Following the first public performances of his work, he received a commission from Hans von Bülow in 1882 and two years later was appointed Bülow’s Assistant Musical Director at the Meiningen Court Orchestra. It was the beginning of a career in which Strauss was to conduct many of the world’s great orchestras, in addition to holding positions at opera houses in Munich, Weimar, Berlin and Vienna. While at Munich, he married the singer Pauline de Ahna, for whom he wrote many of his greatest songs.
Strauss’s legacy is to be found in his operas and his magnificent symphonic poems. Scores such as Till Eulenspiegel, Also Sprach Zarathustra, Don Juan and Ein Heldenleben demonstrate his supreme mastery of orchestration; the thoroughly modern operas Salome and Elektra, with their Freudian themes and atonal scoring, are landmarks in the development of 20th-century music, and the neo-classical Der Rosenkavalier, is one of the most popular operas of the century. Strauss spent his last years in self-imposed exile in Switzerland, waiting to be officially cleared of complicity in the Nazi regime. He died at Garmisch-Partenkirchen in 1949, shortly after his widely celebrated 85th birthday.
from notes by Andrew Stewart © 2011