López is direct and delightful in his Easter Alleluia (based on the Sequence Victimae Paschali laudes) and in his Magnificats. It is true that he did indulge some very old-fashioned and learned musical fancies in his Hexachord Mass (Missa super scalam Aretinam), so much so that he found it necessary to defend his archaic notation and procedures in writing, just as the later Catalan Francisco Valls had to do after the disproportionate fuss over one dissonance in his first Hexachord Mass.
from notes by Bruno Turner © 1990
Alphabetical listing of all musical works
|Alleluia. Dic nobis, Maria (López Capillas)|
|Cui luna, sol et omnia (López Capillas)|
|Laudate Dominum (López Capillas)|
|Magnificat (López Capillas)|
|Magnificat quarti toni (López Capillas)|