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Hyperion Records

Artist Hyperion Records
Chance, Michael (countertenor)  
© Gerald Place

Michael Chance (countertenor)

"Despite the abundance of younger star countertenors these days, none of them yet match Chance's intelligent delivery and supreme ability to get inside the English language." The Guardian

Michael Chance has established a worldwide reputation as one of the foremost exponents of the male alto voice in all areas of the classical repertoire, and is in equal demand as an opera, concert and recording artist.

His vocal training with Rupert Bruce Lockhart followed an English degree at King's College, Cambridge where he was also a choral scholar. His first operatic appearance was in the Buxton Festival in Ronald Eyre's staging of Cavilli's Giasone which was followed by appearances in Lyon, Cologne, and three seasons with Kent opera. Subsequently, he has performed in the Sydney Opera House, Teatro Colon in Buenos Aires, La Scala Milan, New York, Lisbon, Oviedo, Paris, Amsterdam and with Covent Garden, Glyndebourne, and English National Opera. Festival appearances include Edinburgh, Aix-en-Provence, BBC Proms in London and Salzburg.

His appearances in oratorio and recital have taken him to concert halls all over the world including Carnegie Hall, Concertgebouw, Musikverein, Neue Gewandhaus and Berlin's Philharmonie. He has given recitals in Frankfurt, Vienna, Amsterdam, Israel, New York and London's Wigmore Hall with a variety of programmes, ranging from Elizabethan lute songs to new works commissioned for him.

Michael Chance's list of recordings is numerous and widespread. He received a Grammy award for his participation in Handel's Semele for Deutsche Grammophon with John Nelson and Kathleen Battle. He has recorded frequently with John Eliot Gardiner, including the Bach Passions and Cantatas, B Minor Mass, Monterverdi's Orfeo and L'Incoronazione di Poppea and Handel's Jeptha, Tamerlano and Agrippina. Other conductors he has recorded with include Trevor Pinnock, Franz Bruggen, Ton Koopman and Nicholas McGegan.

His belief in extending the counter-tenor repertoire has prompted new work to be composed for him by Richard Rodney Bennett, Alexander Goehr, Tan Dun, Anthony Powers, John Tavener, and Elvis Costello—amongst others. He sings regularly with the viol consort Fretwork, and recently toured with them to Japan and the United States.

Ingpen & Williams Ltd, 7 St George's Court, 131 Putney Bridge Road, London SW15 2PA

Telephone [0]208 874 3222; fax [0]20 8877 3113.

email info@ingpen.co.uk

Albums
'A Musicall Dreame' (CDA66335)
'Blow & Draghi: Odes for St Cecilia' (CDH55257)
'Blow & Purcell: Countertenor duets' (CDA66253)
'Britten: A Boy was Born & other choral works' (CDH55307)
'Britten: The Five Canticles' (CDH55244)
'Draghi & Blow: Odes for St Cecilia' (CDH55257)
'Essential Purcell' (KING2)
Essential Purcell
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'Howells: Requiem; Vaughan Williams: Mass in G minor' (CDH55220)
'Pergolesi: Stabat mater' (CDA66294)
'Purcell & Blow: Countertenor duets' (CDA66253)
'Purcell: Odes, Vol. 1 – Royal and Ceremonial Odes' (CDA66314)
'Purcell: Odes, Vol. 8 – Come ye sons of Art' (CDA66598)
'Purcell: The Complete Odes & Welcome Songs' (CDS44031/8)
'Vaughan Williams: Mass in G minor; Howells: Requiem' (CDH55220)
'Zelenka: Lamentations' (CDH55106)
'Couperin: Leçons de Ténèbres' (CDA66474)
Complete works available for download
JOHN BLOW  (1649-1708)
Ah, heav'n! What is't I hear? with James Bowman (countertenor), The King's Consort, Robert King (conductor)
Ode on the death of Mr Henry Purcell with James Bowman (countertenor), The King's Consort, Robert King (conductor)
The glorious day is come with The Parley of Instruments, The Playford Consort, Peter Holman (conductor)
BENJAMIN BRITTEN  (1913-1976)
Canticle II 'Abraham and Isaac', Op 51 with Anthony Rolfe Johnson (tenor), Roger Vignoles (piano)
Canticle IV 'The Journey of the Magi', Op 86 with Anthony Rolfe Johnson (tenor), Alan Opie (baritone), Roger Vignoles (piano)
Rejoice in the Lamb, Op 30 with Corydon Singers, Westminster Cathedral Choristers, Matthew Best (conductor)
JOHN COPRARIO  (c1570-1626)
In darkness let me dwell with David Cordier (countertenor), Tragicomedia
FRANÇOIS 'LE GRAND' COUPERIN  (1668-1733)
Laetentur caeli 'Motet de St Barthélémy' with James Bowman (countertenor), Mark Caudle (viola da gamba), Robert King (organ)
Magnificat with James Bowman (countertenor), Mark Caudle (viola da gamba), Robert King (organ)
Trois Leçons de Ténèbres with James Bowman (countertenor), Robert King (organ)
Venite, exsultemus with James Bowman (countertenor), Mark Caudle (viola da gamba), Robert King (organ)
GIOVANNI BATTISTA DRAGHI  (c1640-1708)
From harmony, from heav'nly harmony with The Parley of Instruments, The Playford Consort, Peter Holman (conductor)
HERBERT HOWELLS  (1892-1983)
Requiem with Corydon Singers, Matthew Best (conductor)
ROBERT JONES  (fl1597-1615)
Farewell, fond youth with David Cordier (countertenor), Tragicomedia
Grief of my best love's absenting with Tragicomedia
Hark! Wot ye what? with David Cordier (countertenor), Tragicomedia
Ite caldi sospiri with Tragicomedia
My complaining is but feigning with David Cordier (countertenor), Tragicomedia
On a time in summer season with David Cordier (countertenor), Tragicomedia
Once did I serve a cruel heart with David Cordier (countertenor), Tragicomedia
Sweet Kate with David Cordier (countertenor), Tragicomedia
Though your strangeness frets my heart with David Cordier (countertenor), Tragicomedia
Will said to his mammy with David Cordier (countertenor), Tragicomedia
ANGELO NOTARI  (1566-1663)
Intenerite voi with David Cordier (countertenor), Tragicomedia
GIOVANNI PERGOLESI  (1710-1736)
In caelestibus regnis with The King's Consort, Robert King (conductor)
Stabat mater with The King's Consort, Robert King (conductor)
HENRY PURCELL  (1659-1695)
Arise, my muse, Z320 with The King's Consort, Robert King (conductor)
Come ye sons of Art, away, Z323 with New College Choir Oxford, The King's Consort, Robert King (conductor)
Evening hymn, Z193 with Roger Vignoles (piano)
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383 with The King's Consort, Robert King (conductor)
Now does the glorious day appear, Z332 with The King's Consort, Robert King (conductor)
O dive custos Auriacae domus 'An elegy upon the death of Queen Mary', Z514 with James Bowman (countertenor), The King's Consort, Robert King (conductor)
Welcome to all the pleasures, Z339 with The King's Consort, Robert King (conductor)
Welcome, vicegerent of the mighty King, Z340 with New College Choir Oxford, The King's Consort, Robert King (conductor)
Why, why are all the Muses mute?, Z343 with New College Choir Oxford, The King's Consort, Robert King (conductor)
RALPH VAUGHAN WILLIAMS  (1872-1958)
Mass in G minor with Corydon Singers, Matthew Best (conductor), Mary Seers (soprano), Philip Salmon (tenor), Jonathan Best (bass)
JAN DISMAS ZELENKA  (1679-1745)
Lamentationes pro die Mercurii Sancto 'Lamentations for Maundy Thursday' with The Chandos Baroque Players
Lamentationes pro die Veneris Sancto 'Lamentations for Easter Eve' with The Chandos Baroque Players
Alphabetical listing of all musical works
Ah, heav'n! What is't I hear? (Blow)
Arise, my muse, Z320 (Purcell)
Bonduca, or The British Heroine, Z574 (Purcell)
Canticle II 'Abraham and Isaac', Op 51 (Britten)
Canticle IV 'The Journey of the Magi', Op 86 (Britten)
Come ye sons of Art, away, Z323 (Purcell)
Evening hymn, Z193 (Purcell/Britten)
Farewell, fond youth (Jones)
From harmony, from heav'nly harmony (Draghi)
Grief of my best love's absenting (Jones)
Hail! bright Cecilia, Z328 (Purcell)
Hark! Wot ye what? (Jones)
In caelestibus regnis (Pergolesi)
In darkness let me dwell (Coprario)
Incassum Lesbia, incassum rogas 'The Queen's Epicedium', Z383 (Purcell)
Intenerite voi (Notari)
Ite caldi sospiri (Jones)
Laetentur caeli 'Motet de St Barthélémy' (Couperin)
Lamentationes pro die Mercurii Sancto 'Lamentations for Maundy Thursday' (Zelenka)
Lamentationes pro die Veneris Sancto 'Lamentations for Easter Eve' (Zelenka)
Magnificat (Couperin)
Mass in G minor (Vaughan Williams)
My complaining is but feigning (Jones)
Now does the glorious day appear, Z332 (Purcell)
O dive custos Auriacae domus 'An elegy upon the death of Queen Mary', Z514 (Purcell)
Ode on the death of Mr Henry Purcell (Blow)
On a time in summer season (Jones)
Once did I serve a cruel heart (Jones)
Rejoice in the Lamb, Op 30 (Britten)
Requiem (Howells)
Stabat mater (Pergolesi)
Sweet Kate (Jones)
The glorious day is come (Blow)
The Maid's Last Prayer, or Any rather than Fail, Z601 (Purcell)
Though your strangeness frets my heart (Jones)
Timon of Athens, Z632 (Purcell)
Trois Leçons de Ténèbres (Couperin)
Venite, exsultemus (Couperin)
Welcome to all the pleasures, Z339 (Purcell)
Welcome, vicegerent of the mighty King, Z340 (Purcell)
Why, why are all the Muses mute?, Z343 (Purcell)
Will said to his mammy (Jones)
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