Hyperion Records

Artist Hyperion Records
Halls, Matthew (organ)
© Stephen Page

Matthew Halls (organ)

see also Matthew Halls (piano)

see also Matthew Halls (conductor)

see also Matthew Halls (harpsichord)

Matthew Halls is one of Britain’s most exciting young conductors as well as a leading keyboard player. He studied music at Oxford University where he was organ scholar and later assistant organist at New College. He became Associate Director of The King’s Consort in 2005 before being appointed Artistic Director. In addition to his work with The King’s Consort he frequently appears as a guest director with period-instrument ensembles such as The English Concert, Holland Baroque Society and Portland Baroque Orchestra, USA. Most recently he has made conducting debuts with the Rundfunk-Sinfonieorchester Berlin, Orchestra Philharmonique de Monte Carlo, Hessischer Rundfunk Sinfonie, Norrköping Symphony Orchestra, London Mozart Players, and RTÉ Concert Orchestra Dublin.

As a harpsichordist, organist and fortepianist Matthew has appeared on well over fifty recordings, given recitals all over the world and broadcast regularly both in the United Kingdom and abroad. He is a tutor for the European Union Baroque Orchestra and The Jerusalem Early Music Workshop.

Albums
'Handel: An Ode for St Cecilia’s Day' (CDA67463)
Handel: An Ode for St Cecilia’s Day
Buy by post £10.50 CDA67463 
'Monteverdi: Vespers' (CDA67531/2)
Monteverdi: Vespers
Buy by post £20.00 CDA67531/2  2CDs  
On other labels
'Purcell: Twelve Sonatas in Three Parts' (CKD374)
Purcell: Twelve Sonatas in Three Parts
CKD374  Download only  
Alphabetical listing of all musical works
An Ode for St Cecilia's Day, HWV76 (Handel)
As from the pow'r of sacred lays  No 13, Solo and Chorus of An Ode for St Cecilia's Day, HWV76 (Handel)
But bright Cecilia rais'd the wonder  No 12, Accompagnato of An Ode for St Cecilia's Day, HWV76 (Handel)
But oh! What art can teach  No 10, Aria of An Ode for St Cecilia's Day, HWV76 (Handel)
From harmony, from heav'nly harmony  No 2, Recitative of An Ode for St Cecilia's Day, HWV76 (Handel)
Missa In illo tempore (Monteverdi)
Orpheus could lead the savage race  No 11, Aria of An Ode for St Cecilia's Day, HWV76 (Handel)
Sharp violins proclaim  No 9, Aria of An Ode for St Cecilia's Day, HWV76 (Handel)
Sonata No 1 in G minor, Z790 (Purcell)
Sonata No 10 in A major, Z799 (Purcell)
Sonata No 11 in F minor, Z800 (Purcell)
Sonata No 12 in D major, Z801 (Purcell)
Sonata No 2 in B flat major, Z791 (Purcell)
Sonata No 3 in D minor, Z792 (Purcell)
Sonata No 4 in F major, Z793 (Purcell)
Sonata No 5 in A minor, Z794 (Purcell)
Sonata No 6 in C major, Z795 (Purcell)
Sonata No 7 in E minor, Z796 (Purcell)
Sonata No 8 in G major, Z797 (Purcell)
Sonata No 9 in C minor, Z798 (Purcell)
The soft complaining flute  No 8, Aria of An Ode for St Cecilia's Day, HWV76 (Handel)
The trumpet's loud clangour  No 6, Aria and Chorus of An Ode for St Cecilia's Day, HWV76 (Handel)
What passion cannot Music raise and quell!  No 5, Aria of An Ode for St Cecilia's Day, HWV76 (Handel)
When Nature underneath a heap  No 3, Aria of An Ode for St Cecilia's Day, HWV76 (Handel)
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