many previous acclaimed recordings.