Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.
Hyperion offers both CDs, and downloads in a number of formats. The site is also available in several languages.
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|British Light Music Classics, Vol. 1|
'For light music specialist and general music lover alike, this collection should prove pure delight' (Gramophone)
'Music that will make older readers revel in nostalgia and younger listeners discover an abundance of charming tunes that will spin around in their he ...» More
|Dowland & Campion: It fell on a summer's day|
|Four and Twenty Fiddlers|
'It is fascinating to hear for the first time music by Banister and Grabu and Purcell's recently-discovered Staircase Overture' (Gramophone)
'A marvellous introduction to the instrumental world in which Purcell grew up' (Early Music Review)» More
|Reicha: Wind Quintets|
'The Prague Academia Wind Quintet are fully at home in this agreeable music and these musicians convey their own pleaure in the composer's ready fund ...
'The 76 minutes pass all too quickly for this enthralled listener' (American Record Guide)» More
|The Clarinet in Concert|
'A winner' (Gramophone)
'Extremely fine indeed' (Gramophone)» More
Certainly composers of the day held in no small esteem the popular musical heritage of their time. Ravenscroft, in his introduction to Pammelia (1609) says:
Yet in this kind onley, it [music] may seeme somewhat niggardly and unkind, in never [as yet] publikely communicating, but alwayes privately retaining, and as it were, enuying to all, this more familiar mirth and jocund melodic. But it may be Musicke hath hitherto beene defective in this vaine because this vaine indeed, hath hitherto been defective in Musicke; and therefore, that fault now being mended, this kind of Musicke also is now commended to all mens kind acceptation. This did I willingly undertake, and have easily effected, that all might equally pertake of that which is so generally affected.
It is perhaps difficult to understand at first sight why the ballad-buying public should be interested in, say, a fictional wedding at Winchester—after all, nothing very unusual happens. There is no gripping story here. Similarly, the jolly barber’s fate at the hands of a ‘girl of the game’ is as familiar as the story of Adam and Eve. Nonetheless ballads, with these simple themes about millers, vintners, foresters, and people from all walks of life, sold in hundreds of thousands. At one time the balladeer Martin Parker was running a syndicate of no fewer than twenty writers. Of course, our interest in the social minutiae of our neighbours has not diminished, but it is now almost exclusively the province of the serials and soap operas purveyed by the current media of radio and television which have, sadly, led to the near demise of the kind of social and sociable music-making presented on this disc.
Douglas Wootton © 1981