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Hyperion Records

Artist Hyperion Records
Gooding, Julia (soprano)  

Julia Gooding (soprano)

Julia Gooding studied in London at The Guildhall School of Music and Drama with Johanna Peters and is now an established concert and oratorio performer throughout Britain and abroad. Her operatic appearances have included Atalanta, Xerxes and Salome in Stradella's San Giovanni Battista at the Innsbruck Festival, Lully's Grotte de Versailles and Cupid in Blow's Venus and Adonis with London Baroque at the Paris Opéra-Comique and, more recently, Romilda in Handel's Xerxes for the Opernhaus Halle.

She has toured Britain, Europe and Japan with London Baroque singing Handel and Purcell and has sung Scarlatti cantatas in France.

Albums
'A Bach Album' (CDA67247)
'Blow, Boyce & Handel: Music for St Paul's' (CDH55359)
'Boyce: Peleus and Thetis & other theatre music' (CDA66935)
'Enchanting Harmonist' (CDA66698)
'Handel, Blow & Boyce: Music for St Paul's' (CDH55359)
'Hark! hark! the lark' (CDA66836)
'Linley: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare' (CDH55253)
'Linley: Cantatas & Theatre Music' (CDH55256)
'Linley: The Song of Moses & Let God arise' (CDH55302)
'Purcell: Hark how the wild musicians sing' (CDA66750)
'The Romantic Music' (CDA66740)
'Vaughan Williams: Hugh the Drover' (CDD22049)
Complete works available for download
ANONYMOUS
The blushing rose with Catherine Bott (soprano), The Parley of Instruments, Peter Holman (conductor)
THOMAS ATTWOOD  (1765-1838)
Ellen's Song with Invocation, Timothy Roberts (conductor), Timothy Roberts (fortepiano)
JOHANN SEBASTIAN BACH  (1685-1750)
O Jesu Christ, mein Lebens Licht, BWV118 with Ashley Stafford (countertenor), Angus Smith (tenor), Robert Macdonald (bass), His Majestys Sagbutts & Cornetts
Wenn wir in höchsten Nöten sein, BWV432 with Ashley Stafford (countertenor), Angus Smith (tenor), Robert Macdonald (bass), His Majestys Sagbutts & Cornetts
WILLIAM BOYCE  (1711-1779)
The Dirge from Romeo and Juliet with Philippa Hyde (soprano), Joseph Cornwell (tenor), Andrew Dale Forbes (bass), Opera Restor'd, Peter Holman (conductor)
WILLIAM BENSON EARLE  (1740-1796)
Go, rose! my Chloe's bosom grace with Invocation, Rufus Müller (tenor), Charles Daniels (tenor), Christopher Purves (bass)
GEORGE FRIDERIC HANDEL  (1685-1759)
Te Deum 'Utrecht', HWV278 with St Paul's Cathedral Choir, The Parley of Instruments, John Scott (conductor)
HENRY HARINGTON  (1727-1816)
Damon and Clora with Invocation, Christopher Purves (bass)
Enchanting harmonist with Invocation, Christopher Purves (bass)
Ode to the memory of Italian virtuosi with Invocation, Ana-María Rincón (soprano), Charles Daniels (tenor), Christopher Purves (bass)
WILLIAM JACKSON  (1730-1803)
Love in thine eyes for ever plays, Op 13 No 7 with Invocation, Ana-María Rincón (soprano)
Where the bee sucks, Op 11 No 6 with Invocation, Ana-María Rincón (soprano), Rufus Müller (tenor), Christopher Purves (bass)
ROBERT JOHNSON  (c1583-1633)
Come away, Hecate with Stephen Varcoe (baritone), Catherine Bott (soprano), Joseph Cornwell (tenor), The Parley of Instruments, Peter Holman (conductor)
Full fathom five with Catherine Bott (soprano), Joseph Cornwell (tenor), Stephen Varcoe (baritone), The Parley of Instruments, Peter Holman (conductor)
Get you hence with Catherine Bott (soprano), Stephen Varcoe (baritone), Paul O'Dette (lute), Stephen Stubbs (English theorbo)
Tell me, dearest with Catherine Bott (soprano), The Parley of Instruments, Peter Holman (conductor)
Where the bee sucks with Paul O'Dette (lute), Stephen Stubbs (English theorbo)
WILLIAM LAWES  (1602-1645)
A health to the northern lass with Joseph Cornwell (tenor), Stephen Varcoe (baritone), The Parley of Instruments, Peter Holman (conductor)
The cats, as other creatures do with Catherine Bott (soprano), Stephen Varcoe (baritone), The Parley of Instruments, Peter Holman (conductor)
THOMAS LINLEY  (1733-1795)
Ah! what avails the sprightly morn of life with Invocation, Charles Daniels (tenor), Christopher Purves (bass)
Alas, from the day my poor heart with Invocation
Fly to my aid, O mighty Love with Invocation, Charles Daniels (tenor), Christopher Purves (bass)
He who could first two gentle hearts unbind with Invocation, Charles Daniels (tenor), Christopher Purves (bass)
In thousand thoughts of love and thee with Invocation, Charles Daniels (tenor), Christopher Purves (bass)
Ye sportive loves, that round me wait with Invocation, Charles Daniels (tenor), Christopher Purves (bass)
THOMAS LINLEY  (1756-1778)
Daughter of Heav'n, fair art thou! 'Darthula' with The Parley of Instruments Baroque Orchestra, Paul Nicholson (conductor)
In yonder grove with The Parley of Instruments Baroque Orchestra, Paul Nicholson (conductor)
Music for The Tempest with The Parley of Instruments Baroque Orchestra, Paul Nicholson (conductor)
Ye nymphs of Albion's beauty-blooming isle with The Parley of Instruments Baroque Orchestra, Paul Nicholson (conductor)
MARTIN LUTHER  (1483-1546)
Nun komm, der Heiden Heiland
HENRY PURCELL  (1659-1695)
Hark, Damon, hark, Z541 with Red Byrd, The Parley of Instruments, Peter Holman (conductor)
If ever I more riches did desire, Z544 with Red Byrd, The Parley of Instruments, Peter Holman (conductor)
Oh! what a scene does entertain my sight, Z506 with Red Byrd, The Parley of Instruments, Peter Holman (conductor)
We reap all the pleasures, Z547 with Red Byrd, The Parley of Instruments, Peter Holman (conductor)
SAMUEL WEBBE  (c1770-1843)
The Death of the common soldier with Invocation, Timothy Roberts (conductor), Timothy Roberts (fortepiano)
Alphabetical listing of all musical works
A health to the northern lass (Lawes)
A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare 'The Shakespeare Ode' (Linley Jr.)
Ah! what avails the sprightly morn of life (Linley Sr.)
Alas, from the day my poor heart (Linley Sr.)
Aus tiefer Not schrei ich zu dir, BWV38 (Bach)
Come away, Hecate (Johnson)
Corydon and Miranda (Boyce)
Damon and Clora (Harington)
Daughter of Heav'n, fair art thou! 'Darthula' (Linley Jr.)
Ellen's Song (Attwood)
Enchanting harmonist (Harington)
Fly to my aid, O mighty Love (Linley Sr.)
Full fathom five (Johnson)
Get you hence (Johnson)
Go, rose! my Chloe's bosom grace (Earle)
Hark, Damon, hark, Z541 (Purcell)
He who could first two gentle hearts unbind (Linley Sr.)
Hugh the Drover (Vaughan Williams)
If ever I more riches did desire, Z544 (Purcell)
In thousand thoughts of love and thee (Linley Sr.)
In yonder grove (Linley Jr.)
Let God arise (Linley Jr.)
Love in thine eyes for ever plays, Op 13 No 7 (Jackson)
Music for Florizel and Perdita (Boyce)
Music for The Tempest (Linley Jr.)
Music for The Tempest (Linley Jr./Arne/Jackson)
Nun komm, der Heiden Heiland (Luther)
Nun komm, der Heiden Heiland, BWV62 (Bach)
O Jesu Christ, mein Lebens Licht, BWV118 (Bach)
Ode to the memory of Italian virtuosi (Harington)
Oh! what a scene does entertain my sight, Z506 (Purcell)
Peleus and Thetis (Boyce)
Schwingt freudig euch empor, BWV36 (Bach/Roberts)
Te Deum 'Utrecht', HWV278 (Handel)
Tell me, dearest (Johnson)
The blushing rose (Anon)
The cats, as other creatures do (Lawes)
The Death of the common soldier (Webbe Jr.)
The Dirge from Romeo and Juliet (Boyce)
The Song of Moses (Linley Jr.)
We reap all the pleasures, Z547 (Purcell)
Wenn wir in höchsten Nöten sein, BWV432 (Bach)
Where the bee sucks (Johnson)
Where the bee sucks, Op 11 No 6 (Jackson)
Wir danken dir, Gott, wir danken dir, BWV29 (Bach)
Ye nymphs of Albion's beauty-blooming isle (Linley Jr.)
Ye sportive loves, that round me wait (Linley Sr.)
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