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Hyperion Records

Artist Hyperion Records
Kenny, Elizabeth (lute)  
© Richard Haughton

Elizabeth Kenny (lute)

see also Elizabeth Kenny (theorbo)

Elizabeth Kenny has established herself as one of the UK’s foremost lute players. Her solo repertoire ranges from the renaissance to the eighteenth century, and she is in great demand as a continuo player with the leading period instrument ensembles (Orchestra of the Age of Enlightenment, Gabrieli Consort, Taverner Players etc.).

She has been a regular part of William Christie’s Les Art Florissants since 1993. With these ensembles she has made dozens of recordings for CD, radio and television and toured throughout Europe, North America and Japan.

She plays chamber music with Monica Huggett’s The Greate Consort and with the viol consorts Concordia (UK) and L’Ensemble Orlando Gibbons (France). She has a special interest in the literature of the late sixteenth and early seventeenth centuries. With tenor Mark Padmore and the actress Josette Simon she developed a programme called Songs and Sonnets, performed for the first time in summer 2001.

Elizabeth Kenny studied with Nigel North. Robert Spencer and Pat O’Brien also gave her advice and inspiration. She is professor of lute at the Royal Academy of Music in London, where she advises on English song and French baroque repertoire.

Albums
Cover of 'Bach: The Complete Flute Sonatas & the attributions' (CDD22077)
Cover of 'Britten: Nocturnal; Dowland: Lute Songs' (CDA67648)
Cover of 'Campion: Move now with measured sound' (CDA67268)
Cover of 'Dowland: Lute Songs; Britten: Nocturnal' (CDA67648)
Cover of 'English Lute Songs' (CDH55249)
English Lute Songs
Buy by post £6.99
CDH55249  Helios (Hyperion's budget label)  
Cover of 'Flying Horse – Music from the ML Lutebook' (CDA67776)
Cover of 'Lawes & Lawes: Songs' (CDA67589)
Cover of 'The Noble Bass Viol' (CDA67088)
Cover of 'Byrd: Consort Songs' (CDA67397)
Byrd: Consort Songs
CDA67397  To be superseded by CDH55429  
Alphabetical listing of all musical works
A Gallyard by Mr Dan Bacheler (Bacheler)
A Gallyard upon the Gallyard before (Dowland)
A Pavin (Johnson)
A Pavin (Johnson)
A Pavin (Johnson)
A Volte (Mercure d'Orléans)
A Volte (Sturt)
Ah silly soul (Byrd)
Ah, how pleasant 'tis to love, Z353 (Purcell)
All as a sea (Byrd)
All looks be pale (Campion)
Allmayne 'Hit it and take it' (Johnson)
Allmayne 'The Prince's Almain' (Johnson)
Allmayne and Corant (Anon)
Alman (Lawes)
An aged dame (Byrd)
Arise, ye subterranean Winds (Reggio)
Author of Light (Campion)
Away with these self-loving lads (Dowland)
Beauty, since you so much desire (Campion)
Behold a wonder here (Dowland)
Blame not my cheeks (Campion)
Break now, my heart, and die (Campion)
Can doleful notes? (Danyel)
Come again! sweet love (Dowland)
Come to me, grief, for ever (Byrd)
Come unto these yellow sands (Banister)
Come, heavy Sleep (Dowland)
Constant Penelope (Byrd)
Corant 'de la Durette' (Anon)
Corant 'Le Testament' (Perrichon)
Corant (Anon)
Corant (Anon)
Corant (Anon)
Corant I (Lawes)
Corant II (Lawes)
Country Dance (Lawes)
Dry those eyes which are o'erflowing (Banister)
Fain would I wed (Campion)
Fair, if you expect admiring (Campion)
Fantasia (Hely)
Fantasia (Johnson)
Fantasia (Rosseter)
Fantasia No 7 (Dowland)
Fire, fire, fire! (Campion)
Flow, my tears (Dowland)
Fly, bold rebellion, Z324 (Purcell)
Full fathom five (Banister)
Full fathom five (Johnson)
Gather your rosebuds while you may (Lawes)
Give me my lute (Banister)
Gray's Inn Maske (Anon)
Hail! bright Cecilia, Z328 (Purcell)
How vain the toils (Byrd)
I care not for these ladies (Campion)
I must complain (Dowland)
If my complaints could passions move (Dowland)
In darkness let me dwell (Dowland)
It fell on a summer's day (Campion)
John come kiss me now (Anon)
La Courante Sarabande (Ballard)
Lachrimae, or Seaven Teares (Dowland)
Leave prolonging thy distress (Campion)
Lilliburlero, Z646 (Anon/Purcell)
Lord Hay's Masque (Campion)
Lovely Selena, innocent and free (Blow)
Lullaby 'My sweet little baby' (Byrd)
Mistress, since you so much desire (Campion)
Monsieur Saman his Coranto (Saman)
Move now with measured sound (Campion)
Mr Confess's Coranto (Campion)
Mr Holborn's Last Will and Testament (Holborne)
My sweetest Lesbia (Campion)
Never weather-beaten sail (Campion)
Now does the glorious day appear, Z332 (Purcell)
Now hath Flora robbed her bowers (Campion)
Now, oh now I needs must part (Dowland)
O dear life, when may it be (Byrd)
O God that guides the cheerful sun (Byrd)
O that most rare breast (Byrd)
Oh, that joy so soon should waste (Lawes)
Persuasions not to Love (Lawes)
Rejoice unto the Lord (Byrd)
Riggadoon, Z653 (Purcell)
Rosa (Danyel)
Saraband (Hely)
Say, Love, if ever thou didst find (Dowland)
Second Dance of the Lords' Masque (Campion)
Sefauchi's Farewell, Z656 (Purcell)
Sleep, wayward thoughts (Dowland)
So parted you (Campion)
Sonata in D minor, Op 1 No 11 (Bocchi)
Sonata in E major, BWV1035 (Bach)
Sonata in G minor 'No 8', HWV393 (Handel)
Sorrow, stay! (Dowland)
Sweet, stay awhile; why do you rise? (Lawes)
The Battle (Anon)
The Battle Galliard (Dowland)
The cypress curtain of the night (Campion)
The delights of the bottle (Locke)
The Flying Horse (Anon)
The Last of the Queenes Maskes (Anon)
The Noble Man (Johnson)
The Prophetess, or The History of Dioclesian, Z627 (Purcell)
The Royall Consort (Lawes)
Time stands still with gazing on her face (Dowland)
To ask for all thy love (Dowland)
To Sycamores (Lawes)
Tom of Bedlam (Anon)
Tune thy music to thy heart (Campion)
Unquiet thoughts (Dowland)
Violin Sonata in G major, Op 5 No 6 (Corelli/Anon)
Violin Sonata in G minor, HWV364b (Handel)
What if I never speed? (Dowland)
When shall I see my captive heart? (Lawes)
Where the bee sucks (Humfrey)
Where the bee sucks (Johnson)
Who likes to love (Byrd)
Why so pale and wan, fond lover? (Lawes)
Woo her, and win her (Campion)
Ye sacred Muses (Byrd)
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