Hyperion Records

Artist Hyperion Records
Holman, Peter (conductor)
© Gerald Place

Peter Holman (conductor)

see also Peter Holman (chamber organ)

see also Peter Holman (harpsichord)

Peter Holman was born in London in 1946 and studied at King's College, London, with Thurston Dart. As a student he directed the pioneering early music group Ars Nova, and in 1979 he founded, with Roy Goodman, The Parley of Instruments, which is now recognised as one of the leading exponents of Renaissance and Baroque string consort music.

As a harpsichordist and organist Peter has performed with, among others, The London Handel Orchestra, the Tilford Bach Orchestra, the Orchestra of St John's Smith Square, and The Hanover Band. In 1985 he became Musical Director of the newly-formed Opera Restor'd which specialises in authentic productions of eighteenth-century English operas and masques. He is also the Artistic Director of the annual Suffolk Villages Festival which promotes high-quality performances of early music in a rural area of eastern England. In addition he was the joint Director (with Paul O'Dette) of the 1995 Boston Early Music Festival (USA).

Peter Holman was a professor at the Royal Academy of Music for ten years, and has also taught at many conservatories, universities and summer schools in Britain, Europe and the USA. At present he is Senior Associate Lecturer at Colchester Institute School of Music, a regular broadcaster on Radio 3, and much in demand as a lecturer at learned conferences. He spends much of his time in writing and research and has special interest in the early history of the violin family, in European instrumental ensemble music of the Renaissance and Baroque and in English seventeenth- and eighteenth-century music.

Peter regularly contributes articles and reviews to a range of newspapers and journals and has published many editions of early music. His book Four-and-Twenty Fiddlers: The Violin at the English Court, 1540-1690 (Oxford University Press, 1993) was awarded the Derek Allen Prize by The British Academy. Others publications include Henry Purcell (OUP, 1994), two chapters in Fairest Isle, recently published by the BBC in conjuction with its British Music year, a chapter in The Purcell Companion (London, 1995), a paper on a newly-discovered Purcell autograph in Purcell Studies (OUP), a paper on the surviving sets of parts of Restoration concerted music in Oxford for Performing the Music of Purcell (OUP) and a paper on the organ accompaniment of English consort music in John Jenkins and his Time: Studies in English Consort Music (OUP).

Early Music Agency 22 Michael Road London E11 3DY

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Albums
'A High-Priz'd Noise' (CDA66806)
A High-Priz'd Noise
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'Amner: Cathedral Music' (CDA66768)
Amner: Cathedral Music
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'An Englishman Abroad' (CDA66435)
An Englishman Abroad
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'Biber: Sonatae tam aris, quam aulis' (CDH55041)
Biber: Sonatae tam aris, quam aulis
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'Blow & Draghi: Odes for St Cecilia' (CDH55257)
Blow & Draghi: Odes for St Cecilia
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'Boyce: Peleus and Thetis & other theatre music' (CDA66935)
Boyce: Peleus and Thetis & other theatre music
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'Boyce: Trio Sonatas' (CDD22063)
Boyce: Trio Sonatas
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'Cavalli: Messa Concertata & other works' (CDH55193)
Cavalli: Messa Concertata & other works
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'Christmas through the ages' (NOEL1)
Christmas through the ages
NOEL1  Super-budget price sampler — Download only  
'Dibdin: Ephesian Matron, Brickdust Man & Grenadier' (CDA66608)
Dibdin: Ephesian Matron, Brickdust Man & Grenadier
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'Dowland: Lachrimae, or Seaven Teares' (CDH55339)
Dowland: Lachrimae, or Seaven Teares
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'Draghi & Blow: Odes for St Cecilia' (CDH55257)
Draghi & Blow: Odes for St Cecilia
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'English Classical Clarinet Concertos' (CDH55261)
English Classical Clarinet Concertos
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'English Classical Violin Concertos' (CDH55260)
English Classical Violin Concertos
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'Fairest Isle' (CDA67115)
Fairest Isle
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'Four and Twenty Fiddlers' (CDA66667)
Four and Twenty Fiddlers
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'Gibbons & Lupo: Music for Prince Charles' (CDA66395)
Gibbons & Lupo: Music for Prince Charles
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'Handel in Hamburg' (CDH55324)
Handel in Hamburg
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'Hark! hark! the lark' (CDA66836)
Hark! hark! the lark
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'Haydn and his English Friends' (CDA67150)
Haydn and his English Friends
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'Italian Baroque Trumpet Music' (CDH55192)
Italian Baroque Trumpet Music
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'Jenkins: Late Consort Music' (CDA66604)
Jenkins: Late Consort Music
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'Lampe: Pyramus and Thisbe' (CDA66759)
Lampe: Pyramus and Thisbe
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'Linley: The Song of Moses & Let God arise' (CDH55302)
Linley: The Song of Moses & Let God arise
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'Locke: The Broken Consort' (CDH55255)
Locke: The Broken Consort
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'Lupo & Gibbons: Music for Prince Charles' (CDA66395)
Lupo & Gibbons: Music for Prince Charles
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'Monteverdi: Sacred vocal music' (CDH55345)
Monteverdi: Sacred vocal music
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'Muffat: Armonico Tributo' (CDH55191)
Muffat: Armonico Tributo
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'Nativity' (CDA67443)
Nativity
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'Odes on the death of Henry Purcell' (CDA66578)
Odes on the death of Henry Purcell
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'Orpheus with his lute' (CDA67450)
Orpheus with his lute
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'Praetorius: Dances from Terpsichore' (CDA67240)
Praetorius: Dances from Terpsichore
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'Purcell: Ayres for the theatre' (CDH55010)
Purcell: Ayres for the theatre
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'Purcell: Hark how the wild musicians sing' (CDA66750)
Purcell: Hark how the wild musicians sing
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'Purcell's London' (CDA66108)
Purcell's London
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'Salve Regina' (CDA67225)
Salve Regina
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'Sound the Trumpet' (CDH55258)
Sound the Trumpet
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'Telemann: Recorder Concertos' (CDH55091)
Telemann: Recorder Concertos
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'The Emma Kirkby Collection' (CDA66227)
The Emma Kirkby Collection
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'Vital Spark of Heav'nly Flame' (CDA67020)
Vital Spark of Heav'nly Flame
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'Vivaldi: Recorder Concertos' (CDH55016)
Vivaldi: Recorder Concertos
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'While shepherds watched' (CDH55325)
While shepherds watched
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'The Essential Hyperion, Vol. 1' (HYP12)
The Essential Hyperion, Vol. 1
HYP12  Super-budget price sampler — Deleted  
'The Essential Hyperion, Vol. 2' (HYP20)
The Essential Hyperion, Vol. 2
HYP20  2CDs Super-budget price sampler — Deleted  
Alphabetical listing of all musical works
A flaxen-headed cowboy / A flaxen-headed milkmaid  First line to The Plough boy / The Milkmaid (Shield)
A health to the northern lass (Lawes)
Abdelazar, or The Moor's Revenge, Z570 (Purcell)
Ah Heav'n! what is't I hear?  Movement 8 of The glorious day is come (Blow)
Ah, sommi dei, cui la giustizia arruota  First line to Perché viva il caro sposa (Esilena), Act 3, Aria of Rodrigo, HWV5 (Handel)
Air in C major No 1 (Lawes)
Air in C major No 2 (Lawes)
Air in C minor No 1 (Lawes)
Air in C minor No 2 (Lawes)
Air in G minor (Johnson)
Air 'La Furstenburg'  Suite Movement 9 of The Virtuous Wife, or Good luck at last, Z611 (Purcell)
Alas! and did my Saviour bleed? (Taylor)
Alfred (Arne)
All Canaan's heathen race  No 13, Chorus of The Song of Moses (Linley Jr.)
All fancy sick (De Fesch)
Allons aux noces  Movement 6 of Le secret des Muses (Vallet)
Alman (Ferrabosco Jr.)
Alman 'Aria' (Ferrabosco Jr.)
Alman in C major (Ferrabosco Jr.)
Alman in D major 'for the Violins of 2 Trebles' (Lawes)
Alman in D minor (Webster)
Almand in G major (Taylor/Simpson)
Almande (Simpson)
Almande (Simpson)
Almira, HWV1 (Handel)
Amo Christum (Grandi)
And thus by Music's pow'r  Movement 11 of The glorious day is come (Blow)
Andante – Allegro – Adagio – Allegro  Symphony for Mercury of The Judgment of Paris or the Prize Music (Eccles)
Angelic hymns thy natal day  Extract of Ode for Christmas (Cooke)
Angels from the realms of glory (Matthews)
Angels from the realms of glory (Storace/Williams)
Angels, roll the rock away! (Taylor)
Aria 'Mrs Nichols Almand' (Dowland)
Arise and hail the sacred day 'A Carol' (Stephenson)
Arm, arm! the scouts are come in (Johnson)
As from the pow'r of sacred lays  Movement 10 of From harmony, from heav'nly harmony (Draghi)
As shepherds watched their fleecy care (Key)
Ascendit Christus in altum (Rosenmüller)
At first the trumpet's part  Movement 5 of The glorious day is come (Blow)
Ave maris stella (Grandi)
Ballet  Movement 3 of Le secret des Muses (Vallet)
Ballet (Anon/Praetorius)
Ballet des Baccanales – Ballet des feus – Ballet des matelotz (Anon/Praetorius)
Ballet des coqs (Praetorius)
Ballet du Roy pour sonner apres (Praetorius)
Ballet in F major (Nau)
Balletto detto la Squilletti (Fantini)
Ballo de Gran Duca (Besard)
Blest be the name of Jacob's God (Haydn)
Bonduca, or The British Heroine, Z574 (Purcell)
Brando detto l'Albizi (Fantini)
Bransle de villages (Praetorius)
Bransle simple (Caroubel/Praetorius)
Bransles (Caroubel/Praetorius)
Bransles de village (Besard)
Bulstrode Whitelocke's Coranto  Movement 3 of Suite in C major (Ives)
But let the righteous be glad  No 3, Air of Let God arise (Linley Jr.)
But oh! what art can teach  Movement 8 of From harmony, from heav'nly harmony (Draghi)
Can life be a blessing? (Eccles)
Canzon (Grabbe)
Canzon (Simpson)
Canzon (Simpson)
Canzona a 3 (Cavalli)
Canzona a 4 (Cavalli)
Canzona a 6 (Cavalli)
Canzona a 8 (Cavalli)
Captaine Digorie Piper his Galiard  No 18 of Lachrimae, or Seaven Teares (Dowland)
Captaine Digorie Piper his Pavan (Dowland)
Cease your funning  Act 2 Air 37 of The Beggar's Opera (Gay/Pepusch)
Chaconne a 4 in G (Blow)
Chacony in G minor, Z730 (Purcell)
Christ being raised from the dead (Jarvis)
Christians, awake, salute the happy morn 'A Hymn for Christmas Day' (Wainwright/Goodwin)
Cibell in C, Z678 (Purcell)
Clarinet Concerto in E flat major (Hook)
Clarinet Concerto No 2 in F major (Mahon)
Come away, Hecate (Johnson)
Come celebrate th' auspicious morn 'A Carol' (Key)
Concert of Venus from Albion and Albanius (Grabu)
Concerted Symphony in E flat major, T290/9 (Bach)
Concerto di Trombe a tre Trombette (Matteis)
Concerto in A minor, RV108 (Vivaldi)
Concerto in A minor, RV445 (Vivaldi)
Concerto in C major, RV443 (Vivaldi)
Concerto in C major, RV444 (Vivaldi)
Concerto in C minor, RV441 (Vivaldi)
Concerto in E flat, Op 3 No 4 (Hellendaal)
Concerto in F major, RV442 (Vivaldi)
Concerto No 9 in E minor (Woodcock)
Confitebor tibi Domine 'Alla francese', SV267 (Monteverdi)
Confitebor tibi Domine, SV194 (Monteverdi)
Confitebor tibi Domine, SV266 (Monteverdi)
Consider, all ye passers by (Amner)
Corydon and Miranda (Boyce)
Couch'd by the pleasant Heliconian spring  Movement 4 of The glorious day is come (Blow)
Courante 'Battaglia' (Anon/Praetorius)
Courante de Mars  Movement 2 of Le secret des Muses (Vallet)
Courante 'Grimstock' (Praetorius)
Courante 'I care not for these ladies' (Campion/Praetorius)
Courante 'Light of love' (Praetorius)
Courante 'Mistris Winter's Jump' (Dowland/Praetorius)
Courante 'Packington's Pound' (Praetorius)
Courante 'Wilson's Wild' (Anon/Praetorius)
Courantes 1 and 2 (Simpson)
Cranbrook (Clark)
Cum invocarem (Rigatti)
Curtain Tune in C major (Locke)
Curtain Tune in D major (Locke)
Dear pretty youth (Purcell)
Deus tuorum militum, SV280 (Monteverdi)
Divisions on a ground in D minor (Matteis)
Dry those eyes which are o'erflowing (Weldon)
Duo for two bass viols No 1 in D minor (Locke)
Duo for two bass viols No 2 in D major (Locke)
Duo for two bass viols No 3 in C minor (Locke)
Duo for two bass viols No 4 in C major (Locke)
Echo No 1 in D minor (Webster)
Echo No 2 in G major (Webster)
Est ce Mars  Movement 1 of Le secret des Muses (Vallet)
Excesses of pleasure now crowd on apace  Movement 7 of The glorious day is come (Blow)
Exultate Deo (Castello)
Fairest isle, all isles excelling  Act 5, Song of King Arthur, or The British Worthy, Z628 (Purcell)
Fantasia and Corant in D minor (Locke)
Fantasia for three trebles in G minor (Johnson)
Fantasia Suite in A minor (Jenkins)
Fantasia Suite in C major (Jenkins)
Fantasia Suite in D major (Jenkins)
Fantasia Suite in E minor (Jenkins)
Fantasia Suite in F major for 2 violins, 2 bass viols and continuo (Jenkins)
Fantasia Suite in F major for 3 violins, bass viols and continuo (Jenkins)
Fantasias a 3 (Gibbons)
Fantasias a 3 'for great double bass' (Gibbons)
Fantasias a 4 'for the great double bass' (Gibbons)
Fantasies a 4 (Lupo)
Fantasy-airs a 3 (Lupo)
Fantasy-airs a 4 (Lupo)
Farewell to Locaber (Anon/Bach)
Flute Concerto in G 'The Cuckoo' (Lampe)
For love ev'ry creature is formed by his nature  Movement of King Arthur, or The British Worthy, Z628 (Purcell)
From harmony, from heav'nly harmony (Draghi)
Full fathom five (Johnson)
Full fathom five (Smith)
Gaillarde  Movement 7 of Le secret des Muses (Vallet)
Gaillarde 284 (Caroubel/Praetorius)
Gaillarde 285 (Caroubel/Praetorius)
Galliard (Simpson)
Galliard (Simpson)
Galliard (Simpson)
Galliard in B flat major after Bocquet (Webster)
Galliard in D minor (Nau)
Georgia (Handel/Miller)
Give thanks, O Israel  No 7, Air of Let God arise (Linley Jr.)
Give to God our thankful songs (Haydn/Gardiner)
Hark how all the wild musicians sing, Z542 (Purcell)
Hark how the songsters  Duet from Timon of Athens, Z632 (Purcell)
Hark! how all the welkin rings (Anon/Butts)
Hark! the herald angels sing  First line to Georgia (Handel/Miller)
Hark! What mean those holy voices? (Anon)
Hark, Damon, hark, Z541 (Purcell)
Hark, hark, the lark (Chilcot)
Harlequin Restor'd (Charke)
He is a father  No 6, Duet of Let God arise (Linley Jr.)
Hear my prayer, O Lord (Dahmen)
Here, a sheer hulk, lies poor Tom Bowling  First line to Tom Bowling, Song of The Oddities (Dibdin)
Honour, riches, marriage-blessing (Arne)
Horrible is the end of th' unrighteous generation (Smith)
Hosanna to King David's son 'Hosannah' (Taylor)
How beauteous are their feet 'Zion' (Matthews)
How blyth was I each morn to see  First line to The broom of Cowdenknowes (Anon/Bach)
How pleasant is this flowery plain and grove!, Z543 (Purcell)
Hush! my dear, lie still and slumber (Anon/Butts)
I heard a voice from heaven (Harington)
Iam moriar, mi fili 'Pianto della Madonna' (Monteverdi)
If ever I more riches did desire, Z544 (Purcell)
In Bethlem fields as shepherds kept 'Hymn for Christmas Day' (Tremain)
Incidental music for Rochester's play Valentinian (Grabu)
Incidental music for Thomas Shadwell's operatic version of Shakespeare's play The Tempest (Locke/Smith)
Intrada (Simpson)
Iste confessor Domini sacratus, SV279 (Monteverdi)
Jehovah ever be my song  No 2, Duet of The Song of Moses (Linley Jr.)
Jesu, dulcis memoria (Marini)
Joy to the world 'Comfort' (Anon/Rider)
King Arthur, or The British Worthy, Z628 (Purcell)
La bourrée (Praetorius)
La canarie (Praetorius)
La sarabande (Praetorius)
Lachrimae, or Seaven Teares (Dowland)
Laudate Dominum omnes gentes, SV197 (Monteverdi)
Le secret des Muses (Vallet)
Let an anthem of praise (Anon/Ashworth)
Let God arise (Linley Jr.)
Light of those whose dreary dwelling 'Christmas Hymn' (Anon)
Lo! He comes with clouds descending (Madan/Miller/Wesley)
Lo, the waves thy breath obey  No 6, Recitative of The Song of Moses (Linley Jr.)
Long life shall Israel's king behold (Haydn)
Love in a village (Arne)
Lyra Consort in C major 'The Six Bells' (Jenkins)
Lyra Consort in G major (Jenkins)
M John Langton Pavan (Dowland)
M. Buctons Galiard  No 16 of Lachrimae, or Seaven Teares (Dowland)
M. George Whitehead his Almand  No 13 of Lachrimae, or Seaven Teares (Dowland)
M. Giles Hobies Galiard  No 10 of Lachrimae, or Seaven Teares (Dowland)
M. Henry Noel his Galiard  No 20 of Lachrimae, or Seaven Teares (Dowland)
M. John Langtons Pavan  No 15 of Lachrimae, or Seaven Teares (Dowland)
M. Nicholas Gryffith his Galiard  No 9 of Lachrimae, or Seaven Teares (Dowland)
M. Thomas Collier his Galiard with 2 Trebles  No 17 of Lachrimae, or Seaven Teares (Dowland)
Magnify him  No 5, Chorus of Let God arise (Linley Jr.)
Mark how the Lark and Linnet Sing  First line to Ode on the death of Mr Henry Purcell (Blow)
Medley Overture  Extract of Harlequin Restor'd (Charke)
Messa Concertata (Cavalli)
Mistresse Nichols Almand  No 14 of Lachrimae, or Seaven Teares (Dowland)
'Mong the Gods by men adored  No 9, Air of The Song of Moses (Linley Jr.)
Music for Florizel and Perdita (Boyce)
Music! celestial Music! what can be  Movement 9 of The glorious day is come (Blow)
My God, my King, with joyful view (Shield)
My Lord Is Hence Removed (Amner)
My Robin is to the greenwood gone (Anon)
Nisi Dominus, SV200 (Monteverdi)
No force can stand  No 3, Accompanied recitative of The Song of Moses (Linley Jr.)
Now is Christ risen from the dead (Fawcett)
Nunc dimittis (Rigatti)
O bone Jesu, O Jesu amabilis (Cavalli)
O come, all ye faithful (Anon/Novello)
O Israel turn – The wave hath closed  No 4, Air – Chorus of The Song of Moses (Linley Jr.)
O let me in th' accepted hour (Haydn)
O Lord, what is man! (Haydn/Gardiner)
O mirandum mysterium (Legrenzi)
O sing unto God  No 4, Chorus of Let God arise (Linley Jr.)
O thou that dwellest in the highest heavens (Dahmen)
O ye little flock (Amner)
Oboe Concerto in G minor, HWV287 (Handel)
Ode for Christmas (Cooke)
Ode for the King's Birthday (Boyce)
Ode on the death of Mr Henry Purcell (Blow)
Of all the girls that are so smart  First line to Sally in our alley (Carey)
Of old, when heroes thought it base, Z333 (Purcell)
Oh! what a scene does entertain my sight, Z506 (Purcell)
On Richmond Hill there lives a lass  First line to The Lass of Richmond Hill (Hook)
Orpheus cou'd lead the savage race  Movement 9 of From harmony, from heav'nly harmony (Draghi)
Orpheus with his lute (Chilcot)
Orpheus with his lute (Greene)
Overture in D major (Croft)
Overture in G major, Op 4 No 9 (Barsanti)
Overture to Titus Andronicus (Clarke)
Paduan (Dowland)
Paduan (Simpson)
Paduana (Simpson)
Pardon, goddess of the night (Chilcot)
Pasameza (Simpson)
Passameze (Caroubel/Praetorius)
Pastorale  Movement of Concerto in E flat, Op 3 No 4 (Hellendaal)
Pavan (Farmer)
Pavan and Galliard in C (Baltzar)
Pavan in A major, Z748 (Purcell)
Pavan in A minor, Z749 (Purcell)
Pavan in B flat major, Z750 (Purcell)
Pavan in C major (Ferrabosco Jr.)
Pavan in D minor (Nau)
Pavan in G minor (Ives)
Pavan in G minor, Z751 (Purcell)
Pavane de Spaigne (Praetorius)
Peleus and Thetis (Boyce)
Perché viva il caro sposa (Esilena)  Act 3, Aria of Rodrigo, HWV5 (Handel)
Praise be to God, and God alone  No 1, Chorus of The Song of Moses (Linley Jr.)
Pyramus and Thisbe (Lampe)
Recorder Concerto in C major (Telemann)
Recorder Concerto in F major (Telemann)
Rejoice the Lord is king! (Handel/Wesley)
Ricercar (Simpson)
Ricercar on Bonny sweet Robin (Simpson)
Rise, rise, heart-breaking sighs  First line to The Dirge from Romeo and Juliet (Boyce)
Rodrigo, HWV5 (Handel)
Rondeau. Hornpipe  Suite Movement 2 of Abdelazar, or The Moor's Revenge, Z570 (Purcell)
Rule, Britannia  Song of Alfred (Arne)
Sally in our alley (Carey)
Saltarello detto del Naldi (Fantini)
Salve regina (Rovetta)
See where she sits 'Weeping', Z508 (Purcell)
Semper Dowland semper dolens  No 8 of Lachrimae, or Seaven Teares (Dowland)
Sharp violins proclaim  Movement 7 of From harmony, from heav'nly harmony (Draghi)
Sinfonia decima a 7 (Bononcini)
Sinfonia from the opera Gl' Amanti Generosi (Mancini)
Sinfonia from the opera Il Diocletiano (Pallavacino)
Sing, sing ye druids  Duet from Bonduca, or The British Heroine, Z574 (Purcell)
Sir Henry Umptons Funerall  No 12 of Lachrimae, or Seaven Teares (Dowland)
Sir John Souch his Galiard  No 11 of Lachrimae, or Seaven Teares (Dowland)
Soft notes and gently raised 'A Serenading Song', Z510 (Purcell)
Some talk of Alexander and some of Hercules  First line to The British Grenadiers (Anon)
Sonata a 5 'La Bianchina' (Cazzati)
Sonata a 5, 2 Trombette, 2 Violini con Fagotto (Albrici)
Sonata a due Trombe detta del Gucciardini (Fantini)
Sonata a otto Viole con una Tromba (Stradella)
Sonata for trumpet and oboe in C major (Finger)
Sonata for trumpet and violin in C major (Finger)
Sonata for trumpet, violin and oboe in C major (Finger)
Sonata from the play Tunbridge Walks in D major (Barrett)
Sonata in D (Corelli)
Sonata in D 'con concertino' (Anon)
Sonata in D major (Paisible)
Sonata in G major 'La pezzoli' (Legrenzi)
Sonata No 1 in D (Keller)
Sonata No 1 in D major (Muffat)
Sonata No 2 in G minor (Muffat)
Sonata No 3 in A major (Muffat)
Sonata No 4 in E minor (Muffat)
Sonata No 5 in G major (Muffat)
Sonata 'per sonar con due corde' (Marini)
Sonata Prima per Trombetta sola (Viviani)
Sonatae tam aris, quam aulis servientes (Biber)
Song Tune 'Ah, how sweet it is to love'  Suite Movement 2 of The Virtuous Wife, or Good luck at last, Z611 (Purcell)
Song Tune 'Britons, strike home'  Suite Movement 2 of Bonduca, or The British Heroine, Z574 (Purcell)
Song Tune 'Fairest Isle'  Suite Movement 4 of King Arthur, or The British Worthy, Z628 (Purcell)
Song Tune 'How blest are shepherds'  Suite Movement 7 of King Arthur, or The British Worthy, Z628 (Purcell)
Song Tune 'Round thy coasts'  Suite Movement 9 of King Arthur, or The British Worthy, Z628 (Purcell)
Song Tune 'To arms, to arms'  Suite Movement 3 of Bonduca, or The British Heroine, Z574 (Purcell)
Song Tune 'We the spirits of the air'  Suite Movement 9 of The Indian Queen, Z630 (Purcell)
Spagnoletta (Praetorius)
Spirit, leave thine house of clay! (Fawcett)
Strike! Seraphs, strike your harps of gold 'A New Christmas Piece' (Fawcett)
String Quartet in C major, Op 76 No 3 (Haydn)
Su le penne de' venti, SV333 (Monteverdi)
Suite from the operas Florindo and Daphne, HWV336, 352-4 (Handel)
Suite from the play The Twin Rivals (Croft)
Suite in C major (Ives)
Suite in D major (Corbett)
Suite in F major (Nau)
Suite in G minor (Ives)
Suite in G minor (Locke)
Suite in G minor possibly from the opera Nero, HWV453 (Handel)
Suite 'made for the Queen's Coronation' (Eccles)
Suite of Brawls in B flat (Locke)
Suonata a 7 Con due Trombe (Franceschini)
Symphony  Act III of The Indian Queen, Z630 (Purcell)
Symphony  Movement 1 of Of old, when heroes thought it base, Z333 (Purcell)
Symphony in C major  Act 5 of King Arthur, or The British Worthy, Z628 (Purcell)
Take, O take those lips away (Weldon)
Tell me, dearest (Johnson)
Tell us, O women 'Dialogue Hymn' (Burney)
The battle done, the loud alarms do cease  Movement 6 of The glorious day is come (Blow)
The Beggar's Opera (Gay/Pepusch)
The birks of Endermay: Andante  Movement 2 of Clarinet Concerto No 2 in F major (Mahon)
The blushing rose (Anon)
The branch, the mighty branch behold 'Nativity' (Marsh)
The Brickdust Man (Dibdin)
The British Grenadiers (Anon)
The Broken Consort I (Locke)
The broom of Cowdenknowes (Anon/Bach)
The cats, as other creatures do (Lawes)
The Dirge from Romeo and Juliet (Boyce)
The Earle of Essex Galiard  No 19 of Lachrimae, or Seaven Teares (Dowland)
The Emperor's Hymn. Poco adagio  Movement 2 of String Quartet in C major, Op 76 No 3 (Haydn)
The Ephesian Matron, or The Widow's Tears (Dibdin)
The Fancy  Movement 1 of Suite in C major (Ives)
The glorious day is come (Blow)
The God of Gods, the Lord, hath call'd (Foster)
The Gordion Knot Unty'd, Z597 (Purcell)
The Grenadier (Dibdin)
The Indian Queen, Z630 (Purcell)
The Judgment of Paris or the Prize Music (Eccles)
The King of Denmarks Galiard  No 21 of Lachrimae, or Seaven Teares (Dowland)
The Lass of Richmond Hill (Hook)
The Lord is risen (Wainwright)
The Lord, th' almighty monarch, spake (Haydn)
The Melancholy Nymph  Song of The What d'ye Call it? (Handel)
The miller of Dee  Song of Love in a village (Arne)
The Mock Marriage, Z605 (Purcell/Clarke)
The Mourners  Movement 3 of Lyra Consort in C major 'The Six Bells' (Jenkins)
The Musick att the Bath (Banister)
The Noble Man (Anon/Schop)
The Oddities (Dibdin)
The people that walked in darkness 'An Anthem' (Hill)
The Plough boy / The Milkmaid (Shield)
The Prince's Alman (Johnson)
The Prince's Coranto (Johnson)
The Princes Courant (Sherly)
The Ringers  Movement 4 of Lyra Consort in C major 'The Six Bells' (Jenkins)
The Satyrs Dance (Johnson)
The sea is before them  No 7, Chorus of The Song of Moses (Linley Jr.)
The Six Bells  Movement 2 of Lyra Consort in C major 'The Six Bells' (Jenkins)
The soft complaining flute  Movement 6 of From harmony, from heav'nly harmony (Draghi)
The Song of Moses (Linley Jr.)
The spheres, those instruments divine  Movement 3 of The glorious day is come (Blow)
The Staircase Overture in B flat (Purcell)
The Tempest (Johnson)
The Temporiser (Johnson)
The trumpet's loud clangor  Movement 5 of From harmony, from heav'nly harmony (Draghi)
The Virgin  Movement 2 of Suite in C major (Ives)
The Virtuous Wife, or Good luck at last, Z611 (Purcell)
The wanton God: Rondo  Movement 3 of Clarinet Concerto No 2 in F major (Mahon)
The What d'ye Call it? (Handel)
The Witches' Dance (Johnson)
The Witty Wanton (Johnson)
There was a jolly miller once lived on the River Dee  First line to The miller of Dee, Song of Love in a village (Arne)
There were shepherds abiding in the field (Jarman)
This is the day the Lord hath made (Greatorex)
This lady ripe and fair (Atkins)
This that blest king and god-like prophet knew  Movement 10 of The glorious day is come (Blow)
Thither thy people, Lord  No 14, Duet of The Song of Moses (Linley Jr.)
Thither, what power  No 12, Recitative of The Song of Moses (Linley Jr.)
Thou stretchest out thy hand  No 10, Accompanied recitative of The Song of Moses (Linley Jr.)
Thou, as thy mercy had decreed  No 11, Air of The Song of Moses (Linley Jr.)
Thus the foe with haughty pride  No 8, Accompanied recitative of The Song of Moses (Linley Jr.)
Thy arm, O Lord of Hosts  No 5, Air of The Song of Moses (Linley Jr.)
Timon of Athens, Z632 (Purcell)
'Tis late and cold (Johnson)
To ages shalt thou stretch thy sway  No 15, Chorus of The Song of Moses (Linley Jr.)
To fair Fidele's grassy tomb (Arne)
Tom Bowling  Song of The Oddities (Dibdin)
Trio Sonata No 1 in A minor (Boyce)
Trio Sonata No 11 in C minor (Boyce)
Trio Sonata No 13 in A minor (Boyce)
Trio Sonata No 15 in D major (Boyce)
Trio Sonata No 3 in A major (Boyce)
Trio Sonata No 5 in D major (Boyce)
Trio Sonata No 7 in D minor (Boyce)
Trio Sonata No 8 in E flat major (Boyce)
Trio Sonata No 9 in C major (Boyce)
'Twas when the seas were roaring  First line to The Melancholy Nymph, Song of The What d'ye Call it? (Handel)
'Twas within a furlong of Edinboro' town  Song of The Mock Marriage, Z605 (Purcell/Clarke)
Twelfth Night (Vernon)
Un jour de la semaine  Movement 5 of Le secret des Muses (Vallet)
Une jeune fillette (Besard)
Unveil thy bosom, faithful tomb (Handel/Miller)
Variations on the Ruggiero (Notari)
Vedrai s' a tuo dispetto (Almira)  Act 3, Aria of Almira, HWV1 (Handel)
Vengeance, O come inspire me!  Act 2, Aria from Alfred (Arne)
Violin Concerto in F major (Linley Jr.)
Violin Concerto in G major (Shaw)
Violin Concerto No 1 in D major (Brooks)
Violin Concerto No 2 in D major (Wesley)
Vital spark of heav'nly flame (Harwood)
We reap all the pleasures, Z547 (Purcell)
What passion cannot Musick raise and quell!  Movement 4 of From harmony, from heav'nly harmony (Draghi)
When Britain first at heaven's command  First line to Rule, Britannia, Song of Alfred (Arne)
When daisies pied and violets blue (Arne)
When daisies pied and violets blue (Leveridge)
When icicles hang on the wall (Arne)
When nature underneath a heap  Movement 3 of From harmony, from heav'nly harmony (Draghi)
When rising from the bed of death (Pixell)
When that I was a little tiny boy  Song of Twelfth Night (Vernon)
Where the bee sucks, there lurk I (Arne)
Where, Lord, shall I my refuge see? (Webbe Sr.)
While shepherds watched their flocks by night  First line to Cranbrook (Clark)
While shepherds watched their flocks by night (Beesly)
While shepherds watched their flocks by night (Foster)
While shepherds watched their flocks by night (Smith/Arnold)
Wonderful art thou  No 8, Chorus of Let God arise (Linley Jr.)
Ye winged inhabitants of the grove (Dahmen)
Yes! the Redeemer rose (Taylor)
Yes, my Aminta, 'tis too true (Hall)
You say 'tis love  Movement of King Arthur, or The British Worthy, Z628 (Purcell)
You spotted snakes (Smith)
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