Albums
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On other labels
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Complete works available for download |
A morning hymn, Z198
Anthony Rolfe Johnson (tenor), Graham Johnson (piano)
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A New Ground
Christopher Kite (virginals)
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A thousand sev'ral ways I tried, Z359
Rogers Covey-Crump (tenor), The King's Consort
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Abdelazar, or The Moor's Revenge, Z570
The Parley of Instruments, Peter Holman (conductor)
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Abdelazar, or The Moor's Revenge, Z570
The Parley of Instruments, Roy Goodman (conductor)
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Ah! cruel nymph!, Z352
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
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Ah! cruel nymph!, Z352
Rogers Covey-Crump (tenor), The King's Consort
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Ah, how pleasant 'tis to love, Z353
Barbara Bonney (soprano), The King's Consort
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Ah, how pleasant 'tis to love, Z353
Elizabeth Kenny (lute)
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Amidst the shades and cool refreshing streams, Z355
Barbara Bonney (soprano), The King's Consort
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Amintas, to my grief I see, Z356
Rogers Covey-Crump (tenor), The King's Consort
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Amintor, heedless of his flocks, Z357
Charles Daniels (tenor), The King's Consort
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Amphitryon, or The Two Sosias, Z572
The Parley of Instruments, Roy Goodman (conductor)
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Arise, my muse, Z320
The King's Consort, Robert King (conductor)
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Ask me to love no more, Z358
James Bowman (countertenor), The King's Consort
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Awake, and with attention hear, Z181
Michael George (bass), The King's Consort, Robert King (conductor)
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Awake, awake, put on thy strength, Z1
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Awake, ye dead, Z182
Robert Evans (bass), Michael George (bass), The King's Consort, Robert King (conductor)
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Bacchus is a pow'r divine, Z360
Michael George (bass), The King's Consort
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Be merciful unto me, Z4
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Beati omnes qui timent Dominum, Z131
Eamonn O'Dwyer (treble), Mark Kennedy (treble), Rogers Covey-Crump (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Begin the song, and strike the living lyre, Z183
Michael George (bass), The King's Consort, Robert King (conductor)
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Behold now, praise the Lord, Z3
The King's Consort, Robert King (conductor)
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Behold, I bring you glad tidings, Z2
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Beneath a dark and melancholy grove, Z461
Susan Gritton (soprano), Michael George (bass), The King's Consort
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Beware, poor shepherds 'The Caution', Z361
Charles Daniels (tenor), The King's Consort
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Blessed are they that fear the Lord, Z5
The King's Consort, Robert King (conductor)
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Blessed be the Lord my strength, Z6
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Blessed is he that considereth the poor, Z7
Rogers Covey-Crump (tenor), Mark Padmore (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Blessed is he whose unrighteousness is forgiven, Z8
Connor Burrowes (treble), Eamonn O'Dwyer (treble), James Bowman (countertenor), Charles Daniels (tenor), Mark Padmore (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Blessed is the man that feareth the Lord, Z9
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Blow up the trumpet in Sion, Z10
Nicholas Witcomb (treble), Mark Kennedy (treble), Daniel Lochmann (treble), James Bowman (countertenor), Charles Daniels (tenor), Robert Evans (bass), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Bonduca, or The British Heroine, Z574
The Parley of Instruments, Peter Holman (conductor)
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Bonduca, or The British Heroine, Z574
Crispian Steele-Perkins (trumpet), The Parley of Instruments, Roy Goodman (conductor)
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Bow down thine ear, O Lord, Z11
Mark Kennedy (treble), Mark Padmore (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Cease, anxious world, your fruitless pain, Z362
Susan Gritton (soprano), The King's Consort
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Celebrate this Festival, Z321
The King's Consort, Robert King (conductor)
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Celestial music did the gods inspire, Z322
The King's Consort, Robert King (conductor)
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Celia's fond, too long I've lov'd her, Z364
James Bowman (countertenor), The King's Consort
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Chaconne 'two in one upon a ground' from Dioclesian
Mark Caudle (viol), Susanna Pell (viol), Susanne Heinrich (viol), Elizabeth Kenny (theorbo), Peter Holman (chamber organ)
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Chacony in G minor, Z730
The Parley of Instruments, Peter Holman (conductor)
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Chacony in G minor, Z730
The Parley of Instruments, Peter Holman (conductor)
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Cibell in C, Z678
The Parley of Instruments
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Close thine eyes and sleep secure, Z184
Susan Gritton (soprano), Michael George (bass), The King's Consort, Robert King (conductor)
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Come ye sons of Art, away, Z323
New College Choir Oxford, The King's Consort, Robert King (conductor)
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Complete Service in B flat, Z230
The King's Consort, Robert King (conductor)
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Corinna is divinely fair, Z365
Barbara Bonney (soprano), The King's Consort
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Cupid, the slyest rogue alive, Z367
Rogers Covey-Crump (tenor), The King's Consort
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Dear pretty youth
Catherine Bott (soprano), The Parley of Instruments, Peter Holman (conductor)
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Distress'd Innocence, or The Princess of Persia, Z577
The Parley of Instruments, Roy Goodman (conductor)
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Draw near, you lovers, Z462
Barbara Bonney (soprano), Michael George (bass), The King's Consort
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Dulcibella, when e'er I sue for a kiss, Z485
Ian Bostridge (tenor), Richard Jackson (baritone), Graham Johnson (piano)
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Early, O Lord, my fainting soul, Z132
Nicholas Witcomb (treble), Philip Hallchurch (treble), Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Evening hymn, Z193
Michael Chance (countertenor), Roger Vignoles (piano)
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Evening hymn, Z193
Dame Felicity Lott (soprano), Graham Johnson (piano)
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Evening Service in G minor, Z231
Eamonn O'Dwyer (treble), Mark Kennedy (treble), Mark Milhofer (tenor), James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Evening Service in G minor, Z231
Westminster Abbey Choir, James O'Donnell (conductor), Robert Quinney (organ)
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Farewell, all joys, Z368
James Bowman (countertenor), The King's Consort
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Farewell, ye rocks, ye seas and sands, Z463
Charles Daniels (tenor), Michael George (bass), The King's Consort
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Fly swift, ye hours, Z369
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
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Fly swift, ye hours, Z369
Charles Daniels (tenor), The King's Consort
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Fly, bold rebellion, Z324
The King's Consort, Robert King (conductor)
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From hardy Climes and dangerous Toils of War, Z325
The King's Consort, Robert King (conductor)
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From silent shades 'Bess of Bedlam', Z370
Susan Gritton (soprano), The King's Consort
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From those serene and rapturous joys, Z326
The King's Consort, Robert King (conductor)
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Full of wrath, his threatening breath, Z185
Charles Daniels (tenor), The King's Consort, Robert King (conductor)
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Gentle shepherds, you that know 'Pastoral Elegy on the Death of Mr John Playford', Z464
Susan Gritton (soprano), Michael George (bass), The King's Consort
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Go, tell Amynta, gentle swain, Z489
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
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Great God, and just, Z186
Mark Kennedy (treble), Eamonn O'Dwyer (treble), Michael George (bass), The King's Consort, Robert King (conductor)
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Great Parent, Hail to Thee!, Z327
The King's Consort, Robert King (conductor)
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Ground in Gamut
Christopher Kite (virginals)
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Hail! bright Cecilia, Z328
The King's Consort, Robert King (conductor)
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Hark how all the wild musicians sing, Z542
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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Hark, Damon, hark, Z541
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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He himself courts his own ruin, Z372
James Bowman (countertenor), The King's Consort
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Hear me, O Lord, and that soon, Z13a Z13b
Mark Kennedy (treble), James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Hear me, O Lord, the great support, Z133
Charles Daniels (tenor), Paul Agnew (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Hear my prayer, O God, Z14
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Hear my prayer, O Lord, Z15
St Paul's Cathedral Choir, Christopher Royall (countertenor), John Scott (conductor)
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Hear my prayer, O Lord, Z15
King's Consort Choir, The King's Consort, Robert King (conductor)
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Hear my prayer, O Lord, Z15
Westminster Abbey Choir, James O'Donnell (conductor)
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Hear my prayer, O Lord, Z15
King's Consort Choir, The King's Consort, Robert King (conductor)
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Hears not my Phillis how the birds 'The Knotting Song', Z371
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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Hears not my Phillis how the birds 'The Knotting Song', Z371
Susan Gritton (soprano), The King's Consort
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Hence, fond deceiver 'Love and despair', Z492
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
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High on a throne of glitt'ring ore, Z465
Barbara Bonney (soprano), Michael George (bass), The King's Consort
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Hosanna to the highest, Z187
Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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How delightful's the life of an innocent swain, Z373
Susan Gritton (soprano), Michael George (bass), The King's Consort
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How have I stray'd, Z188
Susan Gritton (soprano), Michael George (bass), The King's Consort, Robert King (conductor)
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How I sigh when I think of the charms of my swain, Z374
Susan Gritton (soprano), The King's Consort
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How long, great God?, Z189
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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How long, great God?, Z189
Nicholas Witcomb (treble), The King's Consort, Robert King (conductor)
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How pleasant is this flowery plain and grove!, Z543
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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I came, I saw, and was undone 'The Thraldom', Z375
Barbara Bonney (soprano), The King's Consort
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I love and I must 'Bell Barr', Z382
Barbara Bonney (soprano), The King's Consort
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I loved fair Celia, Z381
Rogers Covey-Crump (tenor), The King's Consort
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I resolve against cringing and whining, Z386
Charles Daniels (tenor), The King's Consort
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I spy Celia, Z499
Ian Bostridge (tenor), Richard Jackson (baritone), Graham Johnson (piano)
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I take no pleasure in the sun's bright beams, Z388
Ian Bostridge (tenor), Graham Johnson (piano)
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I take no pleasure in the sun's bright beams, Z388
Barbara Bonney (soprano), The King's Consort
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I was glad when they said unto me
King's Consort Choir, The King's Consort, Robert King (conductor)
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I was glad when they said unto me
King's Consort Choir, The King's Consort, Robert King (conductor)
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I was glad when they said unto me, Z19
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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I will give thanks unto the Lord, Z21
Charles Daniels (tenor), Colin Campbell (bass), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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I will give thanks unto thee, O Lord, Z20
The King's Consort, Robert King (conductor)
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I will love thee, O Lord, ZN67
Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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I will sing unto the Lord as long as I live, Z22
Mark Kennedy (treble), Eamonn O'Dwyer (treble), Mark Milhofer (tenor), James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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If ever I more riches did desire, Z544
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
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If grief has any pow'r to kill, Z378
Rogers Covey-Crump (tenor), The King's Consort
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If music be the food of love, Z379a
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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If music be the food of love, Z379a
Rogers Covey-Crump (tenor), The King's Consort
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If music be the food of love, Z379a
Dame Felicity Lott (soprano), Graham Johnson (piano)
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If music be the food of love, Z379a
Martyn Hill (tenor), Andrew Ball (piano)
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If music be the food of love, Z379b
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
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If music be the food of love, Z379b
Rogers Covey-Crump (tenor), The King's Consort
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If music be the food of love, Z379c
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
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If music be the food of love, Z379c
Barbara Bonney (soprano), The King's Consort
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If music be the food of love, Z379c
John Mark Ainsley (tenor), Graham Johnson (piano)
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If pray'rs and tears, Z380
Susan Gritton (soprano), The King's Consort
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In all our Cynthia's shining sphere, Z496
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
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In Cloris all soft charms agree, Z384
Rogers Covey-Crump (tenor), The King's Consort
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In guilty night 'Saul and the witch of Endor', Z134
Susan Gritton (soprano), Rogers Covey-Crump (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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In some kind dream, Z497
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
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In the black dismal dungeon of despair, Z190
Anthony Rolfe Johnson (tenor), Roger Vignoles (piano)
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In the black dismal dungeon of despair, Z190
Anthony Rolfe Johnson (tenor), Graham Johnson (piano)
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In the black dismal dungeon of despair, Z190
Susan Gritton (soprano), The King's Consort, Robert King (conductor)
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In the midst of life we are in death, Z17b
Mark Kennedy (treble), Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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In thee, O Lord, do I put my trust, Z16
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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In vain we dissemble, Z385
Barbara Bonney (soprano), The King's Consort
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Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383
Michael Chance (countertenor), The King's Consort, Robert King (conductor)
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Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383
Susan Gritton (soprano), The King's Consort
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It is a good thing to give thanks, Z18
The King's Consort, Robert King (conductor)
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Jehova, quam multi sunt hostes mei, Z135
Julian Stocker (tenor), Robert Macdonald (bass), Westminster Abbey Choir, James O'Donnell (conductor)
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Jehova, quam multi sunt hostes mei, Z135
Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Job's curse, Z191
Simon Keenlyside (baritone), Graham Johnson (piano)
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King Arthur, or The British Worthy, Z628
The Parley of Instruments, Roy Goodman (conductor)
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Laudate Ceciliam, Z329
The King's Consort, Robert King (conductor)
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Let each gallant heart, Z390
James Bowman (countertenor), The King's Consort
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Let formal lovers still pursue, Z391
James Bowman (countertenor), The King's Consort
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Let God arise, Z23
Charles Daniels (tenor), Mark Padmore (tenor), King's Consort Choir, The King's Consort, Robert King (conductor)
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Let mine eyes run down with tears, Z24
The King's Consort, Robert King (conductor)
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Let the night perish 'Job's curse', Z191
Susan Gritton (soprano), Michael George (bass), The King's Consort, Robert King (conductor)
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Let us, kind Lesbia, give away, Z466
Barbara Bonney (soprano), Michael George (bass), The King's Consort
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Lord, how long wilt thou be angry?, Z25
Westminster Abbey Choir, James O'Donnell (conductor)
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Lord, how long wilt thou be angry?, Z25
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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Lord, I can suffer thy rebukes, Z136
Mark Kennedy (treble), Daniel Lochmann (treble), Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Lord, not to us, but to thy name, Z137
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
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Lord, what is man?, Z192
Susan Gritton (soprano), The King's Consort, Robert King (conductor)
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Lord, what is man?, Z192
Dame Felicity Lott (soprano), Graham Johnson (piano)
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Lord, who can tell how oft he offendeth?, Z26
Charles Daniels (tenor), Paul Agnew (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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Lost is my quiet for ever, Z502
Susan Gritton (soprano), Sarah Walker (mezzo-soprano), Graham Johnson (piano)
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Lost is my quiet for ever, Z502
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
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Love arms himself in Celia's eyes, Z392
Barbara Bonney (soprano), The King's Consort
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Love is now become a trade, Z393
Charles Daniels (tenor), The King's Consort
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Love, thou can'st hear, tho' thou art blind, Z396
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
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Love, thou can'st hear, tho' thou art blind, Z396
Charles Daniels (tenor), The King's Consort
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Lovely Albina's come ashore, Z394
Barbara Bonney (soprano), The King's Consort
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Love's goddess sure was blind, Z331
The King's Consort, Robert King (conductor)
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Love's pow'r in my heart shall find no compliance, Z395
Rogers Covey-Crump (tenor), The King's Consort
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Mad Bess, Z370
Sarah Walker (mezzo-soprano), Graham Johnson (piano)
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Mad Bess, Z370
Martyn Hill (tenor), Andrew Ball (piano)
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Man that is born of a woman, Z27
Mark Kennedy (treble), Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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March and Canzona, Z860
The King's Consort, Robert King (conductor)
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Minuet
Alfred Cortot (piano)
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Minuet
Alfred Cortot (piano)
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Musing on cares of human fate, Z467
Barbara Bonney (soprano), Michael George (bass), The King's Consort
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My beloved spake, Z28
The King's Consort, Robert King (conductor)
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My heart is fixed, O God, Z29
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, Robert King (conductor)
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My heart is inditing of a good matter, Z30
The King's Consort, Robert King (conductor)
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My heart, whenever you appear, Z399
Rogers Covey-Crump (tenor), The King's Consort
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My song shall be alway, Z31
The King's Consort, Robert King (conductor)
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No, to what purpose should I speak?, Z468
Susan Gritton (soprano), Michael George (bass), The King's Consort
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Not all my torments can your pity move, Z400
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
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Not all my torments can your pity move, Z400
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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Not all my torments can your pity move, Z400
Susan Gritton (soprano), The King's Consort
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Not all my torments can your pity move, Z400
James Bowman (countertenor), Graham Johnson (piano)
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Now does the glorious day appear, Z332
The King's Consort, Robert King (conductor)
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Now that the sun hath veiled his light 'An Evening Hymn', Z193
James Bowman (countertenor), The King's Consort, Robert King (conductor)
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Now that the sun hath veiled his light 'An Evening Hymn', Z193
Eamonn O'Dwyer (treble), The King's Consort, Robert King (conductor)
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O consider my adversity, Z32
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O dive custos Auriacae domus 'An elegy upon the death of Queen Mary', Z514
Michael Chance (countertenor), James Bowman (countertenor), The King's Consort, Robert King (conductor)
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O give thanks unto the Lord, Z33
The King's Consort, Robert King (conductor)
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O God, the king of glory, Z34
New College Choir Oxford, The King's Consort, Robert King (conductor)
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O God, thou art my God, Z35
Westminster Abbey Choir, James O'Donnell (conductor), Robert Quinney (organ)
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O God, thou art my God, Z35
Nicholas Witcomb (treble), Jerome Finnis (treble), Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
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O God, thou hast cast us out, Z36
Nicholas Witcomb (treble), Mark Kennedy (treble), James Bowman (countertenor), Charles Daniels (tenor), Robert Evans (bass), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O Lord God of hosts, Z37
Westminster Abbey Choir, James O'Donnell (conductor)
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O Lord God of hosts, Z37
Eamonn O'Dwyer (treble), James Goodman (treble), Mark Milhofer (tenor), James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
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O Lord our Governor, Z141
Eamonn O'Dwyer (treble), Mark Kennedy (treble), Mark Padmore (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
|
O Lord, grant the king a long life, Z38
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
O Lord, our governor, Z141
Nicholas Witcomb (treble), Mark Kennedy (treble), Daniel Lochmann (treble), Michael George (bass), Robert Evans (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
O Lord, rebuke me not, Z40
Philip Hallchurch (treble), Mark Kennedy (treble), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
O Lord, thou art my God, Z41
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
O praise God in his holiness, Z42
The King's Consort, Robert King (conductor)
|
|
O praise the Lord, all ye heathen, Z43
Charles Daniels (tenor), Paul Agnew (tenor), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
O sing unto the Lord, Z44
The King's Consort, Robert King (conductor)
|
|
O solitude, my sweetest choice!, Z406
John Mark Ainsley (tenor), Graham Johnson (piano)
|
|
O solitude, my sweetest choice!, Z406
James Bowman (countertenor), The King's Consort, Robert King (conductor)
|
|
O solitude, my sweetest choice!, Z406
Susan Gritton (soprano), The King's Consort
|
|
O, all ye people, clap your hands, Z138
Eamonn O'Dwyer (treble), Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass)
|
|
O, I'm sick of life, Z140
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
|
Of old, when heroes thought it base, Z333
The King's Consort, Robert King (conductor)
|
|
Oh! what a scene does entertain my sight, Z506
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
|
|
Oh, fair Cedaria, hide those eyes, Z402
Paul Esswood (countertenor), Johann Sonnleitner (harpsichord), Charles Medlam (viola da gamba)
|
|
Oh, fair Cedaria, hide those eyes, Z402
Barbara Bonney (soprano), The King's Consort
|
|
Olinda in the shades unseen, Z404
Barbara Bonney (soprano), The King's Consort
|
|
On the brow of Richmond Hill, Z405
James Bowman (countertenor), The King's Consort
|
|
On the brow of Richmond Hill, Z405
Anthony Rolfe Johnson (tenor), Graham Johnson (piano)
|
|
Out of the deep have I called unto thee, O Lord, Z45
Mark Kennedy (treble), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Pastora's beauties when unblown, Z407
Barbara Bonney (soprano), The King's Consort
|
|
Pavan in A major, Z748
The Parley of Instruments, Peter Holman (conductor)
|
|
Pavan in A minor, Z749
The Parley of Instruments, Peter Holman (conductor)
|
|
Pavan in B flat major, Z750
The Parley of Instruments, Peter Holman (conductor)
|
|
Pavan in G minor, Z751
The Parley of Instruments, Peter Holman (conductor)
|
|
Phillis, I can ne'er forgive it, Z408
Charles Daniels (tenor), The King's Consort
|
|
Phillis, talk no more of passion, Z409
Rogers Covey-Crump (tenor), The King's Consort
|
|
Pious Celinda goes to prayers, Z410
Rogers Covey-Crump (tenor), The King's Consort
|
|
Pious Celinda goes to prayers, Z410
Ian Bostridge (tenor), Graham Johnson (piano)
|
|
Plung'd in the confines of despair, Z142
Charles Daniels (tenor), Paul Agnew (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
|
Pox on you for a fop
The City Waites
|
|
Praise the Lord, O Jerusalem, Z46
The King's Consort, Robert King (conductor)
|
|
Praise the Lord, O my soul, and all that is within me, Z47
Nicholas Witcomb (treble), Jerome Finnis (treble), Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), Robert Evans (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
Praise the Lord, O my soul; O Lord my God, Z48
Rogers Covey-Crump (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Raise, raise the voice, Z334
The King's Consort, Robert King (conductor)
|
|
Rashly I swore I would disown, Z411
Charles Daniels (tenor), The King's Consort
|
|
Rejoice in the Lord alway 'The bell anthem', Z49
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
Remember not, Lord, our offences, Z50
King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Riggadoon, Z653
Elizabeth Kenny (lute)
|
|
Round O
Christopher Kite (virginals)
|
|
Saraband – Minuet – Air
Myra Hess (piano)
|
|
Saul and the witch at Endor, Z134
Sarah Walker (mezzo-soprano), John Mark Ainsley (tenor), Simon Keenlyside (baritone), Graham Johnson (piano)
|
|
Save me, O God, Z51
Mark Kennedy (treble), James Goodman (treble), James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Sawney is a bonny lad, Z412
Rogers Covey-Crump (tenor), The King's Consort
|
|
Scarce had the rising sun appear'd, Z469
Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
See how the fading glories of the year, Z470
Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
See where she sits 'Weeping', Z508
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
|
|
Sefauchi's Farewell, Z656
Elizabeth Kenny (lute)
|
|
She loves and she confesses too, Z413
Susan Gritton (soprano), The King's Consort
|
|
She that would gain a faithful lover, Z414
Barbara Bonney (soprano), The King's Consort
|
|
She, who my poor heart possesses, Z415
James Bowman (countertenor), The King's Consort
|
|
Since God so tender a regard, Z143
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
|
Since one poor view has drawn my heart, Z416
Barbara Bonney (soprano), The King's Consort
|
|
Since the pox, or the plague, Z471
Charles Daniels (tenor), Michael George (bass), The King's Consort
|
|
Sing unto God, O ye kingdoms of the earth, Z52
Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
Sleep, Adam, and take thy rest, Z195
Susan Gritton (soprano), The King's Consort, Robert King (conductor)
|
|
Soft notes and gently raised 'A Serenading Song', Z510
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
|
|
Sound the trumpet, beat the drum, Z335
The King's Consort, Robert King (conductor)
|
|
Spite of the godhead, pow'rful love, Z417
Rogers Covey-Crump (tenor), The King's Consort
|
|
Stript of their green our groves appear, Z444
Emma Kirkby (soprano), Anthony Rooley (lute)
|
|
Suite No 4 in A minor
Christopher Kite (virginals)
|
|
Swifter, Isis, swifter flow, Z336
The King's Consort, Robert King (conductor)
|
|
Sylvia, now your scorn give over, Z420
James Bowman (countertenor), The King's Consort
|
|
Sylvia, 'tis true you're fair, Z512
Charles Daniels (tenor), Michael George (bass), The King's Consort
|
|
Te Deum and Jubilate in D, Z232
The King's Consort, Robert King (conductor)
|
|
Tell me, some pitying angel 'The Blessed Virgin's Expostulation', Z196
Lynne Dawson (soprano), The King's Consort, Robert King (conductor)
|
|
The Blessed Virgin's Expostulation when our Saviour, at twelve years of age, had withdrawn himself, Z196
Dame Felicity Lott (soprano), Graham Johnson (piano)
|
|
The Double Dealer, Z592
The Parley of Instruments, Roy Goodman (conductor)
|
|
The earth trembled, Z197
Nicholas Witcomb (treble), The King's Consort, Robert King (conductor)
|
|
The fatal hour comes on apace, Z421
James Bowman (countertenor), The King's Consort, Robert King (conductor)
|
|
The fatal hour comes on apace, Z421
Susan Gritton (soprano), The King's Consort
|
|
The fatal hour comes on apace, Z421
Martyn Hill (tenor), Craig Ogden (guitar)
|
|
The Gordion Knot Unty'd, Z597
The Parley of Instruments, Peter Holman (conductor)
|
|
The Gordion Knot Unty'd, Z597
The Parley of Instruments, Roy Goodman (conductor)
|
|
The Indian Queen, Z630
The Parley of Instruments, Peter Holman (conductor)
|
|
The knotting song, Z371
James Bowman (countertenor), Graham Johnson (piano)
|
|
The Lord is king, and hath put on glorious apparel, Z69
Mark Kennedy (treble), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
The Lord is king, be the people never so impatient, Z53
Nicholas Witcomb (treble), Daniel Lochmann (treble), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
The Lord is king, the earth may be glad thereof, Z54
Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
The Lord is my Light, Z55
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
The Married Beau, or The Curious Impertinent, Z603
The Parley of Instruments, Roy Goodman (conductor)
|
|
The Old Batchelor, Z607
The Parley of Instruments, Roy Goodman (conductor)
|
|
The Prophetess, or The History of Dioclesian, Z627
The Parley of Instruments, Roy Goodman (conductor)
|
|
The Queen's Epicedium, Z383
Ian Bostridge (tenor), Graham Johnson (piano)
|
|
The Staircase Overture in B flat
The Parley of Instruments, Peter Holman (conductor)
|
|
The summer's absence unconcerned we bear, Z337
The King's Consort, Robert King (conductor)
|
|
The Virtuous Wife, or Good luck at last, Z611
The Parley of Instruments, Peter Holman (conductor)
|
|
The Virtuous Wife, or Good luck at last, Z611
The Parley of Instruments, Roy Goodman (conductor)
|
|
The way of God is an undefiled way, Z56
James Bowman (countertenor), Rogers Covey-Crump (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
They say you're angry, Z422
Charles Daniels (tenor), The King's Consort
|
|
They that go down to the sea in ships, Z57
James Bowman (countertenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
This poet sings the Trojan wars 'Anacreon's Defeat', Z423
Michael George (bass), The King's Consort
|
|
Thou knowest, Lord, the secrets of our hearts, Z58b
Mark Kennedy (treble), Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Thou knowest, Lord, the secrets of our hearts, Z58c
King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Thou wakeful shepherd that does Israel keep 'A morning hymn', Z198
Nicholas Witcomb (treble), The King's Consort, Robert King (conductor)
|
|
Through mournful shades and solitary groves, Z424
Barbara Bonney (soprano), The King's Consort
|
|
Thy way, O God, is holy, Z60
Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Thy word is a lantern unto my feet, Z61
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Timon of Athens, Z632
The Parley of Instruments, Peter Holman (conductor)
|
|
Timon of Athens, Z632
Crispian Steele-Perkins (trumpet), The Parley of Instruments, Roy Goodman (conductor)
|
|
Toccata Prelude – Sarabande – Minuet
Irene Scharrer (piano)
|
|
Trumpet Tune, called The Cibell
Christopher Kite (virginals)
|
|
Turn then thine eyes, Z425
John Mark Ainsley (tenor), Graham Johnson (piano)
|
|
Turn thou us, O good Lord, Z62
Mark Padmore (tenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Unto thee will I cry, Z63
James Bowman (countertenor), Charles Daniels (tenor), Michael George (bass), King's Consort Choir, The King's Consort, Robert King (conductor)
|
|
Urge me no more, Z426
Susan Gritton (soprano), The King's Consort
|
|
Voluntary in C major, Z717
Robert Quinney (organ)
|
|
Voluntary in D minor, Z718
Robert Quinney (organ)
|
|
Voluntary in G major, Z720
Robert Quinney (organ)
|
|
We reap all the pleasures, Z547
Red Byrd, The Parley of Instruments, Peter Holman (conductor)
|
|
We sing to him whose wisdom form'd the ear, Z199
James Bowman (countertenor), The King's Consort, Robert King (conductor)
|
|
We sing to him whose wisdom form'd the ear, Z199
Susan Gritton (soprano), Michael George (bass), The King's Consort, Robert King (conductor)
|
|
We sing to him whose wisdom form'd the ear, Z199
James Bowman (countertenor), Graham Johnson (piano)
|
|
Welcome to all the pleasures, Z339
The King's Consort, Robert King (conductor)
|
|
Welcome, vicegerent of the mighty King, Z340
New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
Welcome, welcome, glorious morn, Z338
The King's Consort, Robert King (conductor)
|
|
Westminster Abbey
Wells Cathedral Choir, Malcolm Archer (conductor), Rupert Gough (organ)
|
|
What a sad fate is mine, Z428a
Susan Gritton (soprano), The King's Consort
|
|
What a sad fate is mine, Z428b
David Thomas (bass), Anthony Rooley (lute)
|
|
What can we poor females do?, Z518
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
|
|
What can we poor females do?, Z518
Susan Gritton (soprano), Sarah Walker (mezzo-soprano), Graham Johnson (piano)
|
|
What hope for us remains now he is gone?, Z472
Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
What shall be done in behalf of the man?, Z341
The King's Consort, Robert King (conductor)
|
|
When first my shepherdess and I, Z431
Charles Daniels (tenor), The King's Consort
|
|
When her languishing eyes said 'Love!', Z432
Charles Daniels (tenor), The King's Consort
|
|
When my Aemelia smiles, Z434
Rogers Covey-Crump (tenor), The King's Consort
|
|
When Myra sings, Z521
Ian Bostridge (tenor), Richard Jackson (baritone), Graham Johnson (piano)
|
|
When on my sick bed I languish, Z144
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), The King's Consort, Robert King (conductor)
|
|
When Strephon found his passion vain, Z435
Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
While Thirsis, wrapp'd in downy sleep, Z437
James Bowman (countertenor), The King's Consort
|
|
Whilst Cynthia sung, all angry winds lay still, Z438
Rogers Covey-Crump (tenor), The King's Consort
|
|
Who but a slave can well express, Z440
Susan Gritton (soprano), The King's Consort
|
|
Who can behold Florella's charms?, Z441
Charles Daniels (tenor), The King's Consort
|
|
Who can from joy refrain?, Z342
The King's Consort, Robert King (conductor)
|
|
Who hath believed our report?, Z64
James Bowman (countertenor), Charles Daniels (tenor), Paul Agnew (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
Why do the heathen so furiously rage together?, Z65
Rogers Covey-Crump (tenor), Charles Daniels (tenor), Michael George (bass), New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
Why, my Daphne, why complaining?, Z525
Emma Kirkby (soprano), David Thomas (bass), Anthony Rooley (lute)
|
|
Why, why are all the Muses mute?, Z343
New College Choir Oxford, The King's Consort, Robert King (conductor)
|
|
With sick and famish'd eyes, Z200
Charles Daniels (tenor), The King's Consort, Robert King (conductor)
|
|
Ye happy swains, whose nymphs are kind, Z443
Barbara Bonney (soprano), The King's Consort
|
|
Ye tuneful Muses, Z344
The King's Consort, Robert King (conductor)
|
|
Young Thirsis' fate, Z473
Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
|
Lilliburlero, Z646
Elizabeth Kenny (lute)
|
|
|
The Burial Service
St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
|
|
|
Alleluia, ZS14
Anthony Rolfe Johnson (tenor), Graham Johnson (piano)
|
|
Alphabetical listing of all musical works |
|
A Fool's Preferment, or The Three Dukes of Dunstable, Z571 (Purcell/Britten)
|
|
A morning hymn, Z198 (Purcell/Britten)
|
|
A New Ground (Purcell)
|
|
A thousand sev'ral ways I tried, Z359 (Purcell)
|
|
Abdelazar, or The Moor's Revenge, Z570 (Purcell)
|
|
Ah! cruel nymph!, Z352 (Purcell)
|
|
Ah, how pleasant 'tis to love, Z353 (Purcell)
|
|
Alleluia, ZS14 (Weldon/Purcell/Britten)
|
|
Amidst the shades and cool refreshing streams, Z355 (Purcell)
|
|
Amintas, to my grief I see, Z356 (Purcell)
|
|
Amintor, heedless of his flocks, Z357 (Purcell)
|
|
Amphitryon, or The Two Sosias, Z572 (Purcell)
|
|
Arise, my muse, Z320 (Purcell)
|
|
Ask me to love no more, Z358 (Purcell)
|
|
Aureng-Zebe, Z573 (Purcell)
|
|
Awake, and with attention hear, Z181 (Purcell)
|
|
Awake, awake, put on thy strength, Z1 (Purcell)
|
|
Awake, ye dead, Z182 (Purcell)
|
|
Bacchus is a pow'r divine, Z360 (Purcell)
|
|
Be merciful unto me, Z4 (Purcell)
|
|
Beati omnes qui timent Dominum, Z131 (Purcell)
|
|
Begin the song, and strike the living lyre, Z183 (Purcell)
|
|
Behold now, praise the Lord, Z3 (Purcell)
|
|
Behold, I bring you glad tidings, Z2 (Purcell)
|
|
Beneath a dark and melancholy grove, Z461 (Purcell)
|
|
Beware, poor shepherds 'The Caution', Z361 (Purcell)
|
|
Blessed are they that fear the Lord, Z5 (Purcell)
|
|
Blessed be the Lord my strength, Z6 (Purcell)
|
|
Blessed is he that considereth the poor, Z7 (Purcell)
|
|
Blessed is he whose unrighteousness is forgiven, Z8 (Purcell)
|
|
Blessed is the man that feareth the Lord, Z9 (Purcell)
|
|
Blow up the trumpet in Sion, Z10 (Purcell)
|
|
Bonduca, or The British Heroine, Z574 (Purcell)
|
|
Bow down thine ear, O Lord, Z11 (Purcell)
|
|
Cease, anxious world, your fruitless pain, Z362 (Purcell)
|
|
Celebrate this Festival, Z321 (Purcell)
|
|
Celestial music did the gods inspire, Z322 (Purcell)
|
|
Celia's fond, too long I've lov'd her, Z364 (Purcell)
|
|
Chaconne 'two in one upon a ground' from Dioclesian (Purcell/Withy)
|
|
Chacony in G minor, Z730 (Purcell)
|
|
Cibell in C, Z678 (Purcell)
|
|
Close thine eyes and sleep secure, Z184 (Purcell)
|
|
Come ye sons of Art, away, Z323 (Purcell)
|
|
Come ye sons of Art, away, Z323 (Purcell/Britten)
|
|
Complete Service in B flat, Z230 (Purcell)
|
|
Corinna is divinely fair, Z365 (Purcell)
|
|
Cupid, the slyest rogue alive, Z367 (Purcell)
|
|
Dear pretty youth (Purcell)
|
|
Dido and Aeneas, Z626 (Purcell)
|
|
Distress'd Innocence, or The Princess of Persia, Z577 (Purcell)
|
|
Draw near, you lovers, Z462 (Purcell)
|
|
Dulcibella, when e'er I sue for a kiss, Z485 (Purcell/Britten)
|
|
Early, O Lord, my fainting soul, Z132 (Purcell)
|
|
Evening hymn, Z193 (Purcell/Britten)
|
|
Evening Service in G minor, Z231 (Purcell)
|
|
Farewell, all joys, Z368 (Purcell)
|
|
Farewell, ye rocks, ye seas and sands, Z463 (Purcell)
|
|
Fly swift, ye hours, Z369 (Purcell)
|
|
Fly, bold rebellion, Z324 (Purcell)
|
|
From hardy Climes and dangerous Toils of War, Z325 (Purcell)
|
|
From silent shades 'Bess of Bedlam', Z370 (Purcell)
|
|
From those serene and rapturous joys, Z326 (Purcell)
|
|
Full of wrath, his threatening breath, Z185 (Purcell)
|
|
Gentle shepherds, you that know 'Pastoral Elegy on the Death of Mr John Playford', Z464 (Purcell)
|
|
Go, tell Amynta, gentle swain, Z489 (Purcell)
|
|
Great God, and just, Z186 (Purcell)
|
|
Great Parent, Hail to Thee!, Z327 (Purcell)
|
|
Ground in Gamut (Purcell)
|
|
Hail! bright Cecilia, Z328 (Purcell)
|
|
Hark how all the wild musicians sing, Z542 (Purcell)
|
|
Hark, Damon, hark, Z541 (Purcell)
|
|
He himself courts his own ruin, Z372 (Purcell)
|
|
Hear me, O Lord, and that soon, Z13a Z13b (Purcell)
|
|
Hear me, O Lord, the great support, Z133 (Purcell)
|
|
Hear my prayer, O God, Z14 (Purcell)
|
|
Hear my prayer, O Lord, Z15 (Purcell)
|
|
Hears not my Phillis how the birds 'The Knotting Song', Z371 (Purcell)
|
|
Hence, fond deceiver 'Love and despair', Z492 (Purcell)
|
|
High on a throne of glitt'ring ore, Z465 (Purcell)
|
|
Hosanna to the highest, Z187 (Purcell)
|
|
How delightful's the life of an innocent swain, Z373 (Purcell)
|
|
How have I stray'd, Z188 (Purcell)
|
|
How I sigh when I think of the charms of my swain, Z374 (Purcell)
|
|
How long, great God?, Z189 (Purcell)
|
|
How pleasant is this flowery plain and grove!, Z543 (Purcell)
|
|
I came, I saw, and was undone 'The Thraldom', Z375 (Purcell)
|
|
I love and I must 'Bell Barr', Z382 (Purcell)
|
|
I loved fair Celia, Z381 (Purcell)
|
|
I resolve against cringing and whining, Z386 (Purcell)
|
|
I spy Celia, Z499 (Purcell/Britten)
|
|
I take no pleasure in the sun's bright beams, Z388 (Purcell)
|
|
I take no pleasure in the sun's bright beams, Z388 (Purcell/Britten)
|
|
I was glad when they said unto me (Purcell)
|
|
I was glad when they said unto me, Z19 (Purcell)
|
|
I will give thanks unto the Lord, Z21 (Purcell)
|
|
I will give thanks unto thee, O Lord, Z20 (Purcell)
|
|
I will love thee, O Lord, ZN67 (Purcell)
|
|
I will sing unto the Lord as long as I live, Z22 (Purcell)
|
|
If ever I more riches did desire, Z544 (Purcell)
|
|
If grief has any pow'r to kill, Z378 (Purcell)
|
|
If music be the food of love, Z379a (Purcell)
|
|
If music be the food of love, Z379a (Purcell/Britten)
|
|
If music be the food of love, Z379a (Purcell/Tippett/Bergmann)
|
|
If music be the food of love, Z379b (Purcell)
|
|
If music be the food of love, Z379c (Purcell)
|
|
If music be the food of love, Z379c (Purcell/Britten)
|
|
If pray'rs and tears, Z380 (Purcell)
|
|
In all our Cynthia's shining sphere, Z496 (Purcell)
|
|
In Cloris all soft charms agree, Z384 (Purcell)
|
|
In guilty night 'Saul and the witch of Endor', Z134 (Purcell)
|
|
In some kind dream, Z497 (Purcell)
|
|
In the black dismal dungeon of despair, Z190 (Purcell)
|
|
In the black dismal dungeon of despair, Z190 (Purcell/Britten)
|
|
In the midst of life we are in death, Z17b (Purcell)
|
|
In thee, O Lord, do I put my trust, Z16 (Purcell)
|
|
In vain we dissemble, Z385 (Purcell)
|
|
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383 (Purcell)
|
|
It is a good thing to give thanks, Z18 (Purcell)
|
|
Jehova, quam multi sunt hostes mei, Z135 (Purcell)
|
|
Job's curse, Z191 (Purcell/Britten)
|
|
King Arthur, or The British Worthy, Z628 (Purcell)
|
|
King Arthur, or The British Worthy, Z628 (Purcell/Britten)
|
|
Laudate Ceciliam, Z329 (Purcell)
|
|
Let each gallant heart, Z390 (Purcell)
|
|
Let formal lovers still pursue, Z391 (Purcell)
|
|
Let God arise, Z23 (Purcell)
|
|
Let mine eyes run down with tears, Z24 (Purcell)
|
|
Let the night perish 'Job's curse', Z191 (Purcell)
|
|
Let us, kind Lesbia, give away, Z466 (Purcell)
|
|
Lilliburlero, Z646 (Anon/Purcell)
|
|
Lord, how long wilt thou be angry?, Z25 (Purcell)
|
|
Lord, I can suffer thy rebukes, Z136 (Purcell)
|
|
Lord, not to us, but to thy name, Z137 (Purcell)
|
|
Lord, what is man?, Z192 (Purcell)
|
|
Lord, what is man?, Z192 (Purcell/Britten)
|
|
Lord, who can tell how oft he offendeth?, Z26 (Purcell)
|
|
Lost is my quiet for ever, Z502 (Purcell)
|
|
Lost is my quiet for ever, Z502 (Purcell/Britten)
|
|
Love arms himself in Celia's eyes, Z392 (Purcell)
|
|
Love is now become a trade, Z393 (Purcell)
|
|
Love, thou can'st hear, tho' thou art blind, Z396 (Purcell)
|
|
Lovely Albina's come ashore, Z394 (Purcell)
|
|
Love's goddess sure was blind, Z331 (Purcell)
|
|
Love's pow'r in my heart shall find no compliance, Z395 (Purcell)
|
|
Mad Bess, Z370 (Purcell/Britten)
|
|
Mad Bess, Z370 (Purcell/Tippett/Bergmann)
|
|
Man that is born of a woman, Z27 (Purcell)
|
|
March and Canzona, Z860 (Purcell)
|
|
Minuet (Purcell/Cortot)
|
|
Musing on cares of human fate, Z467 (Purcell)
|
|
My beloved spake, Z28 (Purcell)
|
|
My heart is fixed, O God, Z29 (Purcell)
|
|
My heart is inditing of a good matter, Z30 (Purcell)
|
|
My heart, whenever you appear, Z399 (Purcell)
|
|
My song shall be alway, Z31 (Purcell)
|
|
No, to what purpose should I speak?, Z468 (Purcell)
|
|
Not all my torments can your pity move, Z400 (Purcell)
|
|
Not all my torments can your pity move, Z400 (Purcell/Britten)
|
|
Now does the glorious day appear, Z332 (Purcell)
|
|
Now that the sun hath veiled his light 'An Evening Hymn', Z193 (Purcell)
|
|
O consider my adversity, Z32 (Purcell)
|
|
O dive custos Auriacae domus 'An elegy upon the death of Queen Mary', Z514 (Purcell)
|
|
O give thanks unto the Lord, Z33 (Purcell)
|
|
O God, the king of glory, Z34 (Purcell)
|
|
O God, thou art my God, Z35 (Purcell)
|
|
O God, thou hast cast us out, Z36 (Purcell)
|
|
O Lord God of hosts, Z37 (Purcell)
|
|
O Lord our Governor, Z141 (Purcell)
|
|
O Lord, grant the king a long life, Z38 (Purcell)
|
|
O Lord, our governor, Z141 (Purcell)
|
|
O Lord, rebuke me not, Z40 (Purcell)
|
|
O Lord, thou art my God, Z41 (Purcell)
|
|
O praise God in his holiness, Z42 (Purcell)
|
|
O praise the Lord, all ye heathen, Z43 (Purcell)
|
|
O sing unto the Lord, Z44 (Purcell)
|
|
O solitude, my sweetest choice!, Z406 (Purcell)
|
|
O solitude, my sweetest choice!, Z406 (Purcell/Britten)
|
|
O, all ye people, clap your hands, Z138 (Purcell)
|
|
O, I'm sick of life, Z140 (Purcell)
|
|
Oedipus, Z583 (Purcell)
|
|
Oedipus, Z583 (Purcell/Britten)
|
|
Of old, when heroes thought it base, Z333 (Purcell)
|
|
Oh! what a scene does entertain my sight, Z506 (Purcell)
|
|
Oh, fair Cedaria, hide those eyes, Z402 (Purcell)
|
|
Olinda in the shades unseen, Z404 (Purcell)
|
|
On the brow of Richmond Hill, Z405 (Purcell)
|
|
On the brow of Richmond Hill, Z405 (Purcell/Britten)
|
|
Oroonoko, Z584 (Purcell/Britten)
|
|
Out of the deep have I called unto thee, O Lord, Z45 (Purcell)
|
|
Pastora's beauties when unblown, Z407 (Purcell)
|
|
Pausanias, the Betrayer of his Country, Z585 (Purcell)
|
|
Pausanias, the Betrayer of his Country, Z585 (Purcell/Britten)
|
|
Pausanias, the Betrayer of his Country, Z585 (Purcell/Tippett/Bergmann)
|
|
Pavan in A major, Z748 (Purcell)
|
|
Pavan in A minor, Z749 (Purcell)
|
|
Pavan in B flat major, Z750 (Purcell)
|
|
Pavan in G minor, Z751 (Purcell)
|
|
Phillis, I can ne'er forgive it, Z408 (Purcell)
|
|
Phillis, talk no more of passion, Z409 (Purcell)
|
|
Pious Celinda goes to prayers, Z410 (Purcell)
|
|
Pious Celinda goes to prayers, Z410 (Purcell/Britten)
|
|
Plung'd in the confines of despair, Z142 (Purcell)
|
|
Pox on you for a fop (Purcell)
|
|
Praise the Lord, O Jerusalem, Z46 (Purcell)
|
|
Praise the Lord, O my soul, and all that is within me, Z47 (Purcell)
|
|
Praise the Lord, O my soul; O Lord my God, Z48 (Purcell)
|
|
Raise, raise the voice, Z334 (Purcell)
|
|
Rashly I swore I would disown, Z411 (Purcell)
|
|
Rejoice in the Lord alway 'The bell anthem', Z49 (Purcell)
|
|
Remember not, Lord, our offences, Z50 (Purcell)
|
|
Riggadoon, Z653 (Purcell)
|
|
Round O (Purcell)
|
|
Rule a Wife and Have a Wife, Z587 (Purcell/Britten)
|
|
Saraband – Minuet – Air (Purcell/Hess)
|
|
Saul and the witch at Endor, Z134 (Purcell/Britten)
|
|
Save me, O God, Z51 (Purcell)
|
|
Sawney is a bonny lad, Z412 (Purcell)
|
|
Scarce had the rising sun appear'd, Z469 (Purcell)
|
|
See how the fading glories of the year, Z470 (Purcell)
|
|
See where she sits 'Weeping', Z508 (Purcell)
|
|
Sefauchi's Farewell, Z656 (Purcell)
|
|
She loves and she confesses too, Z413 (Purcell)
|
|
She that would gain a faithful lover, Z414 (Purcell)
|
|
She, who my poor heart possesses, Z415 (Purcell)
|
|
Since God so tender a regard, Z143 (Purcell)
|
|
Since one poor view has drawn my heart, Z416 (Purcell)
|
|
Since the pox, or the plague, Z471 (Purcell)
|
|
Sing unto God, O ye kingdoms of the earth, Z52 (Purcell)
|
|
Sir Anthony Love, or The Rambling Lady, Z588 (Purcell)
|
|
Sleep, Adam, and take thy rest, Z195 (Purcell)
|
|
Soft notes and gently raised 'A Serenading Song', Z510 (Purcell)
|
|
Sophonisba, or Hannibal's overthrow, Z590 (Purcell)
|
|
Sound the trumpet, beat the drum, Z335 (Purcell)
|
|
Spite of the godhead, pow'rful love, Z417 (Purcell)
|
|
Stript of their green our groves appear, Z444 (Purcell)
|
|
Suite No 4 in A minor (Purcell)
|
|
Swifter, Isis, swifter flow, Z336 (Purcell)
|
|
Sylvia, now your scorn give over, Z420 (Purcell)
|
|
Sylvia, 'tis true you're fair, Z512 (Purcell)
|
|
Te Deum and Jubilate in D, Z232 (Purcell)
|
|
Tell me, some pitying angel 'The Blessed Virgin's Expostulation', Z196 (Purcell)
|
|
The Blessed Virgin's Expostulation when our Saviour, at twelve years of age, had withdrawn himself, Z196 (Purcell/Britten)
|
|
The Burial Service (Croft/Purcell)
|
|
The Comical History of Don Quixote, Z578 (Purcell/Britten)
|
|
The Double Dealer, Z592 (Purcell)
|
|
The earth trembled, Z197 (Purcell)
|
|
The Fairy Queen, Z629 (Purcell)
|
|
The Fairy Queen, Z629 (Purcell/Britten)
|
|
The Fairy Queen, Z629 (Purcell/Tippett/Bergmann)
|
|
The fatal hour comes on apace, Z421 (Purcell)
|
|
The fatal hour comes on apace, Z421 (Purcell/Tippett/Bergmann)
|
|
The Gordion Knot Unty'd, Z597 (Purcell)
|
|
The Indian Queen, Z630 (Purcell)
|
|
The Indian Queen, Z630 (Purcell/Britten)
|
|
The knotting song, Z371 (Purcell/Britten)
|
|
The Lord is king, and hath put on glorious apparel, Z69 (Purcell)
|
|
The Lord is king, be the people never so impatient, Z53 (Purcell)
|
|
The Lord is king, the earth may be glad thereof, Z54 (Purcell)
|
|
The Lord is my Light, Z55 (Purcell)
|
|
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell)
|
|
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell/Britten)
|
|
The Married Beau, or The Curious Impertinent, Z603 (Purcell)
|
|
The Mock Marriage, Z605 (Purcell/Britten)
|
|
The Mock Marriage, Z605 (Purcell/Clarke)
|
|
The Old Batchelor, Z607 (Purcell)
|
|
The Prophetess, or The History of Dioclesian, Z627 (Purcell)
|
|
The Queen's Epicedium, Z383 (Purcell/Britten)
|
|
The Rival Sisters, or The Violence of Love, Z609 (Purcell)
|
|
The Rival Sisters, or The Violence of Love, Z609 (Purcell/Britten)
|
|
The Staircase Overture in B flat (Purcell)
|
|
The summer's absence unconcerned we bear, Z337 (Purcell)
|
|
The Virtuous Wife, or Good luck at last, Z611 (Purcell)
|
|
The way of God is an undefiled way, Z56 (Purcell)
|
|
They say you're angry, Z422 (Purcell)
|
|
They that go down to the sea in ships, Z57 (Purcell)
|
|
This poet sings the Trojan wars 'Anacreon's Defeat', Z423 (Purcell)
|
|
Thou knowest, Lord, the secrets of our hearts, Z58b (Purcell)
|
|
Thou knowest, Lord, the secrets of our hearts, Z58c (Purcell)
|
|
Thou wakeful shepherd that does Israel keep 'A morning hymn', Z198 (Purcell)
|
|
Through mournful shades and solitary groves, Z424 (Purcell)
|
|
Thy way, O God, is holy, Z60 (Purcell)
|
|
Thy word is a lantern unto my feet, Z61 (Purcell)
|
|
Timon of Athens, Z632 (Purcell)
|
|
Toccata Prelude – Sarabande – Minuet (Purcell/Henderson)
|
|
Trumpet Tune, called The Cibell (Purcell)
|
|
Turn then thine eyes, Z425 (Purcell/Britten)
|
|
Turn thou us, O good Lord, Z62 (Purcell)
|
|
Tyrannic Love, or The Royal Martyr, Z613 (Purcell)
|
|
Unto thee will I cry, Z63 (Purcell)
|
|
Urge me no more, Z426 (Purcell)
|
|
Voluntary in C major, Z717 (Purcell)
|
|
Voluntary in D minor, Z718 (Purcell)
|
|
Voluntary in G major, Z720 (Purcell)
|
|
We reap all the pleasures, Z547 (Purcell)
|
|
We sing to him whose wisdom form'd the ear, Z199 (Purcell)
|
|
We sing to him whose wisdom form'd the ear, Z199 (Purcell/Britten)
|
|
Welcome to all the pleasures, Z339 (Purcell)
|
|
Welcome, vicegerent of the mighty King, Z340 (Purcell)
|
|
Welcome, welcome, glorious morn, Z338 (Purcell)
|
|
Westminster Abbey (Purcell)
|
|
What a sad fate is mine, Z428a (Purcell)
|
|
What a sad fate is mine, Z428b (Purcell)
|
|
What can we poor females do?, Z518 (Purcell)
|
|
What can we poor females do?, Z518 (Purcell/Britten)
|
|
What hope for us remains now he is gone?, Z472 (Purcell)
|
|
What shall be done in behalf of the man?, Z341 (Purcell)
|
|
When first my shepherdess and I, Z431 (Purcell)
|
|
When her languishing eyes said 'Love!', Z432 (Purcell)
|
|
When my Aemelia smiles, Z434 (Purcell)
|
|
When Myra sings, Z521 (Purcell/Britten)
|
|
When on my sick bed I languish, Z144 (Purcell)
|
|
When Strephon found his passion vain, Z435 (Purcell)
|
|
While Thirsis, wrapp'd in downy sleep, Z437 (Purcell)
|
|
Whilst Cynthia sung, all angry winds lay still, Z438 (Purcell)
|
|
Who but a slave can well express, Z440 (Purcell)
|
|
Who can behold Florella's charms?, Z441 (Purcell)
|
|
Who can from joy refrain?, Z342 (Purcell)
|
|
Who hath believed our report?, Z64 (Purcell)
|
|
Why do the heathen so furiously rage together?, Z65 (Purcell)
|
|
Why, my Daphne, why complaining?, Z525 (Purcell)
|
|
Why, why are all the Muses mute?, Z343 (Purcell)
|
|
With sick and famish'd eyes, Z200 (Purcell)
|
|
Ye happy swains, whose nymphs are kind, Z443 (Purcell)
|
|
Ye tuneful Muses, Z344 (Purcell)
|
|
Young Thirsis' fate, Z473 (Purcell)
|
|
