Hyperion Records

Artist Hyperion Records
Anderson, Lorna (soprano)
© Gerald Place

Lorna Anderson (soprano)

Lorna Anderson has appeared in opera, concert and recital with major orchestras and festivals throughout Europe and elsewhere. As a renowned performer of the Baroque repertoire she has sung with the Orchestra of the Age of Enlightenment, Les Arts Florissants, The Sixteen, The English Concert, St James Baroque, London Baroque, Collegium Musicum 90, The King’s Consort, London Classical Players, La Chapelle Royale and the Academy of Ancient Music, under conductors including William Christie, Harry Christophers, Richard Egarr, Trevor Pinnock, Richard Hickox, Nicholas McGegan, Robert King and Sir Charles Mackerras.

In opera she has sung Morgana (Alcina) at the Halle Handel Festival, Sevilla (La Clemenza di Tito) with the Flanders Philharmonic Orchestra, Theodora with Glyndebourne Touring Opera, Riccardo Primo at the Göttingen Festival with Nicholas McGegan, The Fairy Queen with The English Concert and Il combattimento di Tancredi e Clorinda with Netherlands Opera. Lorna Anderson has also established an important reputation in the standard concert repertoire, having sung with the BBC Orchestras, Bach Choir, London Mozart Players, Royal Liverpool Philharmonic, Israel Camerata, RAI Turin (Les Noces), New World Symphony in Miami, Houston Symphony Orchestra, Washington Symphony Orchestra, Scottish Chamber Orchestra, Ensemble Intercontemporain under Pierre Boulez, London Sinfonietta under Sir Simon Rattle and at the Salzburg, Edinburgh and Aldeburgh Festivals among others. She has also toured in Libya and China with the Academy of Ancient Music.

Her recordings for Hyperion include Britten Folksong settings with Malcolm Martineau, Handel’s L’Allegro, il Penseroso ed il Moderato with Robert King, and Schubert songs with Graham Johnson.

Albums
'Britten: Complete Folk Song Arrangements' (CDA66941/2)
Britten: Complete Folk Song Arrangements
'Debussy: Songs, Vol. 2' (CDA67883)
Debussy: Songs, Vol. 2
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £10.50 Studio Master: FLAC 24-bit 96 kHz £12.00ALAC 24-bit 96 kHz £12.00 CDA67883  Studio Master FLAC & ALAC downloads available
'Handel: Essential Handel' (KING6)
Handel: Essential Handel
MP3 £4.50FLAC £4.50ALAC £4.50Buy by post £4.50 KING6  Super-budget price sampler — Last few CD copies remaining  
'Handel: L'Allegro, il Penseroso ed il Moderato' (CDA67283/4)
Handel: L'Allegro, il Penseroso ed il Moderato
'Linley: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare' (CDH55253)
Linley: A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare
MP3 £4.99FLAC £4.99ALAC £4.99Buy by post £5.50 CDH55253  Helios (Hyperion's budget label)  
'Schubert: The Complete Songs' (CDS44201/40)
Schubert: The Complete Songs
MP3 £130.00FLAC £130.00ALAC £130.00Buy by post £150.00 CDS44201/40  40CDs Boxed set + book (at a special price)  
'Schubert: The Hyperion Schubert Edition, Vol. 22' (CDJ33022)
Schubert: The Hyperion Schubert Edition, Vol. 22
'Schubert: The Hyperion Schubert Edition, Vol. 31 – Christine Brewer' (CDJ33031)
Schubert: The Hyperion Schubert Edition, Vol. 31 – Christine Brewer
'Schubert: The Hyperion Schubert Edition, Vol. 34' (CDJ33034)
Schubert: The Hyperion Schubert Edition, Vol. 34
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDJ33034  Archive Service; also available on CDS44201/40  
'Schubert: The Hyperion Schubert Edition, Vol. 35' (CDJ33035)
Schubert: The Hyperion Schubert Edition, Vol. 35
MP3 £7.99FLAC £7.99ALAC £7.99Buy by post £13.99 (ARCHIVE SERVICE) CDJ33035  Archive Service; also available on CDS44201/40  
Complete works available for download
ANONYMOUS - TRADITIONAL
Bonny at morn 'with guitar' with Craig Ogden (guitar)
Ca' the yowes with Malcolm Martineau (piano)
Come you not from Newcastle? with Malcolm Martineau (piano)
Early one morning with Malcolm Martineau (piano)
Eho! Eho! with Malcolm Martineau (piano)
Fileuse with Malcolm Martineau (piano)
Il est quelqu'un sur terre with Malcolm Martineau (piano)
Le roi s'en va-t'en chasse with Malcolm Martineau (piano)
O can ye sew cushions? with Malcolm Martineau (piano)
O Waly, Waly with Malcolm Martineau (piano)
Oliver Cromwell with Malcolm Martineau (piano)
Sweet Polly Oliver with Malcolm Martineau (piano)
The bonny Earl O'Moray with Malcolm Martineau (piano)
The false knight upon the road with Bryn Lewis (harp)
The trees they grow so high with Malcolm Martineau (piano)
Voici le printemps with Malcolm Martineau (piano)
CLAUDE DEBUSSY  (1862-1918)
Chansons de Bilitis, L97 with Malcolm Martineau (piano)
Fêtes galantes I, L86 with Malcolm Martineau (piano)
Trois Chansons de France, L115 with Malcolm Martineau (piano)
Trois Poèmes de Mallarmé, L135 with Malcolm Martineau (piano)
GEORGE FRIDERIC HANDEL  (1685-1759)
L'Allegro, il Penseroso ed il Moderato, HWV55 with The King's Consort, Robert King (conductor)
FRANZ SCHUBERT  (1797-1828)
An die Sonne, D272 with Graham Johnson (piano)
Cronnan, D282 with Simon Keenlyside (baritone), Graham Johnson (piano)
Das Abendrot, D236 with Catherine Denley (contralto), Michael George (bass), Graham Johnson (piano)
Das Leben ist ein Traum, D269 with Patricia Rozario (soprano), Catherine Wyn-Rogers (mezzo-soprano), Graham Johnson (piano)
Der 23. Psalm, D706 with Patricia Rozario (soprano), Catherine Denley (contralto), Catherine Wyn-Rogers (mezzo-soprano), Graham Johnson (piano)
Gott in der Natur, D757 with Patricia Rozario (soprano), Catherine Denley (contralto), Catherine Wyn-Rogers (mezzo-soprano), Graham Johnson (piano)
Hermann und Thusnelda, D322 with Simon Keenlyside (baritone), Graham Johnson (piano)
Morgenlied, D266 with Graham Johnson (piano)
Selma und Selmar, D286b with Jamie MacDougall (tenor), Graham Johnson (piano)
Sing-übungen, D619 with Patricia Rozario (soprano), Graham Johnson (piano)
Vaterlandslied, D287 with Graham Johnson (piano)
Alphabetical listing of all musical works
A Lyric Ode on the Fairies, Aerial Beings and Witches of Shakespeare 'The Shakespeare Ode' (Linley Jr.)
An die Sonne, D272 (Schubert)
As steals the morn upon the night (Il Moderato)  Part 3 No 7, Duet of L'Allegro, il Penseroso ed il Moderato, HWV55 (Handel)
As sweet Polly Oliver lay musing in bed  First line to Sweet Polly Oliver (Anon/Britten)
Auprès de cette grotte sombre  No 2 of Trois Chansons de France, L115 (Debussy)
Ave Maria  First line to Ellens Gesang III, D839, No 6 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Bonny at morn 'with guitar' (Anon/Britten)
Bootgesang, D835  No 3 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Ca' the yowes (Anon/Britten)
Calmes dans le demi-jour  First line to En sourdine, No 1 of Fêtes galantes I, L86 (Debussy)
Chansons de Bilitis, L97 (Debussy)
Clair de lune  No 3 of Fêtes galantes I, L86 (Debussy)
Come you not from Newcastle? (Anon/Britten)
Coronach 'Totengesang der Frauen und Mädchen', D836  No 4 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Cronnan, D282 (Schubert)
Das Abendrot, D236 (Schubert)
Das Leben ist ein Traum, D269 (Schubert)
Der 23. Psalm, D706 (Schubert)
Der Abend blüht  First line to Das Abendrot, D236 (Schubert)
Die Nacht bricht bald herein, dann leg’ ich mich zur Ruh  First line to Normans Gesang, D846, No 5 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Early one morning (Anon/Britten)
Eho! Eho! (Anon/Britten)
Ellens Gesang I, D837  No 1 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Ellens Gesang II, D838  No 2 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Ellens Gesang III, D839  No 6 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
En sourdine  No 1 of Fêtes galantes I, L86 (Debussy)
Er ist uns geschieden vom Berg und vom Walde  First line to Coronach 'Totengesang der Frauen und Mädchen', D836, No 4 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Éventail  No 3 of Trois Poèmes de Mallarmé, L135 (Debussy)
Fantoches  No 2 of Fêtes galantes I, L86 (Debussy)
Fêtes galantes I, L86 (Debussy)
Fileuse (Anon/Britten)
Gott in der Natur, D757 (Schubert)
Gott ist mein Hirt, mir wird nichts mangeln  First line to Der 23. Psalm, D706 (Schubert)
Gross ist der Herr! Die Himmel ohne Zahl  First line to Gott in der Natur, D757 (Schubert)
Ha, dort kömmt er, mit Schweiss, mit Römerblut  First line to Hermann und Thusnelda, D322 (Schubert)
Hermann und Thusnelda, D322 (Schubert)
Ich bin ein deutsches Mädchen!  First line to Vaterlandslied, D287 (Schubert)
Ich sitz’ bei der moosigten Quelle; am Gipfel  First line to Cronnan, D282 (Schubert)
If I give thee honour due (L'Allegro)  Part 1 No 14, Recitative from L'Allegro, il Penseroso ed il Moderato, HWV55 (Handel)
Il est quelqu'un sur terre (Anon/Britten)
Il m'a dit: «Cette nuit, j'ai rêvé.»  First line to La chevelure, No 2 of Chansons de Bilitis, L97 (Debussy)
Jäger, ruhe von der Jagd!  First line to Ellens Gesang II, D838, No 2 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Königliche Morgensonne  First line to An die Sonne, D272 (Schubert)
La chevelure  No 2 of Chansons de Bilitis, L97 (Debussy)
La flûte de Pan  No 1 of Chansons de Bilitis, L97 (Debussy)
La grotte  No 2 of Trois Chansons de France, L115 (Debussy)
L'Allegro, il Penseroso ed il Moderato, HWV55 (Handel)
Le long du bois couvert de givre  First line to Le tombeau des naïades, No 3 of Chansons de Bilitis, L97 (Debussy)
Le roi s'en va-t'en chasse (Anon/Britten)
Le temps a laissié son manteau  First line to Rondel I, No 1 of Trois Chansons de France, L115 (Debussy)
Le tombeau des naïades  No 3 of Chansons de Bilitis, L97 (Debussy)
Let the bright seraphim  Movement of Samson (Handel)
Lied des gefangenen Jägers, D843  No 7 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Lorsque j'étais jeunette, je gardais les moutons  First line to Fileuse (Anon/Britten)
Mein Ross so müd’ in dem Stalle sich steht  First line to Lied des gefangenen Jägers, D843, No 7 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Mirth, admit me of thy crew (L'Allegro)  Part 1 No 15, Air from L'Allegro, il Penseroso ed il Moderato, HWV55 (Handel)
Mon âme vers ton front où rêve, ô calme sœur  First line to Soupir, No 1 of Trois Poèmes de Mallarmé, L135 (Debussy)
Morgenlied, D266 (Schubert)
Normans Gesang, D846  No 5 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
O can ye sew cushions? (Anon/Britten)
Ô rêveuse, pour que je plonge  First line to Éventail, No 3 of Trois Poèmes de Mallarmé, L135 (Debussy)
O Waly, Waly (Anon/Britten)
Oliver Cromwell (Anon/Britten)
Oliver Cromwell lay buried and dead  First line to Oliver Cromwell (Anon/Britten)
Or let the merry bells ring round (L'Allegro)  Part 1 No 22, Air with chorus of L'Allegro, il Penseroso ed il Moderato, HWV55 (Handel)
Placet futile  No 2 of Trois Poèmes de Mallarmé, L135 (Debussy)
Pour ce que Plaisance est morte  First line to Rondel II, No 3 of Trois Chansons de France, L115 (Debussy)
Pour le jour des Hyacinthies  First line to La flûte de Pan, No 1 of Chansons de Bilitis, L97 (Debussy)
Princesse! à jalouser le destin d'une Hébé  First line to Placet futile, No 2 of Trois Poèmes de Mallarmé, L135 (Debussy)
Raste Krieger! Krieg ist aus  First line to Ellens Gesang I, D837, No 1 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Rondel I  No 1 of Trois Chansons de France, L115 (Debussy)
Rondel II  No 3 of Trois Chansons de France, L115 (Debussy)
Samson (Handel)
Scaramouche et Pulcinella  First line to Fantoches, No 2 of Fêtes galantes I, L86 (Debussy)
Selma und Selmar, D286b (Schubert)
Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Sing-übungen, D619 (Schubert/Roblou)
Soupir  No 1 of Trois Poèmes de Mallarmé, L135 (Debussy)
Sweet Polly Oliver (Anon/Britten)
The bonny Earl O'Moray (Anon/Britten)
The false knight upon the road (Anon/Britten)
The knight met the child in the road  First line to The false knight upon the road (Anon/Britten)
The sheep's in the meadows  First line to Bonny at morn 'with guitar' (Anon/Britten)
The trees they grow so high (Anon/Britten)
The water is wide, I cannot get o'er  First line to O Waly, Waly (Anon/Britten)
Triumph, er naht, Heil, Heil dem Helden  First line to Bootgesang, D835, No 3 of Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
Trois Chansons de France, L115 (Debussy)
Trois Poèmes de Mallarmé, L135 (Debussy)
Vaterlandslied, D287 (Schubert)
Voici le printemps (Anon/Britten)
Votre âme est un paysage choisi  First line to Clair de lune, No 3 of Fêtes galantes I, L86 (Debussy)
Weine du nicht, o die ich innig liebe  First line to Selma und Selmar, D286b (Schubert)
Willkommen, rotes Morgenlicht!  First line to Morgenlied, D266 (Schubert)
Ye Hielands and ye Low-lands  First line to The bonny Earl O'Moray (Anon/Britten)
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