Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first.

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Artist Hyperion Records
Hampson, Thomas (baritone)

Thomas Hampson (baritone)

America's leading baritone, Thomas Hampson has been recognised for his versatility and breadth of achievement in opera, song, recording, research and pedagogy. The singer, who hails from Spokane, Washington, studied with Marietta Coyle, Elisabeth Schwarzkopf, Martial Singher and Horst Günther and now enjoys an international career that has taken him to all of the world's most prestigious stages and concert halls, making him one of today's most respected, innovative and sought-after soloists.

Hampson's operatic roles span a wide range of repertoire from Rossini to Verdi and Puccini and from Monteverdi to Britten and Henze. Soloist of choice for today's foremost conductors and the pre-eminent recitalist of his generation, Hampson has conceived and performed thoughtfully-constructed programmes which explore the rich diversity of song idioms, languages and styles. He has furthered his commitment to the art of song not only by teaching, but also by researching the repertoire, and designing multi-media projects like ‘Voices from the Heart’, a performance documentary on the music of Stephen Foster for the Hessischer Rundfunk/Arte network, or the highly acclaimed ‘I Hear America Singing’, a programme about the cultural contexts of American song.

One of the most prolific and diversely-recorded artists of his generation, Hampson's recordings appear on several major labels. Almost all of his recordings have received the rewards of the industry, including six Grammy nominations, two Edison Prizes, three 1994 Gramophone Awards, the 1992 Grand Prix de la Nouvelle Académie du Disque, the Grand Prix du Disque, the 1994 Charles Cros Académie du Disque Lyrique, as well as the esteemed Toblacher Prize. To these recording honours are added the 1997 Citation of Merit for Lifetime Contribution to Music and Education from the National Arts Club on America, 1994 Cannes Classical Awards Male Singer of the Year, 1997 and 1994 German Critics' Echo Preis for Best Male Singer, 1993 Classical Music Awards' Male Singer of the Year, Musical America's Vocalist of the Year 1992, the Münchener Abendzeitung's Stern des Jahres 1992, the Music Academy of the West's first Distinguished Alumni Award and the Merola Distinguished Alumni Award as well as honorary membership in London's Royal Academy of Music and honorary doctorates from the San Francisco Conservatory and Whitworth College and the covered title of Kammsänger in Vienna.

IMG Artists, Ist Floor, Lovell House, 616 Chiswick High Road, London W4 5RX, England. Telephone [0]207 957 5800: fax [0]207 957 5801: email artistseurope@imgartists.com


Schubert: The Complete Songs
CDS44201/4040CDs Boxed set + book (at a special price)
Schubert: The Hyperion Schubert Edition, Vol. 13 – Marie McLaughlin
Schubert: The Hyperion Schubert Edition, Vol. 14 – Thomas Hampson
CDJ33014Download currently discounted
Schubert: The Hyperion Schubert Edition, Vol. 34
CDJ33034Archive Service; also available on CDS44201/40
Schubert: The Hyperion Schubert Edition, Vol. 35
CDJ33035Archive Service; also available on CDS44201/40Download currently discounted
Schubert: An introduction to The Hyperion Schubert Edition
HYP200Super-budget price sampler — Deleted

Alphabetical listing of all musical works

Amphiaraos, D166 (Schubert)
An die Leier, D737 (Schubert)
Antigone und Oedip, D542 (Schubert)
Atys, D585 (Schubert)
Ave Maria  
Bootgesang, D835  
Coronach 'Totengesang der Frauen und Mädchen', D836  
Da sitz ich ohne Bogen und starre in den Sand  
Dein Schwert, wie ist’s von Blut so rot?  
Den Tag hindurch nur einmal mag ich sprechen  
Der entsühnte Orest, D699 (Schubert)
Der Knabe seufzt über’s grüne Meer  
Der zürnenden Diana, D707 (Schubert)
Die Götter Griechenlands, D677 (Schubert)
Die Nacht bricht bald herein, dann leg’ ich mich zur Ruh  
Dioskuren, Zwillingssterne  
Eine altschottische Ballade, D923 (Schubert)
Ellens Gesang I, D837  
Ellens Gesang II, D838  
Ellens Gesang III, D839  
Er ist uns geschieden vom Berg und vom Walde  
Fragment aus dem Aeschylus, D450b (Schubert)
Freiwilliges Versinken, D700 (Schubert)
Gruppe aus dem Tartarus, D396 (Schubert)
Gruppe aus dem Tartarus, D583 (Schubert)
Hektors Abschied, D312 (Schubert)
Hippolits Lied, D890 (Schubert)
Horch – wie Murmeln des empörten Meeres  
Horch – wie Murmeln des empörten Meeres  
Ich will von Atreus’ Söhnen  
Ihr hohen Himmlischen erhöret  
Ist dies Tauris, wo der Eumeniden  
Ja, spanne nur den Bogen, mich zu töten  
Jäger, ruhe von der Jagd!  
Lasst mich, ob ich auch still verglüh’  
Lasst uns, ihr Himmlischen, ein Fest begehen!  
Lied des gefangenen Jägers, D843  
Lied eines Schiffers an die Dioskuren, D360 (Schubert)
Mein Geliebter ist ein Sohn des Hügels  
Mein Ross so müd’ in dem Stalle sich steht  
Memnon, D541 (Schubert)
Normans Gesang, D846  
Orest auf Tauris, D548 (Schubert)
Philoktet, D540 (Schubert)
Raste Krieger! Krieg ist aus  
Schöne Welt, wo bist du? Kehre wieder  
Shilrik und Vinvela, D293 (Schubert)
Sieben Gesänge aus Walter Scotts 'Fräulein vom See', Op 52 (Schubert)
So wird der Mann, der sonder Zwang gerecht ist  
Szene aus Faust, D126 (Schubert)
Triumph, er naht, Heil, Heil dem Helden  
Uraniens Flucht, D554 (Schubert)
Vor Thebens siebenfach gähnenden Toren  
Wie anders, Gretchen, war dir’s  
Will sich Hektor ewig von mir wenden  
Wohin, o Helios? In kühlen Fluten  
Zu meinen Füssen brichst du dich  

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