GRAMOPHONE CRITICS' CHOICE
RADIO 3 DISC OF THE WEEK
CRITICS' CHOICE INTERNATIONAL RECORD REVIEW
'The intensity and focus of the treble voices, for which this choir is famed, brings a luminosity to Janacek's angular lines that compels attention ... radiant performances' (BBC Music Magazine)
'These pieces have an affecting quality, and they are most beautifully sung and lucidly recorded' (International Record Review)
'Westminster Cathedral Choir's discography is distinguished by immaculate preparation, inspired direction, outstanding choral singing and superlative recorded sound. A simply glorious performance and, as with the Martin and Pizzetti recording, this entire release should inspire even those for whom sacred music is usually a closed book. In short, this is a disc not to be missed' (Gramophone)
'Sumptuously recorded and delivered with obvious affection for the music, this is my personal record of the year' (Gramophone)
'An absolute triumph. Highly recommended' (Classic CD)
Missa brevis
Zoltán Kodály (1882-1967)
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Movement 2: Kyrie
[2'38]
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Movement 3: Gloria
[4'15]
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Movement 4: Credo
[6'14]
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Movement 5: Sanctus
[2'20]
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Movement 6: Benedictus
[3'29]
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Movement 7: Agnus Dei
[5'39]
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Laudes organi
Zoltán Kodály (1882-1967)
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Movement 2: Audi chorum
[1'34]
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Movement 3: Musice! milites
[2'13]
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Movement 4: Gravis chorus
[1'32]
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Movement 5: Nunc per voces
[1'10]
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Movement 6: Tali modulo
[3'14]
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Movement 7: Huius artis
[2'01]
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Movement 8: Fiat Amen
[3'23]
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Mass in E flat
Leos Janácek (1854-1928)
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Movement 1: Kyrie
[5'48]
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Movement 2: Credo
[8'04]
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Movement 3: Sanctus
[3'27]
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Movement 4: Agnus Dei
[3'31]
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The Missa Brevis by Kodály was written originally as an Organ Mass and later rearranged as a Missa Brevis for organ and mixed choir. The first performance was in the Budapest Opera House cloakrooms during the siege of Budapest in 1944/45!
The Laudes Organi is Kodály's last completed work and is notable for its imposing organ introduction and interludes. Its triumphant conclusion marks a fitting end to the career of a composer whose contribution to the Hungarian choral tradition remains unrivalled.
This recording is the final recording with James O'Donnell as the Master of Music at Westminster Cathedral.