Albums
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Complete works available for download |
|
Come tread the paths
with James Bowman (countertenor), The King's Consort
|
|
|
Sonata in D minor, Op 1 No 11
with Susanne Heinrich (viol), Elizabeth Kenny (lute)
|
|
|
Author of Light
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Oft have I sigh'd
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
|
Ungrateful cruel maid from Clotilda
|
|
|
Violin Sonata in G major, Op 5 No 6
with Susanna Pell (viol), Elizabeth Kenny (lute), Peter Holman (chamber organ)
|
|
|
Coy Daphne fled
with Libby Crabtree (soprano), Nigel Short (countertenor), David Miller (lute)
|
|
Eyes, look no more
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Eyes, look no more
with Nigel Short (countertenor), David Miller (lute)
|
|
He whose desires are still abroad
with Nigel Short (countertenor), David Miller (lute)
|
|
If I could shut the gate
with Nigel Short (countertenor), David Miller (lute)
|
|
Mrs M E her funeral tears for the death of her husband
with Nigel Short (countertenor), David Miller (lute)
|
|
Now the earth, the skies, the air
with Libby Crabtree (soprano), Nigel Short (countertenor), Charles Daniels (tenor), Adrian Peacock (bass), David Miller (lute), Jacob Heringman (lute)
|
|
Thou pretty bird, how do I see
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Time, cruel Time
with Libby Crabtree (soprano), David Miller (lute)
|
|
Why canst thou not?
with Libby Crabtree (soprano), David Miller (lute)
|
|
|
Can she excuse my wrongs?
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Flow, my tears
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Go nightly cares
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Sorrow, stay!
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
Tell me, true love
with James Bowman (countertenor), David Miller (lute), The King's Consort
|
|
|
The Italian Ground
with Elizabeth Kenny (theorbo)
|
|
|
Pastorale in A major
with Susanna Pell (viol), Susanne Heinrich (viol), Elizabeth Kenny (theorbo), Peter Holman (chamber organ)
|
|
Sonata No 2 in D major
with Elizabeth Kenny (theorbo), Peter Holman (chamber organ)
|
|
Suite in D major
with Susanna Pell (viol), Elizabeth Kenny (theorbo), Peter Holman (chamber organ)
|
|
|
Suite in F major
with Susanna Pell (viol)
|
|
|
Sonata in G minor 'No 8', HWV393
with Susanna Pell (viol), Susanne Heinrich (viol), Elizabeth Kenny (lute), Peter Holman (harpsichord)
|
|
Violin Sonata in G minor, HWV364b
with Susanne Heinrich (viol), Elizabeth Kenny (lute), Peter Holman (harpsichord)
|
|
|
Sonata No 1 in G minor
with Susanna Pell (viol), Susanne Heinrich (viol), Elizabeth Kenny (theorbo), Peter Holman (chamber organ)
|
|
|
Hence, all ye vain delights
with Joseph Cornwell (tenor), Stephen Stubbs (English theorbo)
|
|
|
In terrors trapp'd
with James Bowman (countertenor), The King's Consort
|
|
|
Eliza is the fairest queen
with James Bowman (countertenor), The King's Consort
|
|
|
Duo for two bass viols No 1 in D minor
with The Parley of Instruments, Peter Holman (conductor)
|
|
Duo for two bass viols No 2 in D major
with The Parley of Instruments, Peter Holman (conductor)
|
|
Duo for two bass viols No 3 in C minor
with The Parley of Instruments, Peter Holman (conductor)
|
|
Duo for two bass viols No 4 in C major
with The Parley of Instruments, Peter Holman (conductor)
|
|
|
A thousand sev'ral ways I tried, Z359
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Ah! cruel nymph!, Z352
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Ah, how pleasant 'tis to love, Z353
with Barbara Bonney (soprano), The King's Consort
|
|
Amidst the shades and cool refreshing streams, Z355
with Barbara Bonney (soprano), The King's Consort
|
|
Amintor, heedless of his flocks, Z357
with Charles Daniels (tenor), The King's Consort
|
|
Ask me to love no more, Z358
with James Bowman (countertenor), The King's Consort
|
|
Bacchus is a pow'r divine, Z360
with Michael George (bass), The King's Consort
|
|
Beneath a dark and melancholy grove, Z461
with Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
Beware, poor shepherds 'The Caution', Z361
with Charles Daniels (tenor), The King's Consort
|
|
Cease, anxious world, your fruitless pain, Z362
with Susan Gritton (soprano), The King's Consort
|
|
Celia's fond, too long I've lov'd her, Z364
with James Bowman (countertenor), The King's Consort
|
|
Chaconne 'two in one upon a ground' from Dioclesian
with Susanna Pell (viol), Susanne Heinrich (viol), Elizabeth Kenny (theorbo), Peter Holman (chamber organ)
|
|
Corinna is divinely fair, Z365
with Barbara Bonney (soprano), The King's Consort
|
|
Draw near, you lovers, Z462
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
Farewell, all joys, Z368
with James Bowman (countertenor), The King's Consort
|
|
Farewell, ye rocks, ye seas and sands, Z463
with Charles Daniels (tenor), Michael George (bass), The King's Consort
|
|
Fly swift, ye hours, Z369
with Charles Daniels (tenor), The King's Consort
|
|
Gentle shepherds, you that know 'Pastoral Elegy on the Death of Mr John Playford', Z464
with Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
He himself courts his own ruin, Z372
with James Bowman (countertenor), The King's Consort
|
|
Hears not my Phillis how the birds 'The Knotting Song', Z371
with Susan Gritton (soprano), The King's Consort
|
|
High on a throne of glitt'ring ore, Z465
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
How delightful's the life of an innocent swain, Z373
with Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
How I sigh when I think of the charms of my swain, Z374
with Susan Gritton (soprano), The King's Consort
|
|
I came, I saw, and was undone 'The Thraldom', Z375
with Barbara Bonney (soprano), The King's Consort
|
|
I love and I must 'Bell Barr', Z382
with Barbara Bonney (soprano), The King's Consort
|
|
I loved fair Celia, Z381
with Rogers Covey-Crump (tenor), The King's Consort
|
|
I resolve against cringing and whining, Z386
with Charles Daniels (tenor), The King's Consort
|
|
I take no pleasure in the sun's bright beams, Z388
with Barbara Bonney (soprano), The King's Consort
|
|
If grief has any pow'r to kill, Z378
with Rogers Covey-Crump (tenor), The King's Consort
|
|
If music be the food of love, Z379a
with Rogers Covey-Crump (tenor), The King's Consort
|
|
If music be the food of love, Z379b
with Rogers Covey-Crump (tenor), The King's Consort
|
|
If music be the food of love, Z379c
with Barbara Bonney (soprano), The King's Consort
|
|
In Cloris all soft charms agree, Z384
with Rogers Covey-Crump (tenor), The King's Consort
|
|
In vain we dissemble, Z385
with Barbara Bonney (soprano), The King's Consort
|
|
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383
with Susan Gritton (soprano), The King's Consort
|
|
Let each gallant heart, Z390
with James Bowman (countertenor), The King's Consort
|
|
Let formal lovers still pursue, Z391
with James Bowman (countertenor), The King's Consort
|
|
Let us, kind Lesbia, give away, Z466
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
Love arms himself in Celia's eyes, Z392
with Barbara Bonney (soprano), The King's Consort
|
|
Love is now become a trade, Z393
with Charles Daniels (tenor), The King's Consort
|
|
Love, thou can'st hear, tho' thou art blind, Z396
with Charles Daniels (tenor), The King's Consort
|
|
Lovely Albina's come ashore, Z394
with Barbara Bonney (soprano), The King's Consort
|
|
Love's pow'r in my heart shall find no compliance, Z395
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Musing on cares of human fate, Z467
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
My heart, whenever you appear, Z399
with Rogers Covey-Crump (tenor), The King's Consort
|
|
No, to what purpose should I speak?, Z468
with Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
Not all my torments can your pity move, Z400
with Susan Gritton (soprano), The King's Consort
|
|
O solitude, my sweetest choice!, Z406
with Susan Gritton (soprano), The King's Consort
|
|
Oh, fair Cedaria, hide those eyes, Z402
with Barbara Bonney (soprano), The King's Consort
|
|
Olinda in the shades unseen, Z404
with Barbara Bonney (soprano), The King's Consort
|
|
On the brow of Richmond Hill, Z405
with James Bowman (countertenor), The King's Consort
|
|
Pastora's beauties when unblown, Z407
with Barbara Bonney (soprano), The King's Consort
|
|
Phillis, I can ne'er forgive it, Z408
with Charles Daniels (tenor), The King's Consort
|
|
Phillis, talk no more of passion, Z409
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Pious Celinda goes to prayers, Z410
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Rashly I swore I would disown, Z411
with Charles Daniels (tenor), The King's Consort
|
|
Scarce had the rising sun appear'd, Z469
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
See how the fading glories of the year, Z470
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
She that would gain a faithful lover, Z414
with Barbara Bonney (soprano), The King's Consort
|
|
She, who my poor heart possesses, Z415
with James Bowman (countertenor), The King's Consort
|
|
Since one poor view has drawn my heart, Z416
with Barbara Bonney (soprano), The King's Consort
|
|
Since the pox, or the plague, Z471
with Charles Daniels (tenor), Michael George (bass), The King's Consort
|
|
Spite of the godhead, pow'rful love, Z417
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Sylvia, now your scorn give over, Z420
with James Bowman (countertenor), The King's Consort
|
|
Sylvia, 'tis true you're fair, Z512
with Charles Daniels (tenor), Michael George (bass), The King's Consort
|
|
They say you're angry, Z422
with Charles Daniels (tenor), The King's Consort
|
|
This poet sings the Trojan wars 'Anacreon's Defeat', Z423
with Michael George (bass), The King's Consort
|
|
Through mournful shades and solitary groves, Z424
with Barbara Bonney (soprano), The King's Consort
|
|
Urge me no more, Z426
with Susan Gritton (soprano), The King's Consort
|
|
What a sad fate is mine, Z428a
with Susan Gritton (soprano), The King's Consort
|
|
What hope for us remains now he is gone?, Z472
with Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
When first my shepherdess and I, Z431
with Charles Daniels (tenor), The King's Consort
|
|
When her languishing eyes said 'Love!', Z432
with Charles Daniels (tenor), The King's Consort
|
|
When Strephon found his passion vain, Z435
with Barbara Bonney (soprano), Michael George (bass), The King's Consort
|
|
While Thirsis, wrapp'd in downy sleep, Z437
with James Bowman (countertenor), The King's Consort
|
|
Whilst Cynthia sung, all angry winds lay still, Z438
with Rogers Covey-Crump (tenor), The King's Consort
|
|
Who but a slave can well express, Z440
with Susan Gritton (soprano), The King's Consort
|
|
Who can behold Florella's charms?, Z441
with Charles Daniels (tenor), The King's Consort
|
|
Ye happy swains, whose nymphs are kind, Z443
with Barbara Bonney (soprano), The King's Consort
|
|
Young Thirsis' fate, Z473
with Susan Gritton (soprano), Michael George (bass), The King's Consort
|
|
|
Sinfonia in F major
with Peter Holtslag (recorder), The Parley of Instruments, Roy Goodman (conductor)
|
|
Alphabetical listing of all musical works |
|
A thousand sev'ral ways I tried, Z359 (Purcell)
|
|
Ah! cruel nymph!, Z352 (Purcell)
|
|
Ah, how pleasant 'tis to love, Z353 (Purcell)
|
|
Amidst the shades and cool refreshing streams, Z355 (Purcell)
|
|
Amintor, heedless of his flocks, Z357 (Purcell)
|
|
Ask me to love no more, Z358 (Purcell)
|
|
Author of Light (Campion)
|
|
Bacchus is a pow'r divine, Z360 (Purcell)
|
|
Beneath a dark and melancholy grove, Z461 (Purcell)
|
|
Beware, poor shepherds 'The Caution', Z361 (Purcell)
|
|
Can she excuse my wrongs? (Dowland)
|
|
Cease, anxious world, your fruitless pain, Z362 (Purcell)
|
|
Celia's fond, too long I've lov'd her, Z364 (Purcell)
|
|
Chaconne 'two in one upon a ground' from Dioclesian (Purcell/Withy)
|
|
Come tread the paths (Anon)
|
|
Corinna is divinely fair, Z365 (Purcell)
|
|
Coy Daphne fled (Danyel)
|
|
Draw near, you lovers, Z462 (Purcell)
|
|
Duo for two bass viols No 1 in D minor (Locke)
|
|
Duo for two bass viols No 2 in D major (Locke)
|
|
Duo for two bass viols No 3 in C minor (Locke)
|
|
Duo for two bass viols No 4 in C major (Locke)
|
|
Eliza is the fairest queen (Johnson)
|
|
Eyes, look no more (Danyel)
|
|
Farewell, all joys, Z368 (Purcell)
|
|
Farewell, ye rocks, ye seas and sands, Z463 (Purcell)
|
|
Flow, my tears (Dowland)
|
|
Fly swift, ye hours, Z369 (Purcell)
|
|
Gentle shepherds, you that know 'Pastoral Elegy on the Death of Mr John Playford', Z464 (Purcell)
|
|
Go nightly cares (Dowland)
|
|
He himself courts his own ruin, Z372 (Purcell)
|
|
He whose desires are still abroad (Danyel)
|
|
Hears not my Phillis how the birds 'The Knotting Song', Z371 (Purcell)
|
|
Hence, all ye vain delights (Hilton)
|
|
High on a throne of glitt'ring ore, Z465 (Purcell)
|
|
How delightful's the life of an innocent swain, Z373 (Purcell)
|
|
How I sigh when I think of the charms of my swain, Z374 (Purcell)
|
|
I came, I saw, and was undone 'The Thraldom', Z375 (Purcell)
|
|
I love and I must 'Bell Barr', Z382 (Purcell)
|
|
I loved fair Celia, Z381 (Purcell)
|
|
I resolve against cringing and whining, Z386 (Purcell)
|
|
I take no pleasure in the sun's bright beams, Z388 (Purcell)
|
|
If grief has any pow'r to kill, Z378 (Purcell)
|
|
If I could shut the gate (Danyel)
|
|
If music be the food of love, Z379a (Purcell)
|
|
If music be the food of love, Z379b (Purcell)
|
|
If music be the food of love, Z379c (Purcell)
|
|
In Cloris all soft charms agree, Z384 (Purcell)
|
|
In terrors trapp'd (Hunnis)
|
|
In vain we dissemble, Z385 (Purcell)
|
|
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383 (Purcell)
|
|
Let each gallant heart, Z390 (Purcell)
|
|
Let formal lovers still pursue, Z391 (Purcell)
|
|
Let us, kind Lesbia, give away, Z466 (Purcell)
|
|
Love arms himself in Celia's eyes, Z392 (Purcell)
|
|
Love is now become a trade, Z393 (Purcell)
|
|
Love, thou can'st hear, tho' thou art blind, Z396 (Purcell)
|
|
Lovely Albina's come ashore, Z394 (Purcell)
|
|
Love's pow'r in my heart shall find no compliance, Z395 (Purcell)
|
|
Mrs M E her funeral tears for the death of her husband (Danyel)
|
|
Musing on cares of human fate, Z467 (Purcell)
|
|
My heart, whenever you appear, Z399 (Purcell)
|
|
No, to what purpose should I speak?, Z468 (Purcell)
|
|
Not all my torments can your pity move, Z400 (Purcell)
|
|
Now the earth, the skies, the air (Danyel)
|
|
O solitude, my sweetest choice!, Z406 (Purcell)
|
|
Oft have I sigh'd (Campion)
|
|
Oh, fair Cedaria, hide those eyes, Z402 (Purcell)
|
|
Olinda in the shades unseen, Z404 (Purcell)
|
|
On the brow of Richmond Hill, Z405 (Purcell)
|
|
Pastorale in A major (Finger)
|
|
Pastora's beauties when unblown, Z407 (Purcell)
|
|
Phillis, I can ne'er forgive it, Z408 (Purcell)
|
|
Phillis, talk no more of passion, Z409 (Purcell)
|
|
Pious Celinda goes to prayers, Z410 (Purcell)
|
|
Rashly I swore I would disown, Z411 (Purcell)
|
|
Scarce had the rising sun appear'd, Z469 (Purcell)
|
|
See how the fading glories of the year, Z470 (Purcell)
|
|
She that would gain a faithful lover, Z414 (Purcell)
|
|
She, who my poor heart possesses, Z415 (Purcell)
|
|
Since one poor view has drawn my heart, Z416 (Purcell)
|
|
Since the pox, or the plague, Z471 (Purcell)
|
|
Sinfonia in F major (Telemann)
|
|
Sonata in D minor, Op 1 No 11 (Bocchi)
|
|
Sonata in G minor 'No 8', HWV393 (Handel)
|
|
Sonata No 1 in G minor (Hely)
|
|
Sonata No 2 in D major (Finger)
|
|
Sorrow, stay! (Dowland)
|
|
Spite of the godhead, pow'rful love, Z417 (Purcell)
|
|
Suite in D major (Finger)
|
|
Suite in F major (Gorton)
|
|
Sylvia, now your scorn give over, Z420 (Purcell)
|
|
Sylvia, 'tis true you're fair, Z512 (Purcell)
|
|
Tell me, true love (Dowland)
|
|
The Italian Ground (Draghi)
|
|
They say you're angry, Z422 (Purcell)
|
|
This poet sings the Trojan wars 'Anacreon's Defeat', Z423 (Purcell)
|
|
Thou pretty bird, how do I see (Danyel)
|
|
Through mournful shades and solitary groves, Z424 (Purcell)
|
|
Time, cruel Time (Danyel)
|
|
Ungrateful cruel maid from Clotilda (Conti/Anon)
|
|
Urge me no more, Z426 (Purcell)
|
|
Violin Sonata in G major, Op 5 No 6 (Corelli/Anon)
|
|
Violin Sonata in G minor, HWV364b (Handel)
|
|
What a sad fate is mine, Z428a (Purcell)
|
|
What hope for us remains now he is gone?, Z472 (Purcell)
|
|
When first my shepherdess and I, Z431 (Purcell)
|
|
When her languishing eyes said 'Love!', Z432 (Purcell)
|
|
When Strephon found his passion vain, Z435 (Purcell)
|
|
While Thirsis, wrapp'd in downy sleep, Z437 (Purcell)
|
|
Whilst Cynthia sung, all angry winds lay still, Z438 (Purcell)
|
|
Who but a slave can well express, Z440 (Purcell)
|
|
Who can behold Florella's charms?, Z441 (Purcell)
|
|
Why canst thou not? (Danyel)
|
|
Ye happy swains, whose nymphs are kind, Z443 (Purcell)
|
|
Young Thirsis' fate, Z473 (Purcell)
|
|
