'Here is music of enormous power and inimitable character, performed with immense authority and understanding. Admirable sound. A very strong recommendation' (Hi Fi News)
'Gripping works ... Raymond Clarke is the ideal advocate' (BBC Music Magazine)
'An advocate of rare intelligence … This is an extremely valuable addition to Hyperion's still-expanding Simpson discography. The recording is simply superb, and Raymond Clarke's accounts almost beyond praise in their penetration, technical command and diablerie (listen to the sulphurous ending of the Beethoven Variations)' (Tempo)
'Characteristically rugged and uncompromising, but with touches of fantasy, visionary inwardness and wit. this is music that nourishes the soul' (Gramophone)
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Piano Sonata
[23'31]
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Allegro molto moderato
[7'07]
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Molto adagio e tranquillo
[10'26]
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Allegro vivace
[5'58]
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Part 2: Variations 1 – 4
[4'57]
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Part 3: Variations 5 – 8
[6'23]
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Part 4: Variations 9 – 12
[3'05]
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Michael Tippett, His Mystery
[1'27]
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Part 2: Variations 1 – 11
[4'18]
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Part 3: Variations 12 – 21
[2'26]
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Part 4: Variations 22 – 23
[3'49]
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Issued to celebrate the seventy-fifth birthday of Robert Simpson on 2 March 1996. This, the seventeenth issue in the Hyperion cycle of the works of the prolific composer Robert Simpson, features all of his works for solo piano. The programme opens with the Sonata from 1946. This is Simpson's first published work and already shows traces of that large-scale organization of tonality which so characterizes his output. The Variations on a theme of Haydn takes the palindromic theme from Haydn's Symphony No 47 (also found in his piano Sonata No 41 and Simpson's own ninth String Quartet) and is a fascinating exercise in the rhythmic structure of music as well in basic tonality. Written for a symposium celebrating the life and works of Tippett, Michael Tippett, his mystery was first performed in 1993 by the soloist on this recording, Raymond Clarke, for whom Variations on a theme of Beethoven was also written (Simpson having heard the pianist give an impressive performance of Beethoven's Opus 111). Here the theme is a little-known miniature inscribed by Beethoven in a visitors' book in 1825. Simpson's work is similarly a triumph of organization in miniature. |
Other recommended albums
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Simpson: Music for Brass
CDA66449
Archive Service Only
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Simpson: Sonata for violin and piano & Trio for violin, cello and piano
CDA66737
Archive Service Only
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