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CDA67538

Buy? £13.99

Recording details: December 2004
Henry Wood Hall, London, United Kingdom
Produced by Andrew Keener
Engineered by Simon Eadon
Release date: April 2006
Total duration: 59 minutes 30 seconds

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GRAMOPHONE EDITOR'S CHOICE

'The cover shows a Renoir painting, Path in a Wood , and since the Florestans are playing we know just where the path leads: towards bliss. Their light, nimble style finds a perfect match in Saint-Saëns' youthful first piano trio, full of rustic charm; with these musicians there's never a dull phrase. In the weightier second trio, the inspiration runs around in spots. But never underestimate this composer: the Florestans don't. This CD can't miss' (The Times)

'The Florestan's rhythmic verve, subtle shading and luminous, sparkling textures (pianist Susan Tomes's cascading fingerwork a constant delight) catch the trio's spirit to perfection. A winner' (The Daily Telegraph)

'Well, the Florestan Trio have done it again - if this disc doesn't at least win a Gramophone Award nomination, I'll eat my hat. Indeed, such is the cumulative emotional impact of these performances that, I don't mind admitting, I wept during the wonderful fortissimo climax of the E minor trio's first movement - that even before the astonishing intensity of the final, precipitous Allegro … Recorded sound and accompanying notes are, of course, impeccable. No argument: just buy it' (Gramophone)

'Violinist Anthony Marwood and cellist Richard Lester are at their most expressively subtle and sweet-toned, floating phrases with a compelling memorability … Add to that Susan Tomes's melt-in-the-mouth pianism - tonally ravishing, innterpretatively magical - another exemplary Andrew Keener/Simon Eadon production and absorbing booklet notes from Robert Philip, and this one should literally fly off the shelves' (International Record Review)

'Outstanding. These are works no lover of chamber music should be without' (Fanfare)

'If you are looking for these gorgeous, masterful pieces -- and if you don't own them you certainly should -- then purchase this disc in full confidence that it cerainly doesn't get any better' (ClassicsToday.com)

Piano Trios
Piano Trio No 1 in F major, Op 18
Piano Trio No 2 in E minor, Op 92
Despite being the composer of innumerable works in all genres from grand opera to piano miniature, Saint-Saëns today is known largely for his third symphony (the ‘Organ’ Symphony), the piano concertos (award-winningly recorded by Stephen Hough on Hyperion) and the omnipresent Carnival of the animals (a work its composer did his best to suppress). The two piano trios, composed in 1863 and 1892, stand at the apogee of his neglected chamber music output, and their place in a genre the composer held dear is reflected in their quality.

Piano Trio No 1 was Saint-Saëns’s first truly successful work. Inspired by the terrain and folk music of the French Pyrenees, it has a breezy simplicity, its open lyricism—naïveté even—offering so much more than 1860s opera-mad France could ever have realized. The second trio is a more serious and subtle work; the intervening decades had seen Saint-Saëns retreat from a world in which he felt increasing marginalized. From self-imposed exile in Algeria he sent this work to the world as a postcard firmly reiterating his belief in the values of traditional form and melody.

Performances by The Florestan Trio are every bit as committed and polished as we have come to expect from their many previous acclaimed recordings.